18K. Gold Ear Studs set with 2 genuine Tourmalines @ 5.10 ct., 2 Yellow Sapphires @ 0.79 ct. and 4 African Green Garnets @ 1.22 ct. total weight. For pierced ears only.

Unusual and striking Earrings 18K. Gold set with 2 genuine Tahiti Black Pearls @ 14.37 ct. total weight, 16 genuine tapered Diamonds @ 0.85 ct. total weight and 2 genuine Ceylon Yellow Sapphires @ 2.25 ct. total weight. For pierced ears only.

Unique 2-Tone Tourmaline (Pink & Green) Earrings composed of 4 lovely carved leaves @ 9.84 ct. total weight, surrounded by 66 brilliant cut diamonds @ 0.51 ct. total weight and set in 18K. Gold. Double feature: can be worn as clips and/or for pierced ears!

Very attractive 2-Tone Sapphire Earrings in 18K. Gold. 10 Pear shaped genuine Yellow Sapphires @ 7.84 ct. total weight and 2 genuine Blue Ceylon Sapphires @ 0.70 ct. total weight. Double Feature: can be worn as clips and/or for pierced ears!

A finely styled 2-Tone 18K. Gold Cattleya Orchid Brooch with nicely textured petals, superb patina and a wonderful NATURAL PEARL. Something for a Lady!

Our own Desogn: 2-Tone Earrings set in 18K. Gold with 4 genuine Sky Blue Ceylon Sapphires @ 4.29 ct. total weight, 4 genuine Yellow Ceylon Sapphires @ 4.89 ct. and 54 brilliant cut Diamonds @ 1.49 ct. total weight. Double feature: can be worn as clips or for pierced ears!

Our own design: a very elegant and sophisticated Baby Cultured Pearl Bracelet (2-2.5 mm. Mikimoto-Japan) set with 18K. Gold, 3 genuine Cornflower Blue Sapphires @ 4.28 ct. total weight and 186 brilliant cut diamonds @ 0.87 ct. total weight. 7" long with Safety Lock.

A superb work by Japanese Living National Treasure Hara Kiyoshi enclosed in the original signed wooden box dating circa 1985. It is 14 inches (35 cm) diameter, roughly the same height and in fine condition. Due to size the cost of shipping will be accrued separately.
Hara Kiyoshi (b. 1936) was born in Shimane, and studied pottery under Living National Treasures Ishiguro Munemaru and Shimizu Uichi from 1954 before establishing his own kiln, first in Tokyo, then later in Saitama. He was ...

A very rare Thai 100% SILK IKAT (Matmee) interwoven with Gold-Brocade Thread. Hand woven and an extremely tedious and lengthly procedure. Excellent condition. Size:L. 68" x W. 40" (172 cm. x 102 cm.)

DESCRIPTION: “The Inro Handbook, Studies of Netsuke, Inro and Lacquer” was written for collectors who have discovered the delights of the miniature Japanese art forms. This authoritative and enlightening book offers a wealth of valuable information and is written by one of the foremost collectors and scholars in the field, Raymond Bushell. Affording entry into a world of fascinating design and superb craftsmanship, the book covers the subject in a thorough manner with beautiful color illust...

A ceramic box by Nishibata Daibi enclosed in the original signed wooden box titled Senmon Tobako and exhibited at the 53rd Nihon Dento Kogeiten National Traditional Crafts Exhibition. This piece was awarded at the prestigious event. It is 11 x 11 x 4-1/2 inches (28 x 28 x 11.5 cm) and is in fine condition. Nishibata Daibi was born in Tachikui Village, Hyogu in 1976. After graduating the Law Department of Kyoto University, one of the countries most formidable schools, in 1999, the promising ...

The creator of this extraordinary work, Shibuya Deishi, is best known for his works of “Oni-hagi”—typically made with rough clay and heavy dripping glazes. This piece by contrast seems delicately crafted and has a very soft and warm quality to it. The outside is covered with overlapping molded flower petals done in an almond glaze with ivory accents at the tips of each petal.

Winner of many local and international awards (including the 18th Modern Applied Fine Arts Exhibition...

A work of perfection by one of Japan’s most admired ceramic artists. This piece by Nakajima Hiroshi demonstrates his mastery of the art of celadon pottery.

Born in 1941 in Hiroshima prefecture, at the age of 28 he established his own kiln and became an independent potter. 1n 1977 he received honorable mention in the Japan Tradional Applied Fine Arts Exhibition. In 1983 he received the Prime Minister’s Award at the first annual Western Japan Ceramic Fair and later in 1983 he was ...

A set of five concentric back glazed sake-cups enclosed in the original signed wooden box by Yagi Akira. They vary in size from 2-1/2 inches to 4 inches diameter (6.5 to 10 cm) and in excellent condition. For a similar (admittedly larger) set see “Contemporary Clay, Japanese Ceramics for the New Century “(2005) by Joe Earle.
This name is a must have in any collection of modern Japanese Pottery. Akira was born in Kyoto in 1955, son of avant garde Yagi Kazuo (1918-1979) one of the fo...

A relatively new term, “Oni Tamba” is used to describe works of Tamba-ware fired using carbon trap and ash glazing techniques modeled after those pioneered by Tsukigata Nahiko in the 1950’s. This piece in particular displays a bold and innovative ceramic landscape that seems quite impressive for such a young artist as Onishi. One side of the bowl resembles charred igneous rock while the front shows a warm soft orangish glow—like an ember in a fireplace. An unglazed patch on the front of ...

The light-grey glazed interior of this piece makes an inviting backdrop for a smooth cup of saké. The exterior by contrast is matte with a slightly coarse texture making it easy to hold in the hand. Overall it has a decidedly modern feel to it however the techniques used to produce this attractive guinomi go back many generations.

Born in Akita prefecture in 1950, Akira Miyazawa began studying pottery at the age of 24 under the guidance of Susukida Kouji, a master potter heavily i...

Labeled as yu-Shino on the box or “evening†Shino, this recent composition by Ryouji Hayashi III displays wonderful textures and hues resembling the blazing sky at sunset. The front of the bowl is decorated with radiating fissures— boldly contrasting with the background while the kodai or foot of the bowl is unglazed showing the light-colored clay beneath.

Ryouji Hayashi (1940 - ) is the third generation potter of the Shozan kiln in Mino. This line of potters has de...

Most noted for his works of Shino, this attractive Oribe piece by Kato Takeshi is distinctive and eye-catching.

Born the son of a potter in 1947, Takeshi studied under Kobayashi Bunichi, Ohashi Momonosuke and later in Kyoto under Uchida Kunio, opening his own kiln in 1973 (Genkuro-gama). Since then he has shied from the realm of public competition in favor of the personal world of private exhibitions, including the Shinjuku Odakyu and Isetan galleries among many others.

...