Japanese shin hanga woodblock print titled "Hayase" by Hiroshi Yoshida (1876-1950) dated in the left margin Showa 8 (1933). Post WWII later edition. The artist's black ink stamped signature and red seal is at the lower right. The print is block titled and signed in the lower margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #188. Paper measures 10 1/2" x 15 3/4" (image size: 9 1/2" x 14 1/2")...

Lifetime edition Japanese shin hanga woodblock print by Shiro Kasamatsu (1898-1991) titled "Evening Sky at Suwa Shrine, Nippori" dated Showa 8 (1932). Post-WWII edition bearing the round red 6mm Watanabe publisher's seal at the lower right corner below the artist's black ink signature and red seal. Paper: 15 1/4" x 10 1/4" (image: 14 3/16" x 9 3/8"). The print does not appear to have been previously printed and is in very good overall condition...

An elegant tall vase in signature soft blue by Shinjo Tozan III of Yamagata enclosed in the original singed wooden box dating from the early half of the 20th century titled Yohen Kabin. It is 15cm (6 inches) diametr, 41cm (16 inches) tall and in excellent condition.
Higashiyama (alternatively read Tozan) is the common name for the hilly area in the eastern part of Shinjo City, Yamagata prefecture, and the geology of the village is covered with a thick layer of clay...

Rectangular stoneware vase decorated on sides with stylised flowers, one side also with geometric pattern in iron red and blue on whitish ground, the sides and shoulder in mottled blue and iron red for the neck. ----Made by Kawai Kanjiro’s student and nephew Kawai Buichi (1908–1989). He began his training as a potter under his uncle in 1928 in Kyoto. During the 2nd WW he was drafted and served with the army in North China for one year in 1942...

Bashofu kimono hand-woven of ito-basho, which is a family of banana tree. Both wefts and warps are hand-plied. The brown warp kasuri yarns are dyed with extract liquid from tree or root of "sharinbai", which is a family of rose, and the very dark blue weft kasuri yarns are dyed with Ryuku-ai, vegetable indigo in Okinawa. Bashofu has been woven in many Islands in Okinawa for everyday kimono or work wear. 20th century. It has some stains and holes. W:106cm, L:116cm

A fine shoe-shaped - katsugata tea bowl of black Oribe (oribe-kuro chawan), the coarse Mino clay is covered with a thick black glaze, on one side a cartouches featuring irregular strips patterns in iron-brown glaze on creamy ground. Japan, Edo, Meiji period, 19th cent. L 13.5 cm, H 6.5 cm. Condition: Excellent with signs of use and wear.

Japanese shin hanga woodblock print titled "Omuro" by Hiroshi Yoshida (1876-1950) dated in the left margin Showa 15 (1940). Post WWII later edition. The artist's black ink stamped signature and red seal is at the lower left. The print is block titled and signed in the lower margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #240. Paper measures 10 3/4" x 16" (image size: 9 3/42" x 14 3/4"). Very good clean overall condition with full margins...

Ohara Koson
An Eagle on a Tree
Size: Approximately 17 cm x 12 cm. 6.625 x 4.75 inches.
Date: ca. 1910.
Koson signature and seal at lower right.
Publisher: Matsumoto (no. 442). Tag at back.
Medium: Japanese woodblock print.
Condition: Excellent.
An early and rarely seen design not listed in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland). The design is similar to K13.3 (Eagle on leafless tree) in the above catalog.

Bijinga - a painting of a beautiful woman depicts otogoze/otafuku beauty. Finely painted with ink and pigments on silk. The back ground of her is decorated with gold on fan shaped design. Signed and sealed.

Some insignificant light marks and light foxing are present on the painting itself, otherwise the painting is in very good condition with age. Some insignificant light marks and a small scrach is present on the scroll end, otherwise it is in very good condition...

Cotton futonji with katazome (stencil-resist dye), which is remade from yogi (one kind of futon in the shape of kimono). It is made of hand spun cotton and dyed with vegetable indigo. The reddish-brown color is bengara (iron oxide red pigment). 19th century. In good condition except for three mending patches. one snag and some small holes. W:153cm, L:165cm

Black Bizen Guinimo and Tokkuri by Oiwa Tomoyuki enclosed respectively in their original signed wooden boxes. There is a wonderful dialog between the two pieces, the bottle blackened with dark dry ash buffeting the surface, while over the same darkness has been blasted molten ash on the cup, flowing around and beading on one side. The juxtaposition between the liquidity and dryness of the two, same colored, ash effects is delightful...

An exceptionally fine porcelain bowl made for presentation, kenjo-te. The centre of the dish is decorated with an unusual version of a Karashishi which would seem to be floating upon a feather set against a net like blue ground which has been produced using the shiranaku technique. It is strikingly similar to the karashishi and feather compositions that appear on Chinese porcelain of the Wanli era...

A square shallow bowl in the form of a Japanese rice measure, masu, which was considered to be an auspicious form decorated to the exterior with two Dragons in different stances with two eight character poems with seals. Presumably the shape was intended as a play on the word, namasu, a term used to traditionally describe a serving of pickled vegetables and the related bowl...

STONE TANUKI

Traditionally auspicious Japanese okimono of tanuki (raccoon dog) especially for thriving business that literally stands for "Getting a lead on other" in Japanese words, but or that's why? with such a fool but a lovely face. 1940s...

A beautiful early footed bowl of colored glass with sweeping clear glass handles by Iwata Toshichi enclosed in the rare original signed wooden box titled Sango-Iro Garasu Hachi (Coral Colored Glass Bowl). It is 17.5 cm (7 inches) diameter, 14cm tall (5-1/2 inches) tall and in excellent condition, bearing the artist seal in gold on the base.
Iwata Toshichi (1893-1980) is considered to be the founding father of Modern glass making in Japan. He graduated the Tokyo School of Fine Arts, metal...

Shoda Koho
Ueno Park
From the Hasegawa Night Scenes series.
Size: Chuban. Approximately 10.75 x 8.0 inches.
Date: 1910-38. This edition 1938-1960.
Publisher: Nishinomiya Yosaku. #1248 in Hasegawa catalog.
"Made in Japan" stamped on verso.
Sealed by the artist at lower left.
Medium: Japanese woodblock print.
Condition: Excellent.

Kawase Hasui
Boats at Night
Date: 1930s.
Print size: 5.75 x 3.75 inches.
Publisher: Watanabe Shozaburo
"Made in Japan" stamped on verso bottom margin.
Reference: Hotei #Hp-21
Medium: Japanese woodblock print attached along top edge only to 7.75 x 5.25-inch original card.
Condition: Excellent.