With a sturdy foot firmly grounded, the upper rim of this piece rises and falls, somewhat reminiscent of a mountain path. Combined with the plum blossoms floating on the white background, these elements together suggest balance and harmony.

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Kuro Oribe (as pictured here) with their jet-black glazes and feldspar ornamentation tend toward the minimalistic, abstract; and, some would say, Zen-l...

Japanese antique Piggyback string of the baby indigo dye tsutsugaki cotton textile of the meiji era(1868-1910).This is silk Kesa nishijin textile in the age of the meiji era. The material is silk. It has a few thin stains to lining. However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition. size:Length:292‡pi114.9inch) width 36.5cm (14.3inch)

A pottery tradition that harkens from the Mino region of Japan, Shino-yaki dates from the Azuchi Momoyama period. It came into fashion when first commissioned by renowned Muromachi cha-jin (tea masters) Shino Soushin. This is thought to be the first type of pottery in Japan to feature drawn paintings on the ceramic surface.

This attractive e-Shino bowl (“e” meaning picture) bears an abstract motif on a background of white feldspar. The exquisite shape, glaze, and painting of the...

A set of 6 graduated Mythical HINTHA BIRD OPIUM WEIGHTS, Burma, 18/19th Century. The tallest one measures 4.5" high (11 cm.).

An exceptionally rare and beautiful ANTIQUE JAPANESE POLYCHROME TEXTILE SILK ROLL depicting Phoenix, Drum, Waves and Flowers. Good condition overall. Size: L. 13 feet x W. 27". Provenance: ex-Collection of famed H. MEDILL SARKISIAN, Denver, Colorado.

Of octagonal shape, decorated with Japanese ladies and floral panels. Signed: made in Hirado by Kusae'. Considering the size these were probably chocolate cups made for the export. The cups are 11,5 cm tall and 10 cm in diameter. The saucers are 15 cm in diameter. The set is in pristine condition.

Nineteen Chinese plastic and stone (jade) beads dating back to the early nineteenth century. Size: See last photo.

A 19th Century QING DYNASTY Chinese Wooden Carved Shrine Box with Table-Like Legs and Gilding. Top has painted lacquer with landscape and people. Overall condition fair, signs of aging and wear. Size: H. 14" x 7.5" x 9"

A ceramic cover for a tea room brazier in the shape of a devil dressed in priests robes dated and annotated within. Dating from the Ansei era, inside it is annotated by Daiko Sogen (1772-1860), 435th head of Daitokuji. Well known for his poetry and mastery of the Tea Ceremony, he taught Zen to Eiraku Hozen, and was compatriot to Gengensai. It is 34.5 x 34.5 x 30 cm (13-1/2 x 13-1/2 x 12 inches) and is in fine condition.

Munga Ningyo of a Samurai in Court Attire by Toyotomi Hideyoshi. Late Edo Period. Height: 10 inches, 25.5 cm.

Japanese Isho Ningyo of a Noh Actor, Meiji Period, late 19th Century. Height: 13.75 inches, 35 cm.

A very serene and spiritual QING DYNASTY Polychrome Wooden LOHON MONK in adoration, standing on a LOTUS Base. Rare piece and good size: H. 73 cm. (~ 29" inches). Good condition overall, with some signs of aging. Has good Aura and seldom found!

Blue and white export ware plate. There are four block-printed under glaze "crowns" around the edges of the plate with a brushed "fu" character in the center for prosperity, good fortune and wealth. Size: Diameter. 26.2 cm. Condition: No repairs.

A nice Nyonya plate with a painting of an old Sage and a poem centered around him. The poem says he is ninety years old and is about all his hardships. The Sage is surrounded by a floral design and the back has paintings of peaches and bats symbols of good luck and prosperity.Nonya wares are over-glaze polychrome enamelled porcelains made in Jingdezhen in the Kiangsi province of China for the Straits Chinese, or Babas, whose female counterparts are called Nyonyas, hence the term Nyonya ware. N...

Shirohato Hachiman Shrine from the series ‘Scenes of Famous Places along the Tôkaidô Road’ Tôkaidô meisho fûkei, also known as the Processional Tôkaidô, Gyôretsu Tôkaidô, here called Tôkaidô meisho no uchi. Published by Seibundô Masakichi. 1863 (Bunkyû 3), 5th month.

Ichieisai Yoshitsuya 1822 ~ 1866. was a pupil of Kuniyoshi.

Approximately 36 cm x 25cm. A few sewing holes in left margin. A good impression with fine fresh colour and in very good condition....

The right-hand sheet from the Yokohama-e triptych by Utagawa Hiroshige III (1843–1894) titled Yokohama Kagandori no fûkei, ‘Foreign Ships at the Seafront in Yokohama’. Signed Oju Hiroshige hitsu. Published 5th month, 1870.

He was a pupil of Andō Hiroshige.

A striking and decorative depiction of an European trading ship, ‘Black ship’,

Approximately 34.5cm x 23cm. Laid onto thick paper. A few stitching holes on right edge. Small damaged area on top...

A good Japanese ukiyo-e painting on paper of a Kabuki actor. Early 19th century.

Approximately 47.3 x 23.4cm long. Laid onto backing paper. Some paper and paint losses. General wear and tear as expected with an old painting but such a good image, well worth some restoration.

Please study the photographs.

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The patachitra, the folk painting of Orissa, has a history of great antiquity. The 'Patachitra' paintings exhibit the use of strong line and brilliant colors. These are religious paintings which cover themes and events from Indian mythology and Puranas and are mainly made on silk or on old cotton glued with paper.

This is one of the most popular subjects and was probably produced as a souvenir (jatri pati) for pilgrims for whom the painting would become a personal family shrine. The paint...