Exceptional ivory okimono, carved from a single block, depicting a snake wrapping around a cliff under which a toad is hiding. The blond horn-eyed serpent dominates the sculpture, coiling tightly around the cliff in a menacing position, ready to pounce. Below the cliff, the toad is depicted with wide-open horned eyes and an expectant expression, hoping the snake doesn't notice him. Signed ”Gyokkosai” under the base...

Verdant foliage of the Imperial Paulownia (Kiri) tree in crisp cobalt rises majestically on this tall vase by Miyagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Seika Kiri no Zu Kabin (Blue and White Vase with Paulownia Design). It is 30 cm (12 inches) tall and in excellent condition, signed on the base...

A sublime and very rare 10th-12th century Heian Period Japanese Jizō Bosatsu wood sculpture. 8 inches (20cm) high x 6 (15cm) inches wide.

Bronze incense burner with brown patina with shibuishi inlays. Composed of an enormous wave or a dragon also in shibuishi emerging from the waves holds the sacred pearl in its claws. The sphere cover grip represents a tengu also holding a sacred pearl in one paw. The base of the wave is decorated with small crabs and octopuses. Period: Meiji (1868-1912). Height: 51 cm.

This Japanese antique tsutsugaki textile fireman coat Sashiko Edo era(1800-1867), has a beautiful and dynamic drawing of a hawk that spreads its wings and flaps powerfully on the bold waves. This powerful hawk movement is a painting that is rarely seen in the firefighter Sashiko. And the sharp eyes of the hawk are very impressive. There is a light stain on the bottom wave, but it is not noticeable...

Japanese rectangular suzuribako, lidded lacquer box with artfully and beautifully done with a dramatic design of blooming red hibiscus and its leaves, lacquer is raised and colors appear in layers, a most unusual and lovely technique, Taisho Period, signed and sealed tomobako: Setaro Imai, born Meiji 26 (1894). Size: 12 1/4" long x 11" wide x 2" high

Pair of dark blue cloisonne vases with scenes of birds among reeds. The base and mouth of the vases are bordered with an intricate design. The backs of the vases have a simple depiction of reeds with grasses. They measure 1.75" wide at base 11" tall. The bases are both signed with the same signature. Meiji period, 1868-1912.

Spectacular 19th Century Japanese Bamboo Ikebana Basket. A real masterpiece. 39.5 inches (100cm) tall, 11 inches (28cm) wide.

Very unusual antique Japanese matching pair of black lacquer gyosho bako (peddler's boxes). Each has a full height door with eight hand forged brass hinges in stunning original patina. One box opens to a large compartment. The other opens to a series of 5 drawers of different sizes. Each box has a square hole for a carrying pole.
This piece would have been used to carry and store a merchants livelihood. Selling objects or services carried out by the tools store inside...

A gorgeous Japanese framed silk hand-embroidered fukusa (gift-wrapping or tea ceremony cover), with the image of Jurojin, one of the Seven Lucky Gods. He holds his attributes, a staff and a fan. A crane, tortoise, and a deer accompany him, all of which are symbols for longevity. The detailing is very careful and breathtaking such as the glass eyes of the crane and deer...

Antique Japanese bronze okimono, animated in a recumbent pose. The tanuki clothed in Buddhist monk robes, curled and withdrawn for rest. A strand of prayer beads is visible out from underneath his crossed front legs. The sculpture is skillfully cast with a bronze dark russet patina, essentiated by the chasing of the hair and the smooth surface of the folds...

An antique Japanese bronze okimono statue of a Japanese Ama or pearl diver walking to her boat in the wind. The artist conveyed the wind intensity by the way that her headscarf has unraveled as she keeps it atop her head. Her feet nearly reach the water embankment as she readies herself for the work ahead. The artist, Kyoi Masatsune - 京井政常,signed his name with a hallmark near her feet.

Age: Meiji period (1868-1912).

Dimensions: 25" High x 10" Wide x 12" Deep

An expressive frightful yet humorous yamaneko cat (tiger) perched on a natural jagged boulder. Hand carved of boxwood with eye detailed in bone. Very well carved with fine details. An Okimono may be a small Japanese carving, similar to, but larger than netsuke. Unlike netsuke, which had a specific purpose, Okimono were purely decorative and were displayed in the tokonoma.
Original hand worn finish in excellent condition...

Black and gold lacquer sageju-baco (picnic box) decorated with floral motifs in hiramaki-e. It includes a sake bottle, a four-compartment box with nashi-ji lacquer inside, a simple tray and a hollow tray. At the top, there is a bronze handle for transport.

The sageju-bako is divided into four superimposed boxes for food on the left; a simple tray, a sake bottle and a hollow tray on the right. They are in the shape of a plum blossom.
On the top, on both sides a phoenix...

Inrô of three black lacquer compartments decorated with raden (mother-of-pearl inlay) of ducks on the water or in flight on both sides. One of the faces shows four ducks (one per box) in different postures among a decoration of stylized bamboo leaves. The upper one in flight, head to the right, the second facing left and about to land, wings spread apart, the third in a resting position, head on its wing, the fourth on the water, leaning its head forward...

A four-case lacquer inro in iroe, togidashi, hirame and kirigane lacquer, on a nashiji lacquer background, decorated with a boat, sailing on the flow, carrying numerous passengers, there are some mountains in the background.
Nashi-ji lacquer interior.
The ornamentation probably depicts the Sumida river in Tôkyô...

A pair of circular make-up boxes in nashi-ji lacquer adorned with a floral pattern and an aoi go mon motif (three mallow leaves in a ring) on the lid...

Inrô in gilded lacquer according to the takamaki-e, hiramaki-e and kirigane techniques, with five squares of a mountain lake landscape.

On the first side, there is a samurai on horseback, who is drinking from the stream. A servant accompanies him, his sword in hand. Next to the pine tree are the things they would have left behind. In the background, there is a series of nets at the edge of the bank, the mesh of which is made visible by the inlay of mother-...