Octopus and Anchor. Painted with ink on paper. Signed Koho and sealed.

Some insignificant light marks, insignificant light crease and foxing are present on the both painting, insignificant light marks are present on the mounting, otherwise the piece is in very good vintage/antique condition with the age. It is accompanied by an aged paulownia wood storage box.

Painting: W12 1/4” x H51 1/8” (W31cm x H130cm)
Scroll: W16” x H76 3/4” (W40.5cmx H195cm)

Eggplant. Painted with ink and pigments on silk. Signed and sealed.

Some insignificant light marks and light foxing are present on the painting itself, otherwise the painting is in very good condition. The scroll mounting is in very good condition with the age. It is accompanied by a paulownia wood storage box.

Painting: W6 1/8” x H31 1/4” (W15.5cm x H79.5cm)
Scroll: W10 5/8"x H63” (W27cm x H160cm)

A literati and Butterflies. Painted with ink and pigments on silk. Signed Shunto and sealed.

Some light marks and foxing are present on the painting itself, otherwise the painting is in good condition with the age. Some light crease, marks, damage are present on the scroll mounting.

Painting: W16 1/8” x H43 1/4”(41cm x H110cm)
Scroll: W20 7/8” x H77 1/8”(W53cmx H196cm)

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This is an indigo-dyed Shibori cotton kimono made by Arimatu Narumi during the Taisho period. Shibori is squeezed by hand, so the Shibori pattern changes little by little. You can enjoy the interesting changes in the handiwork of folk craftsmen. There are a couple of slight stains, but they are not noticeable. condition is good. Length 147cm x Width 128cm Box.G

A bizarre pottery mass of two tea bowls and a stand fused together after collapsing in the kiln some four hundred years ago. It is 17 x 13 x 11 cm (6-1/2 x 5 x 4-1/2 inches). There is something to be said here about best laid plans. All the potters craft and experience and yet nature intervenes, creating this vitrified sculpture for later generations to contemplate.

Nanban means earthenware made in southern islands including Okinawa in Japan. Among them, vases like this piece has been liked to call "Oni-no-ude, Ogre's arm". Wild flowers would fit it very well. It's "Wabi Sabi" feeling. Size: 10.8cm(D) 28.0cm (H) Accessary: old wooden box

Width: 9.4 cm (3.8 in)
Height: 4.2 cm (1.7 in)

Fine Japanese Satsuma bowl with thousand butterfly decoration both internally and externally; gilded hatched border above the base; signed; good condition

Height: 3.4 cm (1.4 in)
Width: 3.5 cm (1.4 in)
Depth: 1.9 cm (0.8 in)

Quality Japanese carved netsuke of a dog resting on a bag; natural material; excellent patina; well- placed himatoshi; good condition

Haboku sansui - splashed-ink landscape. Painted with ink and on paper. Signed Seisen hogen and sealed...

Finely drawn chrysanthemums on a field of ivory porcelain. The flowers are placed on the outside and inside edges of one half of the bowl drawing the eye away from the center and giving this piece a unique perspective.

Seifū Yohei IV, Seizan (1871-1951) was the second son of Seifū Yohei III (1851-1914) who was awarded the title of Teishitsu Gigeiin or “Imperial Court Artist” in 1893...

Artist: Kawase Hasui
Title: Daimotsu, Amagasaki
Publisher: Watanabe Shozaburo, 6mm seal.
Date: 1940. The 6mm seal was used between 1946 and 1957.
Size: Oban, approximately 15.5 x 10.25 inches.
Condition: Pristine. Unframed. Never displayed. The two left margin pinholes are the original state.

This is a special old Japanese Imari bowl. The crane design and use of enamels is very attractive. The piece looks similar to some of the early Fukagawa pieces. Condition is very good and there is mainly wear to the gold trim on the top rim. This heavy bowl measures 7 inches across and stands 3 1/4 tall.

Japanese sodenashi (work vest), made of indigo and other neutral colored sakiori (rag woven) cotton, edged with indigo cotton, beautifully worn, late 19th century. Size: 26" high x 21 1/2" wide

Japanese Genroku era Imari bowl with blue underglaze and red and gold overglaze enamel decoration. The octagonal form with alternating panels on both interior and exterior of flowers and of boat in garden landscape. The cavetto with vase and flowers decoration. Flowers and vine decoration around the foot. Flower head decoration in red enamel inside blue ring within ring foot. The white glaze around the buff colored foot rim burned to a thin dark iron colored ring before the unglazed rim...

This is a very attractive Japanese cloisonne vase by a rare artist. The vase is not signed but the work is very unique. A signed Goto vase with very similar work can be seen on page 79 of the book Japanese Cloisonne by Coben and Ferster. We used to own that vase and the mate that went to it. This vase we believe was created by Goto. It is larger with more of the flower and branch decorations. This vase is very heavy and has very thick layer of high gloss enamel...

An unusual large Japanese bowl featuring three light purple elephants in ceremonial attire resting among many flowers. The bowl is excellent condition, except for some wear to the gold around the rim. Measures 11.5 inches in diameter. Dates late Edo, late 1840's.

A good, large murashido patinated bronze vase. Raised geese and irises decoration including some katakiribori details. The bottom may have been reversed when reattaching it at some later time. From inside the vase can be seen on the bottom a 16 petal chrysanthemum overlaid by Kashiwa (oak leaf) mon and on a bed of same - all in relief...

The Katchushi style of this tsuba gives it an earlier look and feel. But it is probably an Edo period work (might expect more wear on the seppa-dai or more conspicuous tekkotsu on an older example.) The thin body nonetheless resilient. Strong, sparse, decorative file marks on the vertical add to character. Adept use of the file, thin plate and slight taper toward the rim could support argument a swordsmith may have made the tsuba...