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Today we like to present you one of our Shigaraki Chawans, roughly pottered and burned in a true wabi-sabi way around the mid 19th. cent.

Highly recommanded for lovers of Japanese aesthetics.

There is an old kiln mark and, rarely seen - 3 holes inside the foot. Great display piece.

The local sandy clay from the bed of Lake Biwa has a warm orange color, and makes very durable pottery. This clay characterizes Shigaraki ware...

A bakumatsu era (mid 19th century) Shishi Koro of dark red clay covered in a rich green glaze from the Banko kilns in Mie. It is 14 x 24 x 8 cm (9 x 5-1/2 x 3 inches) and is in fine condition but for one clawed toe which has been chipped. This squat style of facial expression was popular from the declining years of the Edo period into the early Meiji, and fits the date of this piece perfectly.

This is Kagura-screen used in Kanto area for the Meiji period(1895). As for this, cotton spun by hand is used. This is a pattern very happy that a crane flies over the sea glistening with the morning sun. As for this, Tsutsugaki where a crane flies boldly in the morning sun is impressive. This has damage and a stain of the aging in several places. And there are several places of small repair traces. And it is in an in total regular state. This was released by big Tsutsugaki collector of Tokyo...

This is a child kimono of the Tohoku district of Edo period. This is Tsutsugaki where a face is very sharp. And it is very impressive with lining dyed in Akane. Generally, the dyeing madder-red was said to have been cut off early in the Edo era, but the dyeing madder-red was slightly handed down in the Hanawa area of the Akita area. And this lining was left. This cotton is spun by hand very much by Folky. This is original form. As for this, a face is upper Tsutsugaki...

Soft, light weight wood, dark and light brown mottled, netsuke representing a snake coiling through a rock. The snake in gilt yellow bronze. Signed at the bottom: Osai. Japan, Edo or Meiji period, mid 19th century.

L 2 x W 1 ½ x H 1 ½ inches.

Very good condition.

Perhaps persimmon.

Japanese large scroll painting of a colorful bird seated on a persimmon tree branch, a bright persimmon hanging overhead. Signature and red seal in left corner. Provenance: Collection of Trotter's Antiques, Pacific Grove CA. Size: 88" H, 19" W (entire scroll), 31" H, 11.5" W (painting only)

A porcelain Koro by Mashimizu Zoroku II and decorated with a tiger by Tomita Keisen and enclosed in the original wooden box signed by both artists. It is 12 cm (5 inches) diameter, the same height with a solid silver hoya of woven net weave by signed by Koju.
Mashimizu Zoroku II (1861-1936) inherited the pottery tradition of his father, Zoroku I and grandfather Wake Kitei III in the Gojo zaka district of Kyoto...

Copper greens splash this bold chawan by Kojima Kenji enclosed in the original signe wooden box. It is 5 inches (12.5 cm) diameter, 3-3/4 inches (9 cm) tall and in fine condition. Kojima Kenji was born in Aichi prefecture in 1953, and graduated the Tokoname Ceramics High School in 1971. He moved to Iga where he studied and was immediately accepted into the Asahi Togeiten Ceramics Exhibition...

Wonderful Japanese scroll painting of Mt. Fuji surrounded by mist, with small birds and reeds in foreground, painted in light colors on silk, signed: by Kazan, of Gaishi Studio. Total size: 33 1/2" wide x 69" high. painting size: 15 1/2" high x 26 1/2" wide. "Biog.:1793-1841 Painter. Born in Edo, son of a samurai. Served Lord Miyake, of the impoverished Tawara clan...

A large footed Bizen slab by Isezaki Shin exhibited at the 13th Nihon Togei Ten in 1995 enclosed in the original signed wooden box and retaining the original exhibition labels. It is 52 x 51.5 x 8.5 cm (20 x 20-1/2 x 3-1/2 inches) and is in fine condition. This is the same year he was awarded at the 42nd National Traditional Crafts Exhibition. Shin Isezaki (b. 1965) is the second son of important Okayama Prefecture intangible cultural property Isezaki Mitsuru...

Ch¨­sen Karatsu (³¯õrÌƽò) Chawan with a fantastic vivid glaze. It dates from the late Edo Period, no cracks, no repairs.

This traditional style was introduced by one or more potters brought from the Joseon Dynasty during the Japanese invasions of Korea. It features a black glaze placed under a white glaze which has been fired with straw. The two glazes run together and give a feeling of opposites...

Rough and heavy Hagi Chawan, over 100 years old (Meiji Period), with an expressive crackle glaze.

Aesthetic inborn kiln cracks make this chawan so special. No damages or repairs.

The signature chip located on the bottom (unknown potter to me) is a local tradition from the Edo period when potters would deliberately disfigure their wares in order to sell them to merchants instead of presenting them as gifts to the Môri clan.

A good wood box, a shifuku and sh...

A breathtaking Taisho period image of the Buddha in meditation by Takayama Shunryo. It is performed with gold appliqué and brilliant mineral pigments on silk, mounted in a fine mounting of blue cloth ending in bone rollers and enclosed in a kiri-wood box. The scroll is is 21 x 76.5 inches (53.5 x 194 cm) and is in fine condition.
Takayama Shunryo (1886-1921) born in Yamagata, studied under Yamamoto Shunkyo in Kyoto, Exhibited with the Bunten. Helped to establish the Nihon Jiyu Gakkai w...

An Edo Period Kozuka (utility knife handle.) Kinko (mixed soft metals) decoration on shakudo alloy with nanako (fish roe textured) background. Depicted in a farmer with horse in water plowing in prepartion to plant rice. A willow or other weeping tree, to one side, not yet with blooms. Nicely detailed with featured highlighted with gold and silver overlay. The water nicely textures with an itame (wood grain) effect. Serviceable, fair to good condition. There is light denting on the butt end and...

Rare Japanese Edo period woodblock print pentaptych depicting five 16th century Takeda warriors involved in the Kawanakajima campaigns against the forces of Uesugi Kenshin by Kuniyoshi (1797-1861) published by Ebisuya Shoshichi (Kinshodo) circa 1845. Each warrior is surrounded by biographical text written by Shotei Kinsui. From left to right, the seated warriors are Takeda Shingen wearing his horned helmet and holding his war fan, Yamamoto Kansuke Haruyuki in monk’s robes holding a closed fa...

A wonderful large Japanese wood carved statue of an anthropomorphic tanuki. He holds a large mokugyo or temple bell with carved dragons in one hand and a lacquered drumstick in the other. Beautifully preserved, hand-carved antique piece.

Mid Edo age (circa 1750's)
Stunning original condition, very charming piece.

Size: 36" H, 16" W

Japanese Edo period woodblock print by Kuniyoshi (1797-1861) depicting Minamoto no Yoshitsune in full armor and surcoat seated on a tiger-skin with his hand on an armrest from the series “Stories of One Hundred Heroes of High Renown” (Meiko hyaku yu den) published by Izumi-ya Ichibei (Senichi) circa 1844. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition with only minor fading and soiling evident. The print was removed from an album and is lightly album backed and slightl...

Tombo Eboshi-Nari Okegawa Do Gushoku, a rare and wonderful Japanese antique suit of armor: Eboshi helmet (represents one who has attained manhood distinguished by an Original dragonfly (tombo meadate) carved of wood and lacquered gold. It is original to the suit of armor and it represents perseverance and transformation. The half mask or monkey form (saru bo) covers only the jaw portion of the face. The armor of an archer would have such a mask as he would have operated further back in the bat...