Chinese pottery green glazed jar with cover.

Age: China, Yuan Dynasty, circa A.D. 1271 - 1368
Measurement: Height 36.4 C.M. / Width 27.2 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost...

Chinese pottery green glaze jar with plain decoration. Lead glaze with copper is the main colorant used in Han period to produce green glaze. Greenware became popular during the Eastern Han period.

Age: China, Han Dynasty, 206 B.C. - A.D. 220
Measurement: Height 23.1 C.M. / Width 26.7 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground)...

A nice old Chinese tea holder made of bamboo, carved with a bird in flight and mountain scene. The back has beautifully incised calligraphy of a poem. Size: H.15.5cm. W. 11.4cm Condition: One old small repair on the back. See photo.

Chinese pottery green glazed granary, with cylindrical shape, decorated with bands of incised lines, and supported by three legs in the shape of bears. Lead glaze with copper is the main colorant used in Han period to produce green glaze. Greenware became popular during the Eastern Han period.

Age: China, Han Dynasty, 206 B.C. - A.D. 220
Size: Height 24 C.M...

Chinese pottery granary jar with amber and green glaze, round shape, decorated with bands of incised lines on the body, and supported by three legs in the shape of bears. It is difficult to find Han granary in amber and green glaze like this.

Age: China, Han Dynasty, 206 B.C. - A.D. 220
Size: Height 22.8 C.M...

For festivals including her wedding, a Yao girl of marriageable age would wear the traditional "celestial crown" clipped to her hair on the top of her head. This traditional ornament was common among the Yao of Laos, Thailand and China's Yunnan Province. Upon reaching puberty, the Yao girl would be expected to make her own crown following traditional patterns and methods of her local region...

Chinese painted pottery warrior wearing a "wind" hat with side and back flaps, with red, black and white pigments remaining.

Age: China, Northern Wei Dynasty, circa A.D. 386 - 535
Measurement: Height 22.8 C.M. / Width 7.5 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...

Chinese pottery court lady with nice facial expression, her hair raised up, wearing tunic, with red, black and white pigments remaining.

Age: China, Tang Dynasty, A.D. 618 - 907
Size: Height 24.3 C.M. / Width 5.8 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adhering (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...

A rare 17th Century (probably late Ming) carving of the Hehe Erxian - the Twin Immortals of Union and Harmony - in typical pose, one holding a basket and the other holding its 'contents' - a bat a symbol of happiness. Condition - good - there are natural cracks and flaws to the stone but no damages or losses...

Description:
A white-glazed amphora was in grandeur look.
By an ovoid belly, the wall sprang from the solid flat base, expanded rapidly then curved to form a bulging shoulder.
Under the dished mouth, the long ringed neck rested to the broad shoulder on which was circulated with a raised ridge...

Description:

A black-marble lion was in crouching posture.
Being rendered by excellent carving skill, the lion was in fierce look by bulge eyes, bared teeth and tongue.
Even though excavated with imperfections, the lion was still momentum by his strenuous muscle, the strong limbs and the flouring manes...

Description:
"A finely carved limestone Buddha was seated in dhyanasana upon a lotus throne joined by octagonal column to a wide pedestal base of conforming section and framed by a skirt of pendent of lotus petals with furling peaks,
the Buddha's hand resting in his lap and upon his left knee while emerging from the long robes draped over the shoulders to leave the chest bare and filling in cascading folds over the base,
the face with slender almond eyes and small smiling mouth, fla...

Chinese Scholar's Hat Chair, Jumu, elmwood with translucent red lacquer, late 18th century early 19th century. Size: 21.5W 17D 38H, surface wear to finish and exposed wood.

Chinese Group of Stoneware Puppetheads and hands on iron stands, 19th century, charming characatures of daily life in China done in earthtones and shades of blue. Round holes of attachment at lower ends of pieces. Hollow cores. Head Sizes range from 6.75"H to 8.5"H without stands, Losses to various heads and hands

Pair of massive Chinese Buddha scrolls, Buddha dressed in flowing red robe with blue hair and usnisa, displaying different hand mudras for each. Partial chop on lower left margin,18th-19th century, worn and old repairs, new mounting for tops reinforced bottom, wood scroll ends. Size 12' L 5' W each

Chinese Black Stone Seated Quanyin on a rock promontory with bird perched on left side, holding scroll and beads, 10"H 8"W 5"D, MIng Dynasty, good patina to surface wear.

Antique Chinese pair of scroll paintings with calligraphy in black ink on silk, with signed box, Qing Dynasty. With Japanese mounting.

This is an antique version of an ancient Chinese preface to a compilation of poems, the Lantingji Xu ('Preface to the Poems Collected from the Orchid Pavilion’). The entire text of the preface is here, ending at the break 7 characters above the 2 red seals. The signature seals are those of the calligrapher. The calligrapher is Chinese: 錢å¡...

Massive Tibetan Thangka of Amitayus from the Jonathen Cob Estate, Buddha.Amitayus.is the main bodhisattva form-emanation of the fire-element. In most mandalas the fire-element has the color red, is associated with the western region of the universe and has the lotus or nectar-vase as it's symbol. The lotus stands for pure intentions of all activities, while the nectar vase, filled with the subtle life-energy (nectar) demonstrates the immense power of this element. Because of the life extending e...