Charming Antique Japanese iron lantern with imagery of crossing stalks of bamboo on its sides and a wide brimmed top. The front opens by raising the latch so candles may be placed inside. Meiji Period (1868 - 1912) Size: 10" height, 9 width

Japanese antique silk Elegant formal katsugi-kimono.It is thin silk.It has a few thin stains in several places. However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition.size:Length 148cm (58.2inch) sleeve to sleeve 127cm (49.9inch)

A print by the Japanese print maker Haku Maki, 1924-2000. He began in a career as a kamikaze pilot during world war 2. The surrender by Japan saved his life. He became a teacher and learned print making. His prints are unusual as they start with a woodblock which is carved then pressed with cement. When the cement is dried, it is carved further. A wet paper is placed on the woodblock and left to dry. The resulting image has a wonderful texture and unique embossed finish...

A print of a woman in a field of camellias by Shiko Munakata, 1903-1975. A zen Buddhist, he worked in oil painting, then woodblock printing, calligraphy and ceramics. He is sometimes called the Japanese Picasso because of his prolific multi media creative work. He was part of the sasuka-hanga movement and the mingei, folk art, movement. He is from the northern region of Aomori and incorporated many of those local themes into his art. This print measures 11.75" wide by 15.5" tall...

Japanese antique two section large choba tansu (merchant's chest) from the Kansai area, made with hinoki (Japanese cypress wood) with a beautiful natural finish. The top section has sliding panels made with keyaki burl (elm) and 4 drawers. The bottom section has 3 large drawers and another set of sliding panels with horizontal slats. The lower right hand side has a small drawer below which is a safe box with two interior drawers. The hardware is iron with warabite shaped handles...

Here is the next Japanese rare Momoyama Period collectible:

Slightly distorted cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay.

Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured...

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Today we like to present you one of our Shigaraki Chawans, roughly pottered and burned in a true wabi-sabi way around the mid 19th. cent.

Highly recommanded for lovers of Japanese aesthetics.

There is an old kiln mark and, rarely seen - 3 holes inside the foot. Great display piece.

The local sandy clay from the bed of Lake Biwa has a warm orange color, and makes very durable pottery. This clay characterizes Shigaraki ware...

A bakumatsu era (mid 19th century) Shishi Koro of dark red clay covered in a rich green glaze from the Banko kilns in Mie. It is 14 x 24 x 8 cm (9 x 5-1/2 x 3 inches) and is in fine condition but for one clawed toe which has been chipped. This squat style of facial expression was popular from the declining years of the Edo period into the early Meiji, and fits the date of this piece perfectly.

This is Kagura-screen used in Kanto area for the Meiji period(1895). As for this, cotton spun by hand is used. This is a pattern very happy that a crane flies over the sea glistening with the morning sun. As for this, Tsutsugaki where a crane flies boldly in the morning sun is impressive. This has damage and a stain of the aging in several places. And there are several places of small repair traces. And it is in an in total regular state. This was released by big Tsutsugaki collector of Tokyo...

This is a child kimono of the Tohoku district of Edo period. This is Tsutsugaki where a face is very sharp. And it is very impressive with lining dyed in Akane. Generally, the dyeing madder-red was said to have been cut off early in the Edo era, but the dyeing madder-red was slightly handed down in the Hanawa area of the Akita area. And this lining was left. This cotton is spun by hand very much by Folky. This is original form. As for this, a face is upper Tsutsugaki...

Soft, light weight wood, dark and light brown mottled, netsuke representing a snake coiling through a rock. The snake in gilt yellow bronze. Signed at the bottom: Osai. Japan, Edo or Meiji period, mid 19th century.

L 2 x W 1 ½ x H 1 ½ inches.

Very good condition.

Perhaps persimmon.

Japanese large scroll painting of a colorful bird seated on a persimmon tree branch, a bright persimmon hanging overhead. Signature and red seal in left corner. Provenance: Collection of Trotter's Antiques, Pacific Grove CA. Size: 88" H, 19" W (entire scroll), 31" H, 11.5" W (painting only)

A porcelain Koro by Mashimizu Zoroku II and decorated with a tiger by Tomita Keisen and enclosed in the original wooden box signed by both artists...

Copper greens splash this bold chawan by Kojima Kenji enclosed in the original signe wooden box. It is 5 inches (12.5 cm) diameter, 3-3/4 inches (9 cm) tall and in fine condition. Kojima Kenji was born in Aichi prefecture in 1953, and graduated the Tokoname Ceramics High School in 1971. He moved to Iga where he studied and was immediately accepted into the Asahi Togeiten Ceramics Exhibition. The following year he moved to Okayama, where he would remain 5 years studying Bizen and the complexi...

Wonderful Japanese scroll painting of Mt. Fuji surrounded by mist, with small birds and reeds in foreground, painted in light colors on silk, signed: by Kazan, of Gaishi Studio. Total size: 33 1/2" wide x 69" high. painting size: 15 1/2" high x 26 1/2" wide. "Biog.:1793-1841 Painter. Born in Edo, son of a samurai. Served Lord Miyake, of the impoverished Tawara clan. In 1838 imprisoned on false charges by the Tokugawa government; death sentence commuted to permanent house arrest; committed suicid...

A large footed Bizen slab by Isezaki Shin exhibited at the 13th Nihon Togei Ten in 1995 enclosed in the original signed wooden box and retaining the original exhibition labels. It is 52 x 51.5 x 8.5 cm (20 x 20-1/2 x 3-1/2 inches) and is in fine condition. This is the same year he was awarded at the 42nd National Traditional Crafts Exhibition. Shin Isezaki (b. 1965) is the second son of important Okayama Prefecture intangible cultural property Isezaki Mitsuru. Studied under his father from ...

Ch¨­sen Karatsu (³¯õrÌƽò) Chawan with a fantastic vivid glaze. It dates from the late Edo Period, no cracks, no repairs.

This traditional style was introduced by one or more potters brought from the Joseon Dynasty during the Japanese invasions of Korea. It features a black glaze placed under a white glaze which has been fired with straw. The two glazes run together and give a feeling of opposites.

The old box and shipping are included.

Size: 2,3'' heigh...

Rough and heavy Hagi Chawan, over 100 years old (Meiji Period), with an expressive crackle glaze.

Aesthetic inborn kiln cracks make this chawan so special. No damages or repairs.

The signature chip located on the bottom (unknown potter to me) is a local tradition from the Edo period when potters would deliberately disfigure their wares in order to sell them to merchants instead of presenting them as gifts to the Môri clan.

A good wood box, a shifuku and sh...