Really important Ko-Karatsu (kogaratsu - oldest Karatsu ware made during the 16th century) Madara tea bowl with a yobitsugi repair of highest quality.

The bowl is a so called Madara Karatsu tea bowl (provenance is the legendary Hobashira-kiln) due to its typical cookie-like sandy clay and wonderful blue-purplish flecks.

But its true highlight is the perfect traditional yobitsugi restoration with a pure silver gintsugi (kintsugi)...

A delicate image of a Zari-gani fresh water shrimp by Oishi Junkyo enclosed in a period wooden box. The poem reads:
nanigotomo
naseba naratefu
kotono wa wo
Mune ni Kizamite
Ikite Kishiware.
Whatever happens, no matter the hardships and pain, Set it in your heart to live with Spirit! This little fellow looks up to the challenge, a stern look on his face and his dukes up, ready to battle giants. What a fitting image for this artist...

Antique Japanese tamba storage jar. Large open mouth with akadobe glaze, which consists of russet and blue runny glaze. Tapers in shape down to the base. This form is animated through the irregularities of the firing of the kiln.

Edo Period 19th Century

25" Diameter x 24"

Antique Japanese carved Keyaki hardwood Raijin, God of lightning, thunder, and Storm. A protector deity for the Shinto religion. The surface of the grain is raised with the original red rimpa paint still intact. Typically these sculptures would be very fierce with demonic features. Which in this case, is contrary which makes it more benevolent, compassionate, and sympathetic in its appeal. The condition of the piece is consistent of its age. Minor repairs on base with large iron staple...

Wooden shishi carvings used as architectural elements placed under the eaves of Shinto and Buddhist temples to ward off evil spirits. Beautifully carved keyaki wood shishi with glass reverse painted eyes.

Mounted for wall presentation of custom iron stand.

Meiji Period 19th Century

Size : 18" L x 9" W x 11" H

Pair of Architectural corbels of mythological elephant baku’s are commonly placed under the eaves of Japanese Buddhist temple and Shinto Shrines to wore off evil spirits. The baku’s devour dreams and nightmares and protector against evil. The baku cannot be summoned without caution, however as ancient legions say that if the baku is not satisfied after consuming the nightmares, he may devour ones hopes and dreams...

This is an extremely fine Japanese Cloisonne vase with gold wire decorations.It measures just 3 1/2 inches tall so it is much finer and more exquisite in person. It is not signed. The fine workmanship on this piece was most likely done by Hayashi Kodenji as only an elite few could have ever created such a piece. The enamel colors and character of the bird also match Hayashi's work. Condition is excellent.

A ceramic cover for a tea room brazier in the shape of a devil dressed in priests robes dated and annotated within. Dating from the Ansei era, inside it is annotated by Daiko Sogen (1772-1860), 435th head of Daitokuji. Well known for his poetry and mastery of the Tea Ceremony, he taught Zen to Eiraku Hozen, and was compatriot to Gengensai. It is 34.5 x 34.5 x 30 cm (13-1/2 x 13-1/2 x 12 inches) and is in fine condition.

1950's Japanese Imari Imaemon XII Gourd Shaped Vase Signed

It is 11 inches (27.9 cm) tall by 6.3 inches (16 cm) wide. It is 3.25 Lb.

It has surface wears and minor scratches and flea bite chips at the foot (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) depicting a samurai with two swords titled “Akazaya” (Red Sheath). The print is pencil-signed “Yoshitoshi Mori,” numbered 31/70, and dated ’81 in the lower margin. The artist’s red seal is above the signature. The visible paper size is 23”V x 16 3/4”H (frame: 31”H x 24”V). Appears to be in very good overall condition. The print is framed in the original Kanda Gallery frame...

A Japanese okimono of a tiger, fully carved out of Keyaki (elm) wood with fantastic detailing. The tiger sits hunched over with fixated eyes, fangs out, and tail wrapped tightly against its body. Signature on bottom reads : Chizan December, Meiji 18th year.

Size: 5.5" L x 6" W x 5.5" H

A portrait of a japanese nobleman , a very fine n fantastic works of art by japanese painter

A pointed tower in burnt gray clay by Mihara Ken enclosed in the original signed wooden box titled Kaki. Here the artist has joined three slabs into an unconventional horn, slotted on one side to accept a flower. A single camellia blossom in rich red, a few green leaves against the gray body in the dark corner of a Tea Room would be incredible. It is 11 inches tall and in fine condition...

A large swirling form covered in fissured celadon by Minegishi Seiko enclosed in the original signed wooden box. The glaze is amazing to behold, the layers shattered into thousands of transparent crystallized flakes stacked upon one another. It is roughly 12 inches (31 cm) tall and in excellent condition.
Born in 1952 in Saitama, Minegishi Seiko studied under various masters in Nagano, Tochigi and Ibaragi, going solo at the young age of 22...

Cedar wooden ‘post-hide’ or hashira-kakushi that is used as a decoration of one of the posts in a room, or a horizontal post of the tokonoma (niche). The post-hide is the same width as the pillar posts in a Japanese house, hiding it thus almost completely in width.
Cedar wood, the front stained dark brown and decorated in mineral with a dragon. Seal on either end of the plaque. Inscription in black ink on the back...

Mountains crowned with white snow rise majestically over the misty waters of a winter lake surrounded in dark pine and cedar on this Superb landscape by Nomura Bunkyo. Ink and light color on silk with powdered gold mist...

A small house shaped incense burner by Mashimizu Zoroku enclosed in the original signed wooden box titled Kuzuya Koro. Inside the roof is visible cloth patterns where it was formed over wet sack-cloth. The outside has been scraped with a comb to resemble thatch. Inside a window a scholar gazes out, perhaps expecting a guest, or just contemplating the seasonal changes from the warmth of his abode. It is roughly 10.5 x 9 x 10.5 cm (4 x 3-1/2 x 4 inches) and is in excellent condition.
Ma...

A massive Shigaraki Tsubo by Kanzaki Shiho enclosed in the original signed wooden box. Spectacular keshiki resulting from the combination of multiple kiln affects and textures. The Tsubo is 19-1/2 inches (50 cm) tall, 15 inches (38 cm) diameter and in perfect condition, dating circa 1990. Due to size the cost of shipping will be figured separately from the list price.
Kanzaki (b. 1942) prefers firing his kiln for ten days, resulting in the rich textures and heavy ash deposits apparent ...