A woodblock print by the artist Karhu. The print is labeled "Fish of Fortune". The full narrative is "Don't Let Go of the Fish of Fortune". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 41/100 Date: 1976

Dimensions: 26" X 8.25"

A woodblock print by the artist Karhu. The print is labeled "Wealth & Happiness". The full narrative is "Wealth & Happiness come to Those Who Don't Deserve Them". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style.
Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society...

We usually don't buy kimonos but this is a spectacular example of the highest level of yuzen kimono art. Late Meiji Period C.1900 yuzen hand painted chirimen silk girl's kimono. Chirimen silk being the top class of silk used for kimonos. All natural dyes bringing the chysanthemum and peony flowers to life, the wisteria and butterflies woven into a museum masterpiece of textile art. Excellent condition. Height: 45" x Width:41". Shipping included.

A stack of fused Bowls hollowed out as a vase by Satonaka Hideto enclosed in the original signed wooden box titled simply Utsuwa dating circa 1976. During the post war era a great amount of research was done in reviving ancient firing techniques, many potters and scholars working on medieval kiln excavations would unearth stacks of bowls and mounds of fused pots where kilns had collapsed during firing dating from the Heian period on to the age of the climbing kiln...

Ethnic designs in brilliant crimson red decorate this ewer by Yoshikawa Mitsuru enclosed in the original signed wooden box titled Aka-e no Binshi (Red Decorated Server). It is 15 x 12 x 15 cm (6 x 4-3/4 x 6 inches) and is in excellent condition. Together with the sake cups and sake pot, this would be a wonderful service set for two. Anyone wishing to purchase this group will receive a proper discount...

A beautiful hand painted iron red Kutani charger decorated with images of children at play, birds and floral arrangements. Sometimes referred to as a low bowl, these large dishes make wonderful accent pieces weather it is hung on your wall as art or placed on a table as a centerpiece. In very good antique condition, no paint losses, no chips, no repairs. There are 2 hairline cracks that are in the crazing and do not affect the integrity of the charger. Measures 15 inches diameter, 3" high...

Oversized limited edition Japanese sosaku hanga woodblock print by Yoshio Kanamori (b. 1922) pencil-titled "Flying Feather over Mountain Lake No. 3 (B)" and numbered 3/30. Signed in pencil at the lower right with the artist's red seal. The artist's printed name appears in the margin below. This image is from a series of similar prints known to date circa 1963. The print is executed on fine paper and the impression is nearly as vibrant on the back...

Extra Large Japanese limited edition densely pigmented and textured abstract sosaku hanga woodblock print by Hiroyuki Tajima (1911-1984), aka Kiyoshi Nagai, titled "Half Ruined Wall." Pencil-signed, titled in English and kanji, dated '69, and numbered 32/50 in the bottom margin. Paper: 24 7/8" x nearly 19 1/2" (image: 21 3/8" x 16"). Very good overall condition. There is some wrinkling, soiling, and wear to the large margins of the thick paper...

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) titled “Samurai with an Umbrella” by Yoshitoshi Mori (1898-1992). The print is pencil-signed with the artist's red seal, dated ’82, and numbered 34/50. The bottom right corner has a small "80" in pencil. Paper size: 20 1/4" x 13 1/2." Very good, clean overall condition. A tiny pencil notation with a prior owner's name "Hansen" is on the back bottom edge.

Wild chrysanthemum rise along a brief poem on the cream-colored sides of these Tokkuri by Seifu Yohei enclosed in the original signed wooden box titled Seizan Sakabin. They are 15 cm (just under six inches) tall and in excellent condition. There is a pre-firing imperfection in the rim of one of the Tokkuri.
Seifu Yohei I (1803-1861) founded the Seifu dynasty in Kyoto. He was born in powerful Kaga-kuni, modern day Kanazawa prefecture...

Uehara Konen (1878-1940)
Hirosaki Castle
Size: Mitsugiriban. Approximately 15 X 6.75 inches.
Publisher: Likely Watanabe Shozaburo.
Date: ca. 1920s-1930s.
Artist's seal at lower left.
Medium: Japanese woodblock print
Condition: Excellent.

Clog-shaped chawan, tea bowl to be used in the tea ceremony. Over a whitish fine clay a silky black glaze and crackled white slip over which a decoration of interlocked diamonds and rings in iron brown.

Seal impressed in bottom/underside: Juzan. Refers to the Oribe potter Mizuno Juzan.

Mino ware, Oribe style, Japan. Showa era, 1950s

H 3 x W 4.25 in.

Perfect condition

There are at least two generations of Mizuno potters going by the name Juzan...

Fairly large bowl of irregular round shape with indentations in upper edge and openings in the side, decorated with a large red lobster. The spiny lobster is traditionally eaten during the New Year...

The purity and perfection of this takes your breath away. It is a gorgeous piece by Hattori Tatsuya and comes enclosed in the original signed wooden box titled Ginsai Wan. The bowl is 12 x 13.5 x 8 cm (4-1/2 x 5-1/4 x 3 inches) and is in perfect condition, from the artist late 2020...

The vase has interesting rugged and leathery texture to it, reminding of elephant skin. H 18 cm. Signed with impressed mark. It comes with inscribed and signed storage box and information paper. Perfect condition. ***** Morimoto Kei was born in Akaiwa City ( Okayama ) in 1948. In 1978 he came under the influence of Master Fujiwara Kei and was taught by him. 1982 became a student of Oi Itsugo 1986 built his first climbing kiln. 1989 opens his studio. Many awards and exhibitions to his n...

Rare item. Rokushaku Kanban which was worn by a palanquin bearer (kago-kaki) who was a servant worked for a feudal lord (tono-sama) and a bearer of a palanquin when the lord went out. There are various theories that the kimono is called "Rokushaku-Kanban": servants worked in the lord's residence or a castle are called "rokushaku" and the kimono has "kanban" which means a symbol or a family crest. Another theory is the length of the kimono is 6-shaku (approx.2m). This one is made of hemp whose w...

A splendid antique cut glass cup selected and decorated by contemporary female lacquer artist Arai Etsuko enclosed in the original signed wooden box titled Glass Maki-e Hai, Yoake (Glass Sake Cup named Breaking Dawn). She said that when she first saw the glass in a street market, she instantly envisioned how the engraved patterns could be accentuated by colors and powdered precious metals. Here an interesting comparison of techniques is possible. The bowl is decorated outside, first with laye...

Japanese Taisho to early Showa period Satsuma earthenware charger finely decorated in polychrome enamel and gilt with a single large foliate form cartouche set against a black background that extends to cover the back walls. The cartouche features a landscape scene with temples set among high mountain peaks. A bridge over water holds a single figure. The decoration is set against a cream colored finely crackled glaze background. Koshida workshop mark to the base. Potted with three small holes in...