Nicely carved Chinese agate group showing two birds on a rock with flowers. Dating to mid 20th century. With matching wooden stand. Condition: base of the carving with a tiny flake (not visible), right bird's beak with a tiny chip (see photo No. 11). Dimension: carving: c. 10.8 cm high x 13.5 cm long x 4 cm deep, height with stand: 14.2 cm.

A lobed form by Nakajima Yasumi enclosed in the original signed wooden box. It is 12 inches (30.5 cm) tall and in fine condition. The name of Nakajima first came to notice in 1908, when the first generation Yasumi (1877-1950) was awarded at the Senkatsu Kinen Exhibition. He was a consistent exhibitor with the Teiten-Nitten national exhibitions and was also quite active abroad, being prized at the 1931 Belgian Exposition and serving as juror for the Japanese submissions to the Paris Expositio...

Two shades of black form ethnic patterns on this hishigata vessel by Kiyomizu Rokubei dating circa 1960 nearly identical to figure 12 (page 85) of the catalog Yagi Kazuo to Kiyomizu Rokubei exhibited at the Muse Tomo in Tokyo in 2017. It is 18 x 13 x 24.5 cm (roughly 7 x 5 x 10 inches) and is in excellent condition. This came from the Rokubei family estate. No box
Kiyomizu Kyubei (1922-2006) was born Tsukamoto Hiroshi in Nagoya. He graduated from Nagoya Industrial High School (now the N...

A rare sculptural basin by Kiyomizu Kyubei dating from the late 1950s signed on the base Yo. Very heavy, it is 11 x 8 x 9 inches (28 x 20 x 23.5 cm) and is in excellent condition. This came from the Rokubei family estate. No box. Early works by Kyubei are rare because, according to the catalog: Yagi Kazuo to Kiyomizu Rokubei (exhibited at the Muse Tomo in Tokyo, 2017) “he changed names several times and is said to have destroyed the works he produced in those days. Judging from the ceramic...

Kawase Hasui (1883-1957)
Snow at Shiba Park, 1931.
(Shiba Koen no Yuki)
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo. Watanabe 6 mm seal at lower right, indicating a lifetime edition produced between 1946 and 1957.
Reference: Hotei #244.
Condition: Excellent. Very faint mark near left side of top margin.

Autumn colors by Goto Shiro in thick pigment on silk in a superb patterned-silk frame with solid ivory rollers. It comes in the original signed wooden box with a Futo-maki rolling bar titled Yudonoyama Banshu (Late Autumn at Mt. Yudono). This is representational of Nihonga in the 1950s, a time when artists were seeking a new direction, breaking with the past and expanding the limits of the medium. It is 25-1/2 x 86 inches (65 x 218 cm) and in fine condition. Goto Shiro (1924－1992) was born...

Jinbo Tomoyo (1902-1994)
Given title: Woman in Lavender Kimono
Date: 1957.
Size: 18.25 x 11.75 inches.
Edition: First.
Signed and sealed by the artist.
Carver: Sato Jurokichi. Printer: Inomura Shonosuke.
Medium: Japanese woodblock print.
Condition: Excellent.
Note: One of just a few prints made by this artist.
Tomoyo Jinbo (Teisaburo) studied under Hirazaki Eiho and Ito Shinsui.

Toshi Yoshida (1911~1995)
Snowy Red Temple
Date: Early 1950s.
Size: 5.5 x 3.75 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.

Kawase Hasui
Mt. Fuji in Winter
Size: Koban. Approximately 5.75 x 4 inches.
Date: 1930s.
A mid-century edition tipped along the top edge to original cardstock measuring 7 x 4.75 inches.
Publisher: Watanabe Shozaburo.
Hasui oval seal at lower right.
Reference: Hotei #Hp-10.
Medium: Japanese woodblock print.
Condition: Excellent.

Height: 3.7 cm (1.4 in)
Width: 1.5 cm (0.6 in)

Japanese netsuke of entwined gourds; probably marine natural material; fine seal carved to the base; signed Shuzan; good condition

A charming porcelain group modelled as a Budai seated with five Children, climbing on his arms and legs. The base with an impressed mark. Condition: fine, some wear to gilding, base with some rust traces. Dimension: c. 24.5 cm high x 21 cm wide, weight: 1065 g.

A wood sculpture of a reclining young, naked woman seated on a oblong base. Carved in naturalistic style from a single piece of wood. Light, brownish color. Good expression and fine details. Signed: Shoji. Japan: Showa period, 1950s. L 33,5 cm, H 20,5 cm. Condition: Excellent.

Worked in filigree silver and enamel, set with jade, tourmaline, garnet cabochons and a pearl. The reverse with a secure pin back assembly and a "silver" mark. Condition: pin a bit bent, the jade beads with piercing. Dimension: 8.6 cm long. Worldwide shipping by registered Swisspost shipping included.

Japanese yellow ground vase featuring flowers and a bird. Silver top and bottom rims with a high gloss yellow glass enamel background. In excellent condition, it measures 7 inches high and dates 1940-50s

Three cups and saucer trays by Noritake, Japan, mid 50’s. Saucers shaped like water lily leaves – a modernist design also reminding of the painter’s palette shape so much in vogue in the 50’s in ceramics, jewelry, teak wood and more. The cups to fit at one side, in order to allow for a sandwich or some biscuits. The back with the N and ribbon mark in use from 1953. Width of saucers "9 ½ / 24 cm, height of cups "2 2/3 / 6.8 cm. Condition: fine.

Kiyoshi Saito
Maiko
Date: ca. 1960.
Size: Oban. Approximately 17.25 x 11.5 inches.
Pencil signed and sealed by Saito.
Self-published by the artist.
Silver mica is used on the collar.
Medium: Japanese woodblock print.
Condition: Excellent. Back margins have adhesive residue.

The Choraku line of potters began when a student of Kichizaemon XI (Keinyu) and Kichizaemon XII (Konyu) opened an independent kiln in Kyoto in 1904. The line was officially given the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association. Red Raku chawan are a favorite of tea enthusiasts and seem to have a face for every mood. In the right light they may appear like an amber sunset on the horizon. In another light, like lanterns moving through a misty field. Ak...

An otherworldly form from the age of Sputnick by important artist Morino Taimei exhibited at the 1959 Nitten National Art Exhibition and published in the Nittenshi (vol. 22). It is signed in romanized characters H. Morino (His given name is Hiroaki). It is roughly 12 inches (30 cm) tall, 15 inches (38 cm) diameter and in excellent condition.
Morino Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibition at a relatively young age in 1957 (a year befor...