This is a rare example of an early pigeon blood cloisonne vase. It's also quite an attractive old piece. There is no embossed red translucent background like the common pieces but there is substantial amounts of silver wire and enamel work. The vase is also a unique wide shape being 7 1/4 tall and 4 1/2 inches wide. The rims are silver and unmarked. Condition is excellent with a small bit of discoloration in the translucent red enamel. This is shown in the images.

Japanese framed woodblock print by Joichi Hoshi (1913-1979), (1913-1979) "Moon and Tree", signed in pencil, circa 1978.

Size: 10" L x 12.5" H (entire frame) 5.25" L x 8" H (print only)

Antique Japanese hibachi (brazier) from the Kyoto region, made with original finish hardwood. The interior is lined in copper with natural patina. Two drawers are in front as well as a hidden compartment in the top surface.

Meiji period (1868-1912)

Size: 36" L x 24" W x 13" H

Tsukioka Yoshitoshi (1839-1892)
Takakura Moon
No. 36 from the series "One Hundred Aspects of the Moon"
Date: 1886.
Size: Oban. Approximately 14.75 x 10.25 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Publisher: Akiyama Buemon.
Carver: Enkatsu.
Condition: Slight creasing.
- Hasebe no Nobutsuru looks on as Prince Mochihito and his companion Munenobu flee from the Takakura mansion disguised in women's traveling costumes...

The jet-black glaze of this cha-ire (tea caddy) nicely highlights the Chrysanthemum flowers (Kiku) adorning the upper surface—long considered auspicious symbols of longevity and rejuvenation in Japan. When first introduced to the island nation during the Nara period (710 – 793 AC), the Japanese Royal Family was fascinated with the Chrysanthemum. Over time, it became the Imperial Family Emblem and during certain eras was generally forbidden to be used by the general public...

Dating from the 17th century, Kutani-ware is a type of fine porcelain that takes its name from the region from which it originates—the name literally means “nine valleys.” In sharp contrast to many other styles of Japanese ceramics which tend towards more modest color palettes, Kutani-ware are known for their vibrant red enameles, gold trimming, and complementary greens, yellows, and blues. This set of tokkuri is painted with a common hanging-lantern ornamental pattern known as youraku...

Japanese limited-edition copperplate etching titled "Big Tree No. 2" by Tanaka Ryohei (1933-2019). Pencil-signed, dated '83, and numbered 33/130 in the lower margin. Paper size 13 1/4" x 12” (image: 9 x 8 1/4"). Never framed. Very good overall condition. There are a few pinhead sized light brown spots in the margin.

Ohara Koson
Fishing Boats at Twilight
Size: Chuban. Approximately 10.5 x 8.25 inches.
Board measures 14.0 x 11.75 inches.
Date: ca. 1910.
Publisher: Daikokuya.
Koson signature and seal.
Medium: Japanese woodblock print.
Reference: K44.26 and cataog image #132 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Laid down to board...

Length: 4.1 cm (1.7 in)
Width: 3.6 cm (1.5 in)
Depth: 1.5 cm (0.6 in)

Fine Japanese netsuke of multiple seals; natural material; includes a lotus pod seal and five other calligraphic seals; good condition

Funazaki Kojiro (b. 1900)
Eboshi Rock in Kaiba Island
From the collection, "One Hundred New Views of Japan"
Size: Approximately 11.75 x 8.75 inches.
Date: 1940.
Limited edition of 150.
Block bears the Kojiro signature and title.
Publisher: Nihon Hanga Kyokai (Japan Print Association)
Medium: Japanese woodblock print.
Condition: Trimmed margins.

Antique Japanese Kanban soroban (abacus). Used by merchants, this large sized abacus has eyelets for hanging. It has 21 rows of wooden beads with 5 beads in each column (105 beads total). The beads are fitted onto wooden dowels. Behind each dowel is a boar's hair bristle which holds each bead in position when it's pushed upward even while the soroban is hanging sideways.

Showa Period (early-mid 20th century)

Dimensions: 43" wide x 12" high x 2 1/4 deep.

A Boro cover textile of sewn together bits of worn out Asa (Hemp) fabrics resist died with various patterns. 146 X 163 cm (57-1/2 x 64 inches).

Thick shima-cho, a sample book of cortton shima (stripes) with about 870 fragments. The age is written on the cover "Meiji 3 (1870), however the age of the fragments range from very late Edo (mid 19th century) to Taisho (1920s). The first 770 fragments are late Edo and Meiji (the second half of the 19th century) and the second 101 fragments are woven in Taisho period (1912~1925). In excellent condition. 16cm x 21cm x 5cm

Japanese shin hanga woodblock print by Ito Yuhan (1882-1951) titled "Fuji from Taganoura" published by Nishinomiya Yosaku in the 1930's. Signed at the lower right corner of the image. Paper: 16 1/8" x 10 5/8" (image: 14 1/2" x 9 3/4"). The painterly effect in Ito Yuhan's woodblock prints are achieved through the elimination of black key block lines. Very good overall condition. This print was never framed and has excellent color and full margins...

A lobed form by Nakajima Yasumi enclosed in the original signed wooden box. It is 12 inches (30.5 cm) tall and in fine condition. The name of Nakajima first came to notice in 1908, when the first generation Yasumi (1877-1950) was awarded at the Senkatsu Kinen Exhibition...

Japanese framed print depicting a noh mask of a young woman, in monochrome colors. Attributed to artist Kimora Kosuke (b. 1936), title "Noh Mask Red". With an attractive black and silver frame.

Kosuke was born 1936 in Osaka, and graduated from Kyoto City University of Arts in 1956. His works have been featured in the collections of The Museum of Modern Art, New York, San Francisco Museum of Modern Art, The National Museum of Modern Art, Tokyo, and others...

An unusual Arita enamelled wall-vase, kakehana, circa 1750. The seed-shaped hollow body is moulded with trailing vines supporting a dragonfly. The painter has used two different greens, aubergine, yellow and black. The unglazed back is pierced for suspension. It is probable that this kakehana was made for the home market.

Approximately 16.7cm long...

Kiyoshi Saito
Maiko
Date: ca. 1960.
Size: Oban. Approximately 17.25 x 11.5 inches.
Pencil signed and sealed by Saito.
Self-published by the artist.
Silver mica is used on the collar.
Medium: Japanese woodblock print.
Condition: Excellent. Back margins have adhesive residue.