A superbly rendered image of a golden-eyed monkey with prehensile tail curling upward in a fine mounting of golden striped brocade by Ota Issai. The scroll is 34 x 59 inches (86 x 150 cm) and is in excellent condition, completely remounted using quality materials without overpainting. Ota Issai (1892-1979) was born in Nishio city, Aichi prefecture near modern day Nagoya...

It is a rare event to discover a chawan of oldest Oribe ware. Here we proudly present a fantastic Ao Oribe chawan from the Azushi-Momoyama Period.

Little distorted half cylinder shaped (tsutsu-gata) tea bowl with flaring mouth made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with typical green copper glaze inside and outside...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire...

Labeled as yu-Shino on the box or “evening†Shino, this recent composition by Ryouji Hayashi III displays wonderful textures and hues resembling the blazing sky at sunset. The front of the bowl is decorated with radiating fissures— boldly contrasting with the background while the kodai or foot of the bowl is unglazed showing the light-colored clay beneath.

Ryouji Hayashi (1940 - ) is the third generation potter of the Shozan kiln in Mino...

Title: Rainbow hair. Silkscreen print. Year: 1973 Edition no 49 / 200 Picture size: L 56 x 38 cm; Frame size: 65 x 50 cm. Very good condition, fresh and vibrant colours! ***** Ay-O (b. 1931) is the artist name of Takao Iijima, born 1931 in in Ibaraki prefecture Ay-O has become famous in and outside of Japan as "Rainbow Man" for his serigraphs and etchings in strong rainbow colors, used in all kinds of shapes and with an abundance of creative imagery - sometimes with a subtle humour...

Japanese bamboo crafting, known as "Takezaiku," is a traditional art form that involves the skilled manipulation of bamboo to create various functional and decorative objects. Craftsmen trained in this art carefully select bamboo of appropriate size and quality, then use specialized tools to cut, shape, and join the bamboo pieces. Techniques such as splitting, bending, weaving, and binding are employed to achieve intricate designs and durable structures...

Splashed across a beautifully textured backdrop of shimmering black, the willow leaves painted in silver bring with them a sense of calm and contemplation...

Using local materials and traditional methods, the creator of this work Masahiko Imanishi, has brought a distinctively modern interpretation to the classical form of the tsutsu chawan. At the same time, he somehow manages to maintain the simple rusticity that Tanba-ware is renowned for. Stretching back over 800 years, Tanba is counted as one of Japan’s 6 ancient kiln sites and is known for making large pots with red ferrous clay and natural ash glazes with a distinctive greenish tinge...

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters...

Descended directly from the Raku household of potters in Kyoto, Ohi is known as some of the highest quality tea-ware in Japan. The 10th generation Chozaemon is especially appreciated for his masterful technique and high-quality pieces. This one has the added distinction of being endorsed by Hōunsai, the 15th head tea master of Urasenke and of having a expertly applied gold repair along the front of the vessel...

This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced...

An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base...

We present another awesome Shino-Oribe Chawan from our collection: Greyish-whithe glaze amalgamates with a wild and roughly thrown body and a still vivid and strong glaze. It is very heavy for a tea bowl, almost 500g. Please note that there is also an interesting kiln mark.

The chawan dates from the Meiji Period (1868-1912) and comes with a very good wood box.

Size: 3,7'' height x 5,3'' in diameter. No chips, cracks, repairs.

Shipping included

A well potted Kuro Raku Chawan Black Raku Tea Bowl. The bowl is hand shaped, covered in black glaze with a few small areas in which the cream colour clay shows through. It rest very well in the hands! Raku mark impressed to the bottom. H 8 x 12 cm. Perfect condition.

Takeda dolls are modeled after the characters from 17th to 19th century Japanese theater. They are known for exaggerated postures and often with a vivid facial expression of the Kabuki actors or Jyoruri puppets on stage from the period.

This doll is holding up a "takafuda" bulletin board in one hand and a brush in the other. "takafuda" was an official bulletin board for Tokugawa government (1603-1868) to announce any regulations, or changes etc...

One of my personal favorite shapes for a chawan, the wa-nari (sometimes pronounced rin-nari) appears firmly grounded and balanced at all times. With round curving surfaces so natural in the hand—they conjure images of ripe fruit waiting to be devoured.

This piece was produced by Koizumi kiln in Aichi Prefecture, most likely by the head potter Kato Shineda—though it only bears the seal of the kiln and not the potter. The outside of the bowl displays a gray field with swaths of l...

With a slender balanced foot firmly grounded, the skillful lacquer repairs on this bowl highlight the age and importance of this work which likely dates from the Edo period. Stemming from the philosophy of wabi-sabi or, beauty in the imperfect, cracks and repairs in a work of pottery are often seen as highlighting the history of the object and are thus celebrated as such. Practitioners of tea in particular are fond of reminding us that works repaired in this way become more resilient and more be...

Important dish, very decorative, in porcelain enamelled in polychrome, underglaze blue and gold, Imari, decorated with chrysanthemums and peonies in reserves of different shapes. Period: Meiji (1868-1912). Diameter: 63cm.