An archaic style vase with crackle-glaze and simulated metal mounts. On the base is the apocryphal mark of the 15th Century (Ming) Chenghua emperor but this item was made much later , in the 19th Century, probably during the reign of the Tongzhi emperor (1862-1874) when this style was first introduced. Condition - excellent no damage and no restoration. 30cm (11.75 inches) high. Weight - 1.1kg (2lb8oz)...

A rare thinly potted and extremely well painted deep dish with exceptionally fine porcelain body. The base carries the six character reign mark of the Jiajing emperor (1522-1566) enclosed within a double circle but this item was probably made later, in the 16th/17th Century, during the reign of the Wanli emperor (1573-1619). Condition: there is production glaze loss (fritting) to the rim but no cracks or damages and no restoration...

Description:

A black-glazed Jianyang Temmoko tea bowl was in nice form.
It was decorated in the covetto and partial of the outer surface with charming and rarely-seen oil spots.
The body clay was revealed at the foot ring in dry and grayish tint which was caused during long periods of burial.

Date: Southern Song Dynasty.1127-1279

Width: 12cm, Height: 6.6cm.

A CUSTOM-MADE COTTON BOX IS INCLUDED.

Blue Chinese fencai vase with a french blue background with four various landscape views painted within the circular medallion sections of the vase. The vase contains a maker's mark on the bottom which reads: Guangzhen Gongxi xingzao. Age: 20th century. Size: height 14.5" diameter 5.25"

Chinese porcelain vase decorated with scrolling strings, peaches, and bats. In some areas, the vase contains the stylized character for happiness. The bottom of the vase contains an inscription reading: Guang Xu Nian Xing. Age: 19th-20th century. Size: diameter 9.5" height 13.5"

A large underglaze blue decorated vase, very finely painted in 18th Century style with bands of plantain leaves, key fret and ruyi above the Bajixiang (eight Buddhist emblems) amongst cloud scrolls. On the base is the six character seal mark of the Qianlong emperor (1736-1795) but this item was made later, in the 20th Century, probably during the Republic period (1911-1949)...

Circa 1890 - 1920s
Late Guangxu - Republic Period
Porcelain with underglaze cobalt blue
D: 9 cm
Basically perfect. Slight red discoloration to inner rim due to paste storage.
From a Baltimore, Maryland collection

Though marked with a six character Kangxi mark, this paste box is decorated in a reserved, minimalistic style that is solidly late Qing/ Republic. Its shape is flattened and elegantly contoured...

Late 19th century, circa 1860-1900
Tongzhi - Guangxu Period, Qing Dynasty
Porcelain with overglaze famille rose enamels, hardwood
Just plaque- h: 17.6 cm, w: 10.5 cm; with stand - h: 22.9 cm, w: 12 cm
Nearly perfect condition, age wear to enamels From a Palm Beach, Florida collection

Although the late Qing period saw a marked decline in the quality of porcelains produced, many surviving pieces nonetheless feature charming and humorous portrayals of Chinese life...

Late 19th century
Tongzhi Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
D: 8.4, h: 6.5
Both cups with single hairline.
From a Myrtal Beach, South Carolina estate

19th century
Qing Dynasty
Porcelain with flambe glaze
H: 38.3 cm, w (at widest point): 23 cm Nearly perfect condition: rough unevenness to foot rim
From a Fort Lauderdale, Florida estate

The Qing flambe glaze is rooted in the antiquarian revivals of the Yongzheng and Qianlong period, when an interest in Song monochromes led to attempts to copy Jun glazes...

Circa 1890 - 1920s
Late Guangxu - Republic Period
Porcelain with underglaze cobalt blue
D: 9 cm
Basically perfect. Slight red discoloration to inner rim due to paste storage.
From a Baltimore, Maryland collection

Though marked with a six character Kangxi mark, this paste box is decorated in a reserved, minimalistic style that is solidly late Qing/ Republic. Its shape is flattened and elegantly contoured...

Late 19th century, circa 1880-1910
Guangxu Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
H: 36.3 cm (without stand), 41.8 cm (with stand)
Wear to enamels. 3.5 cm hairline to neck, 4 cm hairline to body. Bottom drilled. Small chips and wear to foot rim.
From a Princeton, NJ estate, old dealers' labels (one English, the other Japanese) to bottom

This vase is one of the best late Qing famille rose pieces I have handled...

Dated 1922 in vase inscription
Republic period
Porcelain with overglaze enamels
H: 33.7 cm
Wear to enamels, otherwise perfect condition
From a Palm Beach, Florida estate

The movement towards realism and modern expressionism stood as the vanguard of Republic era Chinese art. This vase reflect the new innovative style that took hold of Chinese artists in the 1920s, with its bold colors and swiftly powerful brush strokes...

Late 16th - 17th century
Tianqi - Wanli period, Ming Dynasty
Porcelain with copper red glaze
H: 15.5 cm
Minor surface scratches, footrim has three firing cracks/flaws, but otherwise very good.
From a Greenwich, Connecticut collection

Chinese potters have been experimenting with copper glazes since the Tang dynasty...

Decorated on both sides with saints or immortals in enamel colors. H.7 cm. Condition: a 5 mm almost invisible (glaze) crack right above the handle of the censer that one of the saints is resting on. Expected age wear.

A nice and original red enamel dish, decorated with a phoenix at the interior. Ming dynasty 17th century Swatow type in perfect condition. Diameter:

Beautiful antique Chinese porcelain pair of roosters with polychrome glaze. Very nice incised detail. Created in a naturalistic style. Each rooster stands on one foot with the other raised close to its body atop a brown glazed tree trunk. Age: Qing Dynasty (18th century - 19th century) Size: 15.5" height x 9.5" length.

Description:
A Yaozhou water dropper was presented in perfect condition.
The glaze condition was very good except some incursions had been happened to the rim of the venting hole and the beak-like mouth.
Amusingly found at the bottom, there were three padding clays were still adhered without being removed.
It was really rare to find an ancient porcelain ware which was solely for scholar use.
A similar piece but from Longquan site was documented...