Exquisite pair of lacquered wood temple lotus offering stands in lotus motif. The Lotus is the penultimate buddhist symbal of purity. The base is a lotus with lotus flowers on the stem and lotus cup at the top. Minor lacquer wear but in fabulous condition for its Meiji Period C.1890 age. 12" tall and 6" wide.

Japanese bronze teapot with nice form.

Age: Japan, Showa Period, Early 20th Century
Measurement: Height 29.5 C.M. / Width 22.8 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A heavy Japanese iron, 19th Century, teakettle in the form of lotus leaves, with a small crab clinging to the pot. The tetsubin, with handle, measures about 7 3/4" high x 6 1/2" in diameter, and weights 58 ounces. The bronze lid is signed "Ryubundo". The condition is excellent/perfect, and it can still be used. This kettle's exterior has a beautiful dark brown patina. The asking price includes shipping within the USA.

Antique Japanese pair of bronze candle sticks, with archaic Chinese style motifs, cartouche mark on bottom.

Taisho Period (circa 1920's).

Dimensions: 10 3/4" high

A spectacular faceted work by Ueda Mitsuharu enclosed in the original signed wooden box titled Shigaraki Mentori Kabin. It is 9 x 11 x 11 inches (28 x 24 x 28 cm) and is in excellent condition.
Born in Fukuoka in 1957, and studied initially pottery in Tamba under Ogami Tsuyoshi before entering the Kyoto Prefectural Ceramic Research Facility, which he finished in 1983 followed by a year studying glazes in the Shiga Prefectural Kiln...

Made from ferrous rich Bizen clay covered in an ashen feldspar glaze, this non-conventional Shino tea bowl is a variety known as “Beni” or crimson red. Distinctively modern yet emanating a primal vitality, the form harkens back to the very origins of ceramic exploration in Japan. The influence of Momoyama potters and greats such as Koetsu can be seen in the dynamic edges of the clay body...

Wonderful Kutani Guinomi (Sake cup) with typical wan shape, produced by one of the most famous contemporary artists of Kutani, Tokuda Yasokichi III (1933-2009).

The stone ware clay was covered with dark purple glaze, which turns to light blue towards the brim. His stamp (Masahiko) is inside the unglazed foot ring...

Featuring rich earthy tones and intricate hand-drawn stencil designs of passion flowers resting on a string of vines, this bowl would be perfect for displaying an ikebana flower arrangement. A kintsugi (gold) repair attest to the age and care that went into maintaining this piece through generations. The label on the lid of the box reads “e-Seto Karatsumon O-wan” indicating a large Seto bowl with arabesque hand drawings (絵瀬戸 唐草文 大鉢)...

Hagi-yaki has a tradition stretching back over 400 years and is prized for its subdued colors and classical features, especially the glazing, which is often clear and vivid. The natural ash Hagi glaze of this piece gives it a mellow yet robust feel. In addition, the split wari-kodai at the base together with the asymmetrical hand-molded shape offers the user a unique tactile experience The sides of the bowl show pale ash, ivory, and faint hints of lavender...

A Japanese Edo period 17 - 18th century Arita Imari Kakiemon blue and white and over glaze enamel large ewer / kendi. Good condition with crack lines at the body, please see picture for detail, size: 20.5 cm height.

A Japanese Edo period 17 - 18th century blue and white Arita large ewer / kendi with silver mounted on top. Good condition with silver mounted on top, please see picture for detail, size: 18 cm diameter, 20 cm height.

Japanese pair of small cloisonné vases with mirrored motifs of flowers against a robin's egg blue enamel ground. The rim and the foot are lined in rhodium with green enamel interior. Each vase on a wood display stand, with Kiri wood tomobako. Dates from early 20th century.

Dimensions: 2" x 3 3/4" each vase

This is a small but very beautiful little vase from the Meiji Era. It is highly detailed and except for the leaves and branches, it was done in the basse-taille styl. The glowing cobalt color is even more intense in person. best in the last image. This vase stands just 2 1/2 inches tall and is 1 3/4 inches wide. It has silver rims and is signed on the bottom Kawaguchi Bunzaeoman.

Fabulous Japanese black satin silk haori with a woven lining featuring 3 large rabbits. The outside has 2 family crests on the front and 3 across the back. Please note that the grey spotted rabbit has red pupils. This is a high quality men's haori and is in excellent condition. The jacket measures 54 inches across the shoulders by 44” long. Dates circa 1900-1930.

Splendid and absolutely rare double vase of old Karatsu-yaki. It has a vivid Chosen-Karatsu glaze, and the grandiose embellishment of color creates a sublime sense of tension between the dark glazed and color infusion.

This very decorative vase was made around the mid 19th century (late Edo Period).

Very good antique condition with only a light crack of glaze on the back of the white top, which enforces the all over wabi-sabi look...

A menagerie of 12 comic creatures grin back at us as we pour another cup of sake from this Tokkuri decorated by world renowned woodblock artist and painter Clifton Karhu enclosed in the original wooden box also decorated on all facets with the same humorous creatures as well as a self portrait on the lid captioned EVERY DAY IS A GOOD DAY. It is 17.5 cm (7 inches) tall and in excellent condition...

An early and rare Japanese copper plaque showing a bird on a prunus mume twig, worked in dull colored cloisonné enamels, the reverse with green contre-émail. The former owner attributed this artwork to an artist of the "Japonisme Movement". Condition: bubble bursts, a hairline (see photo No. 5). Dimension: 20.3 cm x 20.3 cm x 0.3 cm.

Hiroshi Yoshida
Toshogu Shrine
Date: 1937.
Size: Oban. Approximately 15.75 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating a first edition self-printed by the artist.
Medium: Japanese woodblock print.
Reference: Abe catalog #223.
Condition: Slight toning and fading. A conservator has repaired at small tear repair by the margin below the jizuri seal. See photo of back...