Japanese contemporary large sculpture of an ant, whimsical and charming, formed from leather and incised metal, the perfect modern piece for the new age. Made by Japanese artist" Ko Kono" from Aichi Province, born 1956. Contemporary 21th Century
Size H 4" x W 15" x D 8"

Japanese contemporary sculpture of a large Beetle, intricately detailed in leather and metal.

Dates Modern Contemporary
Size H 2 3/4" x W 10 1/2" x D 8"

This lovely Shino tea bowl from the Edo period is fashioned from coarse Mino clay and is covered in feldspar glazing. As with many pieces of this period and style, it has classic abstract painting across the sides created using ferrous pigment—contrasting nicely with the ivory background...

Sakura blossoms begin to open among the draping branches of a weeping willow soughing in the breeze on this beautiful lacquer box by Inami Kirokusai enclosed in the original signed wooden box titled Wajima Nuri Soshun Maki-e Suzuri Bako (Ink Stone Box of Early Spring Design from Wajima). The design is performed over highly polished black, the interior in nashiji with pine saplings in raised design around the ink stone and water dropper...

Old (1930's) Japanese Satsuma Lobe Shaped Censer with Geisha & Samurai Marked Nambe

It is 5.1 inches (13 cm) tall by 5.5 inches (14 cm) wide It is 1.7 Lb.

It has chips at the lid's inside rim, rubbing of golds, crazing and glaze crack at the bottom, and surface wears (as seen in the photos).

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Japanese Bronze vase with round base flowing naturally in then up opening ever so gently to the rim. Two small matching rings attached as handles. May be used for a beautiful small flower display. Holds water with no leaking. Comes with original tomobako (box) made of 100% kiri wood and cotton ties...

A unique antiqueJapanese suiban inlaid with natural mother of pearl red lacquer over wood. Suiban are traditionally shallow oval or rectangular dishes used to display viewing stones (suiseki). Suiseki. Japanese viewing stones. 水石 - Suiseki is the Japanese art of stone appreciation, which values aspects like stability, longevity and immortality. Formed through time by wind and water, stones can take several sizes and shapes, reminding us of natural objects...

Japanese ikebana (flower basket) used in tradition ikebana flower displays. Beautifully natural finish of split bamboo and gnarled wisteria branch each twisting and blending into a full moon. Condition is very good. Includes copper insert (may allow to be used for flowers).

Edo Period C. 19th Century

Dimensions: 18 1/2" wide X 10" deep X 15 3/4" high

Rare oversized Japanese woodblock print ascribed to Utagawa Kunisada (1786-1865) titled “Mirror of the Physiology of Eating and Drinking” (Inshoku Yojo Kagami), also known as “Rules of Dietary Life,” and believed to date circa 1850. The print depicts a man seated cross-legged drinking a cup of sake with a bowl of fish in front of him. The cross-sectioned torso shows the functions of the internal organs and illustrates the Sino-Japanese concept of digestion...

Japanese silver teapot with a jade ring lid. Description & size: 10.5 cm height x 9 cm wide (4.2 in x 3.6 in) Weight: 154 gram Circa: Meiji Period, early 20th Century Production: Handcrafted & forged in a personal silver teapot with a jade ring lid finial. Signed

A Tamasudare-ami Hanakago Basket by Yamamoto Chikuryusai I of round bamboo strands enclosed in the original signed wooden box lacquered in translucent red. The basket exudes a deep respect for the tradition, every knot perfect, the proportions exquisite. It is 19 cm (7-1/2 inches) diameter, 37 cm (14-1/2 inches) tall and in excellent condition.
Yamamoto Chikuryusai I (1868-1945) was a bamboo artist of the early modern era in Osaka...

Comfortable in the hand and with a unique textured black Raku glaze, this tea bowl by 20th century potter Samukawa Seiho would make a fine addition for collector and practicing tea devotee alike.

Born in Osaka at the very end of the 19th century, at a young age his family moved to Kyoto where he would later take up an apprenticeship under well-known potter Sawada Sozan...

A highly original work by Iga potter Nakata Atsushi. The description on the box reads “Mentori Chawan” in this case “men” meaning side, or edge, and “tori” meaning to shear off, or to remove. The name describes how various surfaces of the tea bowl have been shaved off at angles to create this compelling form...

A pair of antique Japanese lacquer presentation processional boxes finished in original Urushi. Constructed of Hinoki (Cypress) wood it was made for both strength and to make it light in weight. The tops each have a hook style hinge on one side and a clasp on the opposite side where a cord or a lock would have kept the contents secure. The interior is lacquered and the floor contains two rings which were used in conjunction with a cord to secure the valuable content from shifting about...

An antique Japanese Kyoto Mizuya Tansu (kitchen chest) made of Hinoki (Cypress), Keyaki (Zelkova) and Sugi (Cryptomeria) Woods. Constructed using through mortise and tenon joinery. Sliding doors hide a spacious storage area and a hinged door with hand tied wired panel behind which dry goods and items requiring air circulation were stored. The sides feature horizontal supports for strength, durability and visual aesthetics...

Antique pair of Japanese menuki...

Antique Japanese Zenga scroll painting of a scholar's cane or staff. Elongated vertical composition with calligraphy. Painted in sumi ink on paper. The seal with white on red says: 巨福山主 Kofuku Sanshu "Chief Priest of Kofuku" (Kofuku is the "mountain name" of Kenchō-ji temple in Kamakura) The lower seal with red on white says: 曇華 Donge So, these are the seals of Sugawara Donge (original name Sugawara Jihō) [1866-1956] (The don means cloudy/overcast; ge means flower/...

Heavily influenced by Koryo potting styles and techniques, the Tobei lineage has been crafting exceptional tea-ware implements for 13 generations. The piece shown here was made by the 12th generation (Tahara) and, due to its excellent character, was endorsed by the 15th tea master of the Urasenke School of Tea, Hōunsai. Like much of Tahara pottery, the natural ash glaze displays glossy lavenders, light tans, and hues of ivory. Near the foot of the bowl you can see characteristic dark circles di...