A large Ao-Kutani palette porcelain plaque in the Yoshidaya manner. Two geese in garden landscape with palm tree, lotus among rockery and water in finely applied blue, green, aubergine, black and yellow enamels. A black key border with green overglaze enamel around the canted rim. The back not glazed except for a black enamel square Kutani kiln mark with overglaze green enamel and two character black enamel artist mark with overglaze green enamel in oval...

Height: 3.7 cm (1.4 in)
Width: 1.5 cm (0.6 in)

Japanese netsuke of entwined gourds; probably marine natural material; fine seal carved to the base; signed Shuzan; good condition

A set of five long narrow plates by Minami Ayako enclosed in the original signed wooden box upon which is written the titles of each dish. Each dish is uniquely decorated, with Rimpa style waves, flowers in snow, a golden sun peering from behind clouds, the moon rising through the mist, or just swirling colorful clouds. A beautiful set perfect for tapas or small hors d’ oeuvres (or perhaps eel for the daring crowd)...

Height: 3.2 cm (1.3 in)
Width: 2.5 cm (1 in)
Depth: 3.5 cm (1.4 in)

Early angular form netsuke of a monkey handler; carved from natural material; a monkey clings to the back of his handler; age lines; good condition

Height: 3.5 cm (1.4 in)
Length: 5.6 cm (2.3 in)
Depth: 3.9 cm (1.6 in)
Weight: 195 gms

Quality miniature bronze okimono of a rat; fine casting and patina throughout

Width: 4 cm (2.6 in)
Height: 1.9 cm (0.6 in)

Japanese wooden manju netsuke of a phoenix, the backside carved into a woven chained effect; good condition

A yamatoe painting depicted an aristocratic man is about to go out for a night out on horseback. It is attributed to Hoyama Yuinen(Hananosha)(1823-1894).

Hoyama Yuinen(Hananosha)(1823-1894) was a painter monk at the end of the Edo period and Meiji period. He was a chief priest of Shinshu Rinshuji Temple...

Japanese Mid 20th Century print of "White Heron in the Rain" by IDE GAKUSUI (1899-1982). Signed and stamped by artist in lower right hand corner. Also, title and date in lower right hand border. Printed in Showa 25, or 1950. The feathers of the heron are embossed. Fine color and impression. This is the first printing of this famous print. A posthumous edition was printed in HEISEI period. The paper measures 10 1/4" wide by 15 3/8" tall. The print measures 9" wide by 14 3/8" tall.

From our Japanese Collection, a good kutani baluster-shaped jar and cover, Meiji Period (1868-1912), executed in traditional kutani palette of iron-red, green, yellow, and gilt highlights, depicting a continuous scene of figures gathered around the circumference of the piece. A small but charming example of genuine 19th century kutani.

Size and condition: 7 1/4 inches tall, 5 inches at the shoulder...

This is a beautiful Japanese Porcelain Charger or shallow bowl. It just glows. The work is very similar to the work we have seen done by the Fukagawa or Koransha factory but it is not signed. Condition is excellent. There is a minor factory smear of gold on the front center. It can bee seen in the images. This might why the piece is not signed. It can bee seen in the images. The charger is 12 5/8 inches across and has deep sides making it 2 1/4 inches tall.

This is Japanese porcelain vase from one of the great Meiji artists. It is signed Kawamoto Hansuke. The vase has a wonderful stout shape and is very heavy. It has what appears to be several firing flaws or just an unusual design to several of the flowers. The vase measures 7 1/4 tall and is 7 1/2 inches wide.

Are you looking for something delicate and special - than feel free to enjoy this unique flower vase with a poem of Japans most famous poet Otagaki Rengetsu written on it.

This is a 120 year old vase made of Tanba ware. It is signed on the bottom by the artist. I was unable to identify his name.

For a Meiji Period piece of art the vase has a distinctive form and a brilliant atmosphere...

This is an early Japanese Imari vase from the last quarter of the 1800's. The leaves and flowers are painted in thick colorful enamels. There are also some gold highlights. The vase is very heavy and stoutly made. It is 10 inches tall and 8 1/2 inches wide. Condition is very good with some expected wear. Still a very fine old display piece.

This chawan was made by the 8th generation Ohi Chozaemon (1851-1927) based in Kanazawa and is done in a style known as “ameyu” or candy glazing. The glazing is a wonderful example of ameyu and, in fact, approximates the color of a caramel candied-apple. The interesting color scheme and glossy sheen make it an attractive backdrop for a frothy bowl of dark green matcha. While some tea bowls may look best in the confines of a dimly lit tea room, this bowl looks much better in bright light...

This in a very nice Japanese cloisonne wisteria vase. It has a soft yellowish/green ground color which is fairly uncommon.The vase is in outstanding condition having just a few factory pits. From the looks of the enamel and workmanship, this vase appears to have been made by Ota. The vase stands 9 1/2 inches tall and it is a heavy piece.

This is a very fine cloisonne vase with very fine work. It stands only 3 3/4 inches tall but it is loaded with fine details, enameling and sculpted wire work. The vase does have a very slight bend on the bottom rim and there is a small amount of enamel damage that is hard to notice.

Japanese Meiji Period SATSUMA monogrammed plate. Signature stamp and gold signature by KINKOZAN. Plate has "JL" monogrammed on the top border of the plate. 8 3/4" diameter by 3/4" depth.

Japanese Sumida Gawa lidded sake pot or teapot with brown, blue, cream, and pale gray flambé glaze coating dripping down the exterior of the pottery surface. Two applied children in high relief are on the side. A glazed white plaque with a Ban-ni mark in underglaze blue is on the back. 6” diameter x 3" high. Early 20th century. Very good overall condition with no cracks, chips, or losses. Typical wear and production imperfections. The handle is missing...