From our Japanese Collection, a truly superb satsuma vase, Meiji period (1868-1912), of tapered hexagonal form depicting a continuous procession of figures underneath a canopy of hanging wisteria. The vase is of the highest quality, as are all of our satsuma offerings. Note in particular the exceptional gold detailing to the robes of the figures, or look for example at the detailing of the two bijins standing with the open parasol: The work is extraordinary...

From our Japanese Collection, a truly superb satsuma vase, Meiji period (1868-1912), of robust globular form, depicting seven separate circular reserves of figures set against a most unusual and very appealing variegated ground that morphs from emerald green, to celadon, to cream, and finally to brown, all heavily overlaid with a rich brocade of chrysanthemum heads and other floral and geometric motifs executed in gilt...

The size of Koro: 5 7/8" Long x 4 3/16" Wide x 7 3/4" High. This is beautiful Japanese Shaku (Jue) Koro by Shou. Koro was made by same type fine quality crackle glaze earthen ware as Kyoto Awata Yaki or Kyoto Satsuma pieces. The Koro has intricately made with work around the body. The condition of Koro excellent, no chip, no crack and no hairline except noting one repaired spot on one of leg as two close up photo showing. The leg was snapped off cleanly at the side way...

Thick feldspar glaze highlighted by reddish ore seeping from the iron-rich clay, this is a very attractive Shino vessel that may have originally been a yunomi but was later fitted with a silver globe and repurposed as an incense burner (koro). In Japan extending the useful life of a piece—by converting it to another use or perhaps by mending broken pieces (kintsugi)—is a common practice which demonstrates a deep consideration and respect for ceramic works of art...

From our Japanese Collection, a very fine and early Gosu Blue satsuma vase, late Edo Period circa 1840-1860, signed Gyozan. There are four separate gilt-framed panels: Two depict shi-shi, one depicts scholar's table objects, and one depicts a flowering plant. Each panel is surmounted by birds in flight on the upper shoulder, probably phoenix...

From our Japanese Collection, a very fine satsuma vase, Meiji Period (1868-1912), most likely circa 1900 -1910, marvelously potted in an unusual but very elegant flared trumpet shape exhibiting definite Art Nouveau Period influences, and yet decorated in what would be considered restrained Japanese taste with simple and classic floral motifs...

Brown banko ware teapot, Japan, late Meiji / early Showa. Unglazed, with the exception of the rim and the top of the handle hooks, some gilt to the molded decoration of a dragon and a lion dog. All handmade, with thumb marks to base and rim of lid. Height including lid "4 ½ / 11.5 cm. Condition: no bamboo handle, otherwise fine.

Striking large Japanese ceramic Tokoname jar, wonderful irregular shape, large kiln fragments, thick ash glaze with unusual subtle blue and yellow striations, Momoyama Period (1573-1615). (The Tokoname Kiln is considered one of the "6 Ancient Kilns" and was located at Tokoname on the Chita Peninsula, bordering Ise Bay.)

Size: 181/2" high x 17 1/2" wide x 17" deep.

Momoyama Period (1573-1615)

This is a wonderful little censer from one of the great Meiji era satsuma artists. This beautiful piece glows with quality and is like looking at a fine jewel. Signed Shizan on the underside and the remains of an import sticker can still be seen. Condition is excellent. It measures 3 tall and is 3 1/4 wide.

Meiji Period (circa 1900) Japanese Satsuma Vase. A very beautiful example of Satsuma ware, featuring a spectacular eagle on a pine tree, both Japanese symbols of dignity, in thick gold and color enamels on a cream field. A classically shaped vase with a rich image. 10 inches, 25.5 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

This is a beautifully decorated large 12 inch Japanese Satsuma vase from Kinkozan. It is unique and rare piece because of the gold wisteria decorations. The painting and fine enameling are exquisite. A fabulous vase that is in overall excellent condition. At one time it was made into a lamp. The drill hole has been masterfully restored. It is signed on the underside with an impressed mark and was never signed in gold in the center bottom.

This unique antique Japanese vase with four handles has a creamy grayish colored body with crackles and numerous pinholes. A couple of crackles are missing (shown in the photo) at the foot. It is 11 1/2 inches tall, circa early 1900s.

Here is a pair of high quality Japanese Satsuma vases is fabulous condition. They look like they have been in storage since they were made. They are highly detailed and are only 4 3/4 inches tall. Signed Kizan.

This is a gorgeous Japanese Satsuma bowl from a rare artist. It is signed Kinzan. This bowl is in excellent condition. It measures 4 1/2 inches across and is 1 5/8 inches tall.

A beautiful Satsuma vase by Kinkozan, the foremost artist of the 'Golden Age' of Satsuma during the Meiji Period. In ovoid form with gorgeous relief butterfly and flower designs and a central band with floral rosettes on black. Kinkozan mark on base. Height: 12.5 inches, 31.5 cm; Circumference: 25 inches, 63.5 cm.

Small Satsuma earthenware incense burner in the shape of a cricket cage. Technically complex openwork work with results that are still uncertain, the fine bars of the cage have survived the test of fire without damage, then that of handling for more than 100 years. Today the object is in excellent condition. Below the mark of the Satsuma and the name Hattori who was one of the best ceramic painters of his time., allowing a precise dating. We can, on request, find out who it is. Height 14cm.

Kogo, container for storing incense during the tea ceremony, in the shape of the bud of a lotus flower.
The bottom half decorated on the outside with classic lotus sepals, as used to image a Buddhist lotus dais, in relief. The top half also decorated in low relief in a much more stylized manner...

Low tea bowl of irregular round shape. Raku-yaki with red glaze, decorated with black brushed-on spots and white patches, with fine crackle over all. Inside the foot a small area is left uncovered. Japan, Edo period, early 19th century.

. H 2-3/8 x W 5-1/4 inches

Minimal traces of usage, short crack