Japanese Edo period woodblock print by Toyokuni I (1769-1825) depicting the kabuki actor Nakamura Utaemon III portraying a sake peddler encountering a dog from a set of eight prints published by Yamamoto Heikichi in 1815. Kiwame censor’s seal. Paper size: 14" x just under 10." Very good overall condition and color with some typical minor wear. There is wormage evident that is well disguised and stabilized by an album backing. The print is tipped at the top two corners to a backing sheet b...

Chinese 18th Century bronze censer with Xuande mark. 13,5 cm mouth diameter. 18,5 cm wide from ear to ear. 8,3 cm high. Censer in good condition except mouth has smooth dent maybe. but maybe from original cast because no dent at the body.

This is an 18th century, or early 19th century Balinese iron buckle, decorated with serpent motifs with gold inlay. There is some age-related rubbing with associated loss to the inlay, as would be expected. There is an inlaid calligraphic inscription to the back of the "fastener," which I have not had translated. The pieces measure, variously, 2-5/8" X 2-1/2" for the buckle, and 2-1/2" X 1-1/2" for the "fastener." The listing is for both pieces.

Length: 3.5 cm (1.4 in)
Width: 2.9 cm (1.2 in)
Height: 1.8 cm (0.7 in)

Early Chinese toggle of a recumbent foo dog; natural material; good patina and age wear; good condition

Length: 3.5 cm (1.4 in)
Width: 2.9 cm (1.2 in)
Height: 1.8 cm (0.7 in)

Early Chinese toggle of a recumbent foo dog; natural material; good patina with wear; age lines on the base; good condition

A group of five illustrated manuscript leaves on thickened paper illustrating various "avatars" of Vishnu and other, related figures. Each leaf measures, approximately, 9" X 4". A bit rough around the edges, as shown in the photos. Still, a rare grouping.

This is a Japanese antique beautiful tsutsugaki Hand drawn yuzen dye silk child kimono Pattern of Rabbits flying above the waves of the edo era. t is a very good-quality kid kimono.It is very carefully drawn by hand. The rabbits flying between the waves are dynamic and very charming. It has a thin stain on the back. However, The stain does not stand out. It is no damage.They are not disturbing, and as a whole it is in very good condition. size::Length 114cm (44.8inch) sleeve to sleeve 112...

This is a Nepalese illuminated manuscript, dating to circa the 18/19th century. Done in the customary "accordion" format, the book features a large multi-armed Goddess (probably Durga or Kali), with multiple attendant figures. The illuminated area measures 8-1/2" X 11-1/2" and occupies three panels of the manuscript. The reverse side consists of handwritten text (Devanagari? Sanskrit?), the whole on thickened yellow paper. "unfolded," the manuscript measures 8-1/2" X 36" (approximately), as each...

A fine and rare Ge type meiping shape vase, with tall and slim shape. Qing dynasty 18th-19th century imitating Song Dynasty Ge ware. Condition is excellent, no any chips, no crack and free from any restoration. Height: 22,5 cm.

Chinese Qing dynasty bronze censer with stand. 10 cm mouth rim diameter. 15,5 cm wide from ear to ear. 6,8 cm high. censer has been drilled at the base (please see on the pictures). other wise in good conditions. 1377 gram weight.

A fine Arita Chawan, rice bowl and cover, decorated with a tripartite scheme. The design quite cleverly incorporates the three principal styles or schools of Japanese Art of the late Edo period, the Namban, the Rimpa and the Bunjinga School. The first panel shows a Dutchman, gaijin, holding a cane standing in front of a table upon which there is a crackle glazed vase with Peacock feathers and a brush-pot. The rather stiff almost naïve style of the composition seems to have its origin in con...

A porcelain dish from the Nagasaki area, so not strictly “Ko Imari”, meticulously painted with an elaborate Leiwen border and a stylised Chinese style landscape in a light blue gosu. The reverse painted with three Lotus flowers with trailing Acanthus type scrolls in a contrasting dark blue gosu with a seal for the Kameyama kiln. The scroll motif to the reverse indicates a relatively early date of production and later examples do not exhibit the same degree of care or workmanship as the p...

A nagazara of conventional rectangular form with compressed indented corners decorated in underglaze blue with a Chinese style landscape featuring a small viewing pavilion on a bridge. The reverse decorated with a stylised peony and a “classic” comb border to the footring, This dish was produced at the Nabeshima fief’s official kiln at Okawachi in Arita for the Shogun in the late Edo period c.1820-60. The dish measures 20.8cm long and is 11cm wide. It stands high 4cm at the rim and weighs...

A fine quality Kameyama-yaki auspicious Peach form, momogata, bowl delicately and painstakingly painted in the Chinese Literati style with Sansui scene for which the Kameyama kiln was renowned. The reverse decorated with auspicious Lotus motifs to the reverse and a small seal mark for the Kameyama kiln. A similar moulded dish with sprig decoration to the rim is in the Metropolitan Museum of Art New York (Accession number 93.3.453 and there dated 1820). At this period the kiln was probably produc...

A nagazara or long dish dating to the late 18th or early 19th century with a central motif of a Chinese style landscape framed by a pattern of spirals and flower-heads, Asters or Chrysanthemums a deconstructed version of a contemporary Chinese Qing dynasty pattern (see Diana Cargo etc). a staple of the Chinese export trade to South East Asia, produced both at Jingdezhen and at provincial kilns in South China. A design originally based on the popular Kangxi period so-called “Aster pattern”. ...

A long dish of conventional form decorated in senbeki, pencilled, style with a pair of four toed Chinese Dragons in pursuit of flaming pearls all set against a lightening field. The central reserve decorated with stylised tadpole like thunder bolts. The reverse decorated with further lightening motifs and pearls and a small square seal mark containing the character Ho, precious treasure. Shards with this mark have been recovered from the kiln site of the Hokaoyama kiln dating to the late mid...

Late 18th Century or Early 19th Century Chinese Canton Enamel Box with Boys Play Ball

It is 1.9 inches (4.8 cm) tall by 3.7 inches (9.3 cm) wide. It is 0.25 Lb.

It has enamel stress cracks, loss of enamels, enamel bruising, and surface wears and scratches (as seen in the photos).

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A fine drawing of late Qing to 20th century vase, decorated with the lady and the demon. Condition is perfect with no any crack, no any chip and free from any restoration. Height: 17 cm.