Chinese Qing dynasty celadon vase. 37,5 cm high. Vase have single hairline (please see on the pictures) Free from any repair.

A Very Rare Korean Silver Bar Hairpin/Enameled Bamboo, Bird, plum -19th C.: Korea, Joseon dynasty, 19th century. The long terminal cast with bamboo leaves, flying cranes and plum flower head with a roundel coral inserted into the plum flower-head on the either side of the bamboo head-end, and enameled in blue, red, green, and yellows, the cylindrical silver bar ends with a point tip. It’s in good condition but some enamels gone due to age and use, and two small coral jewels missing, ...

Silver alloy opium box, lavishly decorated on all its sides with relief designs representing a nobleman with his servant in a park, flowers, birds (on the lid), and two inscriptions. Partly erased artist mark beneath. China, 19th century. Height: 6.2 cm. Very good condition.

An antique Japanese bronze temple bell called Bonsho with a handle depicting diverging dragon heads called Ryuzu, protrusions called chi chi or nye to improve resonance of sound, two opposing Tsuki-za striking panels and a Mei-bun inscription of the bell's history. Bonshō (Japanese: 梵鐘, Buddhist bells), also known as tsurigane (釣り鐘, hanging bells) or ōgane (大鐘, great bells) are large bells found in Buddhist temples throughout Japan, used to summon the monks to prayer and to de...

Large Japanese early Meiji period sumi ink on paper scroll by calligrapher Ito Keishu (aka Ito Shinpei), who was active circa 1870s to 1890s. Signed and with three red seals. Paper mount and wood scroll ends. The scroll measures 79” x 32 1/2" (painting size: 54 1/2" x 26”). Good intact condition with some rubbing and soiling evident. There is a small distressed area or repair to the paper mid-way down the scroll on the right side (see enlargement). The top mount has a few old paper r...

A cast brass gong mounted in a Japanese style wooden frame. The two parts were joined together in Singapore where the stand was constructed out of Vietnamese wuali wood. The stand measures about 27 1/2" wide x 23 1/2" tall x 11" deep and dates to the 1980s. The bell measures about 13" in diameter x 5" deep and dates to the 19th Century or earlier. The bell has a marking of "4-P" painted inside, and the gong comes with a matching quality striker. The gong has a beautiful, medium-deep, resona...

Antique Sri Lankan ceramic figure of seated Hanuman, the Hindu god in monkey form, hero of the Ramayana and devoted friend to Rama. Seated with one knee raised and hands together in prayer, Hanuman's face is full of compassion. His tall crown denotes his status. Traces of green and white pigments remain.

Age: 18th/19th century

Dimensions: 5" high x 2 1/2" wide x 2 1/2" deep

Antique Nepalese bronze melong, "Mirror of Emptiness". Melong are placed on altars to reflect right thoughts. This melong has a polished center surrounded by flames. It stands on a lotus base. It is the same on either side. A soft rattling sound from within the convex portion of the mirror reveals that it has been consecrated, meaning a prayer has been placed inside.

Age: 18th/19th century

Dimensions: 7 1/2" high x 4 1/4" wide x 2 1/2" deep

Japanese Meiji period cylindrical pawlonia (kiri) wood domaru (tree-trunk) hibachi with a relief design of flowering grasses in gold maki-e lacquer and shell inlay. A gold lacquered bird flies on the back. Original copper liner. Late 19th to early 20th century. 8” high x 11 1/2" wide. Very good overall condition with only minor losses to the shell inlay.

The head is carved in a grey stone that I think is limestone, it is harder than marble but it can be scratched with a steel tool. The naive sculpture seems to be made by a craftsman who was not a sculptor or a sculptor of a primitive people. It unquestionably represents a Buddha with his third eye in the middle of his forehead. There is some red pigment left in one nostril and in the corner of the mouth.The appearance of the stone seems very old. The style of the hairstyle reminds me of the Tang...

1900's Japanese Satsuma Vase with Silver Cover By Kagayama

It is 7.7 inches (19.5 cm) tall by 5.7 inches (14.5 cm) wide. It is 2.1 Lb.

It has rubbing of gold and paint, minor stains, hairline cracks at the bottom and surface wears and scratches (as seen in the photos).

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Japanese Meiji period well rendered Kutani porcelain figure of Kannon, decorated in polychrome enamel and gilt highlight. She sits holding a scroll in her left hand and her face is well modeled with a serene, downcast expression. A gold jeweled necklace hangs from her neck and she wears a white hooded robe permeated with tiny white raised moriage dots and decorated with green dragon roundels. Flat unglazed base. 10 1/2” high. Late 19th century. Heavily potted. Weighs 3 lbs. Very good ...

Width: 5.5 cm (2.2 in)
Height: 5.5 cm (2.2 in)
Weight: 205 gm

Japanese Komai box; decorated with chrysanthemums and other florals; gilt interior; Fuji mark on the base; good condition

Width approximately 10.4 cm (across the handles). There is a soft dent at the body. In good condition.

Antique Thai cast bronze figure of Garuda crouched on his haunches, with wings open wide. Garuda is the faithful friend and vahana (vehicle) of Vishnu. He is depicted here in anthropomorphic form, with human body but with wings, beak and and legs of an eagle-like sun bird. Garuda is the personification of courage and the enemy of naga, the serpent.

Age: early 20th century

Dimensions: 7" high x 9 1/8" wide x 4 1/2" deep

An antique Japanese Sakata Kasane (stacking chest on chest) Tansu in 2 sections made of Kiri (Paulownia) wood. All original hand forged Iron hardware. Using Japanese joinery including straight dovetails and age consistent hardened wood nails. Originates from the famous tansu making town of Sakata in Yamagata Prefecture, Japan. Secret box is well hidden behind bottom drawer hidden behind small hinged door.

Formerly used for kimono storage, its contemporary function includes using it for ...

Antique Tibetan tall bronze butter lamp for a Buddhist altar. Traditionally, the butter lamp would burn ghee. The light of the flame of the butter lamp represents the "wisdom of the awakened mind" and helps to "dispel the darkness of delusion". Most Tibetan household and temple altar displays include a butter lamp. This tall lamp resembles a multi tiered lotus blossom with decorative granulation on the edges. Beautiful patina from age and use.

Age: 19th century

Dimensions: 13 ...

Antique Indian bronze figure of Ganesha. Seated on a lotus throne, he holds his prayer beads and ax in two of his four hands. He holds up one hand in abhaya mudra while he feeds himself sweets with the other. His mouse vahana (vehicle) looks up at him from the right side of his throne. According to legend, Ganesha was created from mud by the goddess Parvati in order to guard her while she bathed. Upon returning home from meditation, Parvati's husband, Shiva was furious to find his path b...