A published set of 10 Zen Scrolls by Jikihara Gyokusei and Shibayama Zenkei showing the 10 stages of enlightenment through the parable of the bull and the ox-herd. Ink on paper in blue silk border with wood rollers. Each scroll measures 44 x 188.5 cm and all are in fine condition but for a few tiny holes in the top of one border (see close-up). The scrolls were photographed in the order taken from the box, and are not necessarily in the correct order in the composite photos...

A dry ink on paper image of mushrooms growing up along a garden stone dated 1874 by Tani Nyoi (1822-1905). The scene is signed Nyoisanjin, and dated the second month of 1874 hemmed in by origami cranes on cream satin in a field of rough pale green silk and features dark rosewood rollers. The style is very much in the literati tradition predominant during the early Meiji. The dry vigorous strokes evoke a sense of fleeting solidity, as if wind were about to blow the light paper away...

Yuasa Koufuu is an accomplished Japanese calligrapher. She is the recipient of many honors and prizes in Japan. Her style is very graceful and reminiscent of the famed Edo Period master, Rosetsu. In this delightful piece, Yuasa Koufuu describes the beautiful scenery in a mountain river. Frame: 20 x 14 inches, 51 x 35.5 cm; Artwork: 13 x 9 inches, 33 x 23 cm.

A turned kiri-wood kogo incense case decorated with painting of plums and camellia with a silver rim. Inside wide leaves in god outline underlie the artist’s signature and stamp. The piece is 4-1/2 inches (11.5 cm) diameter.
Sekka (1866-1942) is known as the last great Rimpa Master, an artist of many talents who worked in painting, wood and lacquer. Taken from Wikipedia (they say it so much better than I) In 1910, Sekka was sent to Glascow to study Western art and craftsmanship...

A colorful work by Ueda Manshu (1869-1952) enclosed in the original signed wooden box titled Nangokufushu (Taste of a Southern Wind). A boy rides the back of an Ox through a marsh, he happy and dry and the beast happy in the cool water. One can also be reminded of the Zen tales of the Ox-herd, and connotations of enlightenment. Very much in the Taisho style with equal effort on the background as on the fore...

Antique Japanese MEIJI polychrome and ink painting on paper with "IMAO KEINEN" mark depicting an autumn scene with flowers and birds (woodcock/Asian Dowitcher in a pond with an insect in it's beak). Condition good, has a folding crease just below 2nd character and a water spot. 19th Century, framed with 100% silk passe-partout. Size: H. 24" x W. 14.5" (61 cm x 37 cm).

An unusual 17th to early 18th century Screen featuring a koto harp and candle stand behind a screen under blossoming prunus, a spry group of pine in front and rushing water beyond. Incredible veining in the gold. Like much of Japanese art, the viewer is asked to interpret the scene as they see fit. Perhaps the remnants of a night of poetry and music under the plum blossoms. Perhaps the lonely Michizane playing to the moon, alone in exile with thoughts longing for Kyoto...

Heavy pigment forms a spectral scene of a dark stone lantern viewed through the spring laden branches of maples, a dove taking flight in the fore. Anyone who has visited Japan will know the haunting sense these monoliths produce. The painting is performed in thick pigment on applied silver-leaf, signed Taisho (Okada Taisho, b. 1888). The screen is signed in the lower right corner, and measures150 x 151 cm (59 inches by 5 feet). It is in fine condition, with only minor abrasions from handling...

A finely brushed image of a pheasant in the blossoming boughs of a cherry tree bearing a circular Rimpa School seal in the lower right. Pigment on paper with bokashi daubing of water on the tree trunk. Shadows dragged through the back appear to intimate bamboo. It is bordered in beige silk with a black lacquered wooden frame. The screen measures 71.5 x 68.5 inches (181 x 174 cm) and is in fine condition, dating from the early 20th century.

Japanese 17th century 6-panel byobu screen painting depicting Sho Chiku Bai or the "Three Friends of Late Winter" namely the plum, the pine and the bamboo. Beautifully painted in mineral colors with gold leaf on paper. Size: 49 1/5" high x 115" long

AN OLD JAPANESE PAINTING OF MONJU BOSATSU.

Monju Bosatsu - Manjushri Bodhisattva of Wisdom. The painting appears to have great age and even though not in the best of condition it still has a compelling presence. It is painted on a composite sheet of thin paper, the joins can be seen as angled lines across the sheet and mounted as a kakemono. The painting is signed with a single seal impression in gold.

The painted area is approximately 106cm by 40.5cm...

Golden mist shrouds the aged pines draped with wisteria growing about the crashing falls on this anonymous early Edo period gold screen. A rare scene to find, rigid lines and the lavish use of gold are typical of the first half of the Edo era. The screen features a colorful brocade border with vermilion lacquer frame and has been fully remounted without re-painting. It measures 68-1/2 x 63-1/2 inches (174 x 162 cm) and is in fine condition, showing some old repairs.

A massive evocative painting exhibited at the first Bunten National Exhibition in 1908 by Ito Koun enclosed in a large period wooden box and pblished in the Nitten-shi series volume I. It is performed with pigment on silk, and shows that soft, almost mystical touch typical of late Meiji Rekishi-ga historical imagery. The samurai crouches at the gate, letting fly arrows at his overwhelming opponents...

A rare late Edo Period four-panel silverized Japanese Screen. A fine scholar's composition of bamboo, rocks, and a swallow in flight. A beautifully painted sumi, with a fine oxidized silverized patina. It appears to have the original brocade frame. The screen is in extraordinary condition for its age. A superb, museum quality screen and an important find. Height: 40 inches, 101.5 cm; Width: 72 inches, 183 cm.

18th Century Japanese Two Panel painted Screen of a Pine Tree and Landscape, set in gold painted clouds floating in the image. An exceptional classic Japanese masterpiece. The presence of this image changes with the light of the room. The painting techniques are sumptuous, giving the image a heightened realistic experience. A similar screen was sold by Liza Hyde to the Rockefeller collection. Height: 74.75 inches, 190 cm; Width: 67.25 inches, 171 cm.

Japanese Meiji Period painted poloma wood door (sugido). Ink and pigment on a natural wood ground, depicting a peacock perched on a flowering cherry tree, signed/sealed Sho[ryo], the reverse with scattered cherry petals floating near a flowering dandelion plant. Possibly featured in a retreat of the upper class. Height: 70.75 inches, 180 cm; Width: 34.25 inches, 87 cm.

Beautiful antique Japanese temple scroll from the Edo period (1615 -1867). The Buddha has left his physical being and attained enlightenment. After one of his close followers prepares a bed under the sal trees for him, the buddha dies. All the beings of the earth, good, evil, divine, and animal mourn his departure. The buddha is painted in gold leaf. Sumie ink and mineral colors. Provenance: from a Montclair, California estate. It measures 46" wide by 94" long.

Item description:. The lead warrior charges headstrong into the frothing waves, a band of mounted warriors following across the six panels of this mid Edo period gilded screen. Cherry blossoms, symbol of impermanence and the life of the warrior, and pines, symbol of strength and long life, create teh back drop, with clouds of gold applied smoothly and over a pebble textured surface defining the characters. A well painted rendition of this famous scene from the epic Taiheiki ...