This Madara-garatsu tea bowl (Madara Karatsu-ware) uses a technique known as yobitsugi—using pottery shards from other works to complete the gold repair—thereby adding a special character to the piece. It is also worth noting that although many kilns currently exist which specialize in Madara-garatsu ware, this piece comes from the original Kishidake family kiln where the tradition began.

Madara-garatsu is one type of Karatsu-ware which takes its name from its spotted or speckle...

Japanese Pottery heavy Bar Rest used inside the Kiln, 11" long, 2 1/2" square each ends, this bar stick used in the kiln to rest items, with rough glaze surface, the condition is good, no damages.

Chinese Blue and White Porcelain Bowl, Ca. 19th C. underglaze blue decorated Double Happiness with floral and scrolling vines, 6" diameter-top rim, 2 1/8" high. The condition is good, old scratches on surface, no damages.

Five(5) Chinese Blue and White Bowls, Ca. 19th C., underglaze blue decoration of free design of double happiness and floral and scrolling vines, 6" to 1 1/2" diameter-top rim, 2" to 2 1/2" high, various heights and width, they are all different hand painted underglaze blue design. The condition is good, no damages.

Perfect Aka Raku Tsutsu Chawan made by the 10th generation Kichizaemon Tan-nyu and enclosed in an authentication wood box written and signed by the 12th generation master of Omotosenke, Seisei (1863-1937).

Tan-nyu (1795-1854) was firstly named as Sojiro. He was the second son of Ryōnyu, the second generation master. In 1811, at the retirement of his father-master Ryonyu, he succeeded as Kichiza’emon. In 1819, together with his father Ryonyu, he assisted Oniwa-yaki Kairakuen ...

A Kakiemon style porcelain six lobed dish. Cobalt blue underglaze and red, green, yellow, blue and black outline overglaze enamel decoration of 'three friends of winter' (pine, bamboo and prunus). Assymetry of decoration, as well as palette, typical of Kakiemon type porcelains. But the quality of decoration (though good inside the dish), potting and mark speaks to a more general 'Arita' attribution. Some kiln grit adheres inside the foot rim. 19th century. Condition is good, with a few small gl...

Another Hagi Chawan of the Koraizaemon family in our collection: wonderful Hagi tea bowl made by the 9th generation Saka Koraizaemon (1849-1921) during the Meiji Period. Fine and aesthetic Kintsugi gold restauration. It comes with its originally signed and sealed wood box and signed and sealed authentication documents.

Size: 3,1'' height x 5 '' in diameter.

Shipping included.

The first Hagi wares, a glazed, high-fired stoneware, originated with the Korean pott...

Belt hook nicely carved in the shape of a dragon. Light green jade. China, 19th century or earlier. Length: 9,2 cm. Remnants of soil encrustations suggesting a rather long stay underground, otherwise very good condition.

Nicely made statue of a boy riding an elephant. Nice crackling gree glaze. Age: Late 18th century. Size: L. 12cm, W. 5.5cm, H. 11 cm. Condition: Perfect.

A ghoulish character from the Otsu-e pantheon, the Oni no Nenbutsu, a devil in priests robes, stands grinning, hammer in one hand to bang his bell and a ledger in the other in which are noted all the peoples sins. This figure is carved of wood and covered in lacquer and mineral paints. Dating from the 19th century (Later Edo period) it is 13 inches (33 cm) tall. There are some losses to the pigments accentuating the antique feel.

Japanese Mother of Pearl and Bone inlaid Lacquer Panel of Tea Ceremony picture on black Lacquer wooden panel, Ca. Meiji period, 1880's, 26" high, 16 1/4" wide, 3/4" depth, two(2) ladies preparing traditional Japanese Tea Ceremony, silver geometric design border on black Lacquered panel inside black lacquered frame. There are some very small lacquer losses around the frame, shows very thin separation on wood panel in the back, but does not show in front, stains on the lady's hair.

A Korean pale grey porcelain offering stand. 19th century. Each stand is fired resting on another and so kiln grit, used to prevent adhesion, is left as evidence.

Approximately 12.8 cm diameter, 6.5cm high. Perfect condition.

Please study the photographs.

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A Chinese jade toggle carved as a crouching shi-shi, the stone of a pale grey-green colour. Nice lustrous polish. 18th / 19th century.

Approximately 4.5cm long. Fine condition

Please study the photographs.

Within the UK payment by bank to bank transfer is preferred.

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Mandalay Period, inlaid with glass. The stand with gilded metal ornaments. H. 51 cm. Ex. Johan Möger Collection. His collection was published in the ' Burmese Buddhist Sculpture' by Otto Karow.

Burmese painted wooden Nat sitting on a base.

Age: Burma, Mandalay Period, 19th Century
Measurement: Height 55 C.M. / Width 31 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Rare Japanese bar tansu from the Mikuni region, made with Hinoki (cypress) wood front panels and Sugi (cedar) wood top and sides. Heavy in weight, with structural bars along the back and sides, all original deep red lacquer finish, the front locking bar with highly ornate iron display of auspicious motifs and turtle shaped lock pin.

Edo period (1603-1868) Circa 1830's.

Size: 37.5" L x 19.5" W x 38" H

Nineteenth century white brass Chinese smoking pipe with carvings on both ends. Size: L. 34.7cm. Condition: No repairs.

This is indigo dyeing cotton Tsutsugaki Futon- cover used in a rich merchant's family for the Meiji period. As for this, cotton is spun by hand precisely. As for this, a pattern is Tabanenosi and a family coat of arms. As for this, Tabanenosi is expressed like Kuwagata Maedate of Samurai Kabuto. And Kuwagata Maedate of Samurai surrounds a family coat of arms. This seems to express a family in succession to a pride of Samurai. This is very rare Tabanenosi pattern in a merchant's family after the ...