Large incense burner in the shape of the holy Mount Fuji. At the foot of the mountain, between some pine trees rests a deer...

Shiko Munakata (1903 ~ 1975)
Titled in Japanese: Flower(s) of Vienna, the great Leo Sirota ウィーンノハナ　レオシロタ大人
Dated: April 11, 1965.
Leo Sirota (1885-1965) was one of the world's most famous pianists. Munakata was his friend and produced this print shortly after Sirota's death.
Edition: Not known. A color version of this design exists.
Signed: "Shiko" in Japanese; "Munakata" in English.
Sheet size: 16 x 10.75 inches...

An exquisite Tenmoku tea bowl by veteran potter and master of the form Miura Shurei enclosed in the original signed wooden box titled Tetsu-yu Chawan. It is 12 cm (5 inches) diameter, 8 cm (3 inches) tall and in excellent condition.
Miura Shurei was born in 1942, and trained in the ceramic styles of both Arita and Kyoto. At the age of 23 he established a studio at the foot of Mt. Fuji in Yamanashi prefecture creating ceramics from local clay, and established the Shurei kiln in 1971...

Very rare carving of the Three Wise Monkeys, sanzaru in Japanese, sitting on two logs. The one who hears no evil (kikazaru) and the one who speaks no evil (iwazaru) are sitting together. A little separated from them sits the one that sees no evil (mizaru). Carved in facet-cut (abstracted style) in soft cedar wood (sugi).

Signature in the bottom: Masahide.

Japan, first half of to mid-20th century.

H 3.25 x W 8.75 x D 2.1 in...

Antique Japanese jingasa (samurai hat) with Ōgi (folding fan) crest. Covered in black lacquer with the mon in gold. The underside is lacquered red and still has remnants of the original silk padding. With a custom metal stand.
The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather...

This is a fine Japanese vase from the Meiji era with impeccable workmanship. The silver wire work and thick enamel are flawless much like a Namikawa Yasayuki piece. It is also has the weight of a Namikawa piece, but could have been created by Honda or Shibata. The high quality of this vase is more apparent when in hand. It is adorned with 30 butterflies. The vase stands 6 inches tall and is in excellent condition.

Mask made of kiri (Paulownia) wood, showing the wide-laughing and dimpled face of god of good fortune (shichifukujin), Daikoku. The base of his hat just sitting on the top of his head.

The broad grain of the wood was used to accentuate the round cheeks, nose and nostrils. The wood was formerly stained with a reddish-brown color, now almost completely worn off...

A Japanese boxwood netsuke depicting a blind man holding his giant scrotum. Homin signature engraved on seal. Meiji period 19th century Sizes: 3,6 x 3,5 x 3 cm. Condition report: Good condition

Magnificent, very rare wood Bugaku dance mask depicting the Dragon King, Ryo-o. Mounted on a round frame covered on silver leaf paper. Ca. 1820. The mask has a bristling moustache and beard, 4 teeth and a hanging moveable chin piece. The top has a dragon carved. All was lacquered. A similar mask is on exhibit at the British Museum. Bugaku is a courtly ritual dance which has survived in Japan since the Heian Period, Ca. 794-1185...

Japanese antique wood block print of the sumo wrestler, Tsuneyama Gorojin wearing keshō-mawashi (ceremonial apron-style belt). Gorojin was in the Makuuchi league since 1843. Name used from 1842-1856. He retired in 1859. Print by Kuniyoshi Utagawa and dated 1852 (year of the Rat) or 1853 (year of the Ox). Framed print.

Age: Edo Period

Dimensions: 20" high x 15" wide (framed). Image: 14 1/4" high x 9 3/8" wide

Japanese antique wood block print of the sumo wrestler, Unryū Kyūkichi (Unryū Hisakichi) with beard and wearing a keshō-mawashi (ceremonial apron-style belt). Unryū Kyūkichi was in the makuuchi league since 1852. Name used from 1850-1865. He retired in 1865. Signed by Kōchōrō Toyokuni ga and date seal between 1851-1853. Framed print.

Age: Edo Period

Dimensions: Framed 19" high x 14 1/2" wide. Image: 13 1/2" high x 9 1/8" wide

An antique Japanese drawer Nagamochi Tansu (storage trunk) made of Kiri (Paulownia) wood. Unusual all drawer design with shallow upper trunk. All original lacquer finish with interior paper lining. Most likely used for the storage of large vertical textile banners used for advertising or Boy's day celebrations.

Age: Meiji period (1868-1880)

Dimensions: 72 1/2" Wide by 27 3/4" High by 24 1/2" Deep

9 METER-LONG GHOST SHUNGA SCROLL

Rare find of very long shunga (pornographic painting) scroll without any texts on paper, approx. 29 x 900cm (11.41 x 354.33in), early 20th century, Japan...

A Japanese soft and valuable boxwood netsuke depicting a young naked woman kneeling with towel and bucket in the onsen bath 温泉, the Japanese “thermal baths”. Finely sculpted with an excellent patina and soft touch. Himotoshi (holes that allow thread to pass through) large and small on the back. The Japanese consider “communion in nakedness” important as it is capable of breaking down barriers and introducing new people in the relaxed and familiar atmosphere of the onsen. ...

A white bronze sculpture of crashing waves supporting three glass orbs; an elegant form carrying good fortune from old Japan. It is 49 cm (19-1/4 inches) long and in overall excellent condition. Set it in the window and watch the orbs blow colorful prisms across the room.

A delicate white Raku bowl of incredibly light weight, the tall walls like a Japanese castle in the riven clouds by Sugimoto Sadamitsu enclosed in the original signed wooden box titled simply Shiro Chawan. It is 12.5 x 13 x 10 cm (5 x 5-1/8 x 4 inches) and is in excellent condition.
Sugimoto Sadamitsu was born in Tokyo in 1935. A strong adherent to the Zen tradition, Sadamitsu established his own kiln at 33, receiving the kiln name from his mentor Daitokuji priest Tachibana Daiki...

A Japanese dark patina boxwood netsuke depicting an articulated lotus flower. The lotus is a symbol of purity and rebirth, as the flower emerges immaculate from the mud of the lakes. The choice to make the flower articulated, with some pistils free to move, adds a refined detail that further increases the veracity of this small sculpture. The top stem of the articulated lotus flower forms the himotoshi creating a natural and harmonious transition for the netsuke string. Origin: Japan ...

A Japanese large boxwood netsuke depicting a fascinating scene, represented with great detail, holding the bridle of his noble steed with his hands. Next to the sage, a child approaches, holding a scroll. The use of boxwood in the making of this netsuke with wise man on horseback gives a natural and warm touch to the work. There are inlays on the horse. Signed ‘Tomokazu’ 友一 under the base in a mother of pearl plug. Origin: Japan Period: Edo 19th century Dimensions: 4,8...