A delightful metal Japanese hair kanzashi, mix metal. Some parts brass, others gilded, silver and yet more plated with silver to give a wonderfully rich feeling to this traditional Japanese hair accessory. The tiny coral beads used at the center of the flowers, as well as between the bira-bira dangling, add to the feeling of richness. The Hoo bird (Chinese phoenix), with its long tail feathers, flying across the paulownia leaves is a symbol of a peace and prosperity. 9 1/2 inches long. ...

This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony between families. A fukusa with the crest decoration is very practical because it can be used for the different occasions. Beautiful old tapestry weave (hand woven). The dimensions: 25 1/2" x 27"

Japanese Shoki (demon queller) doll for the Japanese Boy's Day. The story of Shoki came from ancient Chinese folklore. He was known to cure ailing emperor of the Tang Dynasty when he was plagued with nightmares. Shoki showed up in the emperor's dream and chased the demons away. This store was later adopted by the Japanese. Shoki became to be the only non-Japanese figure displayed in early Japanese Boy's Day festival since the Edo period (1603-1868). Circa 1910 to 1930. This is not a ...

This is a humorous Japanese sake cup. The drinker would find that he has drunk from the face of Okame while others would see the other side of the cup with oni's (ogre) face and would have a laugh. All typical Japanese humor from the Meiji Period (1868-1912). 2 3/4 inches in diameter and 1 inch tall (slightly less) at the horn and jaw.

Old Japanese Kanzashi comb and hairpin set with lovely prunus and birds on a tortoiseshell. Late Edo to Meiji. One hairline shown in the last photo is very minor. We had more than one occasion that we had difficult times locating it. The comb is 3 1/4" x 1 5/16"; hairpin is 6 1/4" long and 11/16" wide at the ends.

Old Japanese theater mask of "tengu" in a fierce grimace sporting a prominent proboscis. The "tengu" were mythical creatures, half-bird and half-man, who were tricksters living in pine trees in the forests. I am uncertain of the dating of this mask but estimate it was crafted in the early to mid-20th century. It may be older. It has signs of age and use. There are scattered chips on the underside of the chin and nose and at the edge of the mask and eyes. The chips reveal plaster or gesso b...

Beautiful silk Japanese Uchikake, wedding kimono, from Taisho to Early Showa period, early 1900s. When the peaceful life of Edo (1600-1868) continued without any major battles for years, the lives of the people became more affluent. The merchant's economical power was getting stronger. Some very wealthy merchants were even supporting the different types of art and their extravagant lifestyle was influencing all the social rankings. Threatened by their increasing power, the Tokugawa governme...

The idea of a Fukusa gift cover comes from the old Japanese tradition of gift presentation. Fukusa began to be decorative as well as practical in the Edo period (1600 to 1868). The appropriate design was chosen for the occasion; for seasonal, ceremonial and later, time of grief when Japan started to face battles again, with the foreign countries this time. This delicate, indirect way of conveying feelings has been in Japanese culture, poems replacing words for occasions, reminiscent of the ...

Three Japanese Jyokan (ladies-in-waiting) hina dolls are a part of the hina doll set displayed for the Hina Matsuri Festival, Japanese Girls Day in March, also called the Peach Festival. This day is reserved for the girls of the family wishing for their well-being for the coming year. Late Meiji to Taisho period, early 1900’s.

When the peach blossoms start to open by breaking through the snow from February to March, it is the announcement of the arrival of spring. Plums are often asso...

Beautiful antique Kanzashi, Kogai Japanese hair pin with gold maki-e on tortoiseshell with identical design on both sides, 5 1/4 inches long.

Old Japanese Kogai, a hair pin made of tortoiseshell(bekko). It is 6 1/4 inches long, from the Meiji period (1868-1912).

Marked “Hichozan” and “made by Maru(circle mark) hei”. Hichozan was a large organization located in Kyushu, the southern island of Japan. The organization did not make any porcelain itself but had large workshops decorating blanks from other factories. Most of the blanks were made at Mikawachi where the Hirado kilns were located. They also ordered underglaze decorated wares that they could supply to their clients. These bowls fall into that category and were made for Hichozan, by the H...

Japanese antique hair accessary with a beautiful design of the iris and leaves created by using sheets of silver. The bells at the bottom of each chain jingles when you shake your head. It is guaranteed to bring a charm to your look, but refrain yourself from overdoing it (shaking) if you are to attract a man's heart. This Kanzashi is dated from the mid to late Meiji period (1868-1912). 7 inches long.

Japanese kanzashi hair accessory, Kogai hair pin. The quality of decoration is very good. It looks more antique than shown in photos. The material is, bone, hard and heavy as ceramics. 6 7/8 inches long.

This is a very unique and beautiful Gin (silver) Kanzashi from Meiji Period (1868-1912). It has Samurai's Kabuto helmet and the plum blossoms resting on an open fan which moves to adjust the angle as the bells on the chains jingles. You can only imagine what the occasion was for. The first four photos were taken after it was polished, the rest were taken before. It truely looks beautiful now 5-6 months after being polished. The length of this Kanzashi is 9 1/2" with a leg cap on, 8 1/2" ...

This is a representation of Shotoku taishi (574 A.D.-622 A.D.), the young princely protector of Buddhism in Japan. At the age of twenty, he reorganized Japan by promoting Chinese Confucian and Buddhist principles. His well known "Constitution with 17 Articles" was the first written law of Japan. The articles begin by emphasizing the importance of harmony, which is still the foundation of the Japanese culture. The figure is from the Kutani kilns, 7 inches tall