Slightly distorted cylinder shaped (tsuzu) tea bowl with straight walls, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife around the foot ring.

The bowl was covered with black iron oxide glaze of the non glossy type (preferable!) and then covered with a black glaze in the style of a Seto-guro bowl. On the front a skewer with three rice balls was scratched into the black glaze before firing and covered with a transparent ash glaz...

This is Japanese antique Edo Period (1800-1857)Hand drawn dyed of yuzen dye & Hand embroidery Excellent silk fukusa textile. Its design, Yuzen dyeing and embroidery techniques show the characteristics made in the Edo period. Although it has a slight stain, there is no damage, it is a very good condition. I will recommend this item to your collection. And it can be decorated easily on the wall. size: Length 52.5cm / 20.6inch width 46cm / 18.1inch

A Japanese porcelain steep-sided dish depicting a traditional zashiki room or perhaps a temple interior. The plants seen through the windows are banana and cycad, both common in warmer climates as experienced in Kyushu or Okinawa. Arita 1730 - 1750. Two plates with similar central designs are found in ‘The Story of Imari’, Goro Shimura. ‘The Story of Imari, The Symbols and Mysteries of Antique Japanese Porcelain’, Ten Speed Press, Toronto. 2008. Items 61, 62.

Approximately 19.8 cm...

A dish of scalloped rim form of six-sun size decorated with a central motif of a bouquet of Cherry blossom wrapped in the traditional manner for formal presentation with a sheath of washi paper, tsutsumi, shaped into a horn and tied with cord. The rim of the dish decorated with auspicious motifs of gobenka and cho butterflies in the typical Imari three colour palette dating to the Kyoho period circa 1710-40. The reverse decorated with ribbon ties and trailing flowers. The dish is in good cond...

A very fine sometsuke dish of scalloped octalobed form painted with a mon form central motif of a symmetrically arranged pair of leaping carp. Framed by a continuous band of botan karakusa, Peonie lotus scroll, within which are reserves containing, dragons, Ryu, in clouds and a gilt rim, kin-beni. The reverse decorated with hagi-karakusa, vine pattern and a six character mark for the Chinese Emperor Jiajing. The quality of the painting is of the highest quality. The dish would date to the period...

The Ming dynasty tradition of mortise and tenon joinery can be seen and experienced in this later Ming form day bed. The Zitan bed platform rests soundly on all four inverted horse hoof legs. Mortise corners frame the woven bamboo rattan seat cover. For added flexibility, roped lacing and carved wooden support structures help reinforce the durability of its function.

The back and side rails form a lattice-like structure called “wheel of life” pattern. The finely polished Zitan...

A tradition dating from the mid-16th century, Raku teabowls are made by hand, without the use of a potter's wheel; giving them a distinctly human feel. In the process of shaping the bowls, potters handle the tea bowls in much the same manner that users will hold them as they drink from them. In this way, we can imagine a connection is formed between the creator of the tea bowl and the participants in the tea ceremony. For this and other reasons stemming from historical circumstances, Raku bowls ...

Antique pair of Chinese official's hat arm chairs, made of huanghuali wood with intricately woven rattan seats. Carved cusped edged apron. Dramatic grain.

Provenance: From the collection of the Santa Barbara Museum.

17th century

Dimensions: 44" high x 18 7/8" wide x 17" deep. Seat: 20 1/2" high.

A rare early (female) Buddhist Guardian Lion painted with unevenly distributed crackular over glaze turquoise enamel. This item was probably made in China during the 17th or early 18th Century.

Condition: very good - there are many small under glaze firing cracks; there is glaze loss to both eyes and there is 'kiln grit' to the base. No chips or external cracks and no repairs or restoration.

15 cm / 6 inches high.

For many additional pictures and enlargements please view item #1745 on ...

This is a wonderfully preserved Japanese Edo Period (Late 18th / Early 19th centuries) Tosa School Monogatari-e (painted subjects depicting scenes from the life at the Imperial Court in Kyoto) Six-panel. Gold-leaf Folding Silk Screen Painting. It shows twelve scenes from chapters of the novel 'The Tale of Genji', set in two sections per screen. It measures 110 inches wide and 48 inches tall. The inside panels are 18 inches and the two outer panels are 19 inches wide. Based on the age of the ...

Chinese pair of huanghuali wood official's hat chairs. Simply and smoothly carved with a cusped edge on the front legs. Rattan seats. Provenance: from the collection of the Santa Barbara Museum, California. (Note regarding the Museum label: little was known about Chinese hardwoods at the time this label was made. Thus the wood is mislabeled "cherry wood").

17th Century

Dimensions: 39 1/4" high x 19 1/4" wide x 17" deep. Seat: 19 1/4" high x 18 1/2" wide x 15 1/2" deep...

Chinese antique rectangular foot stand made of huanghuali wood. Classic lines and simple elegance. Underside with characters in ink and old paper label.

late 19th century

Dimensions: 6 1/4" high x 25 1/2" long x 13" wide

In the world of Japanese ceramics, Tamamizu-ware has almost a mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominence, both being endorsed by the major tea schools of Kyoto and both being favored by the Imperial household. The first in the line was an illegitimate son of Kichizaemon Ichinyu (Yahē) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of the Tam...

A nice design of Qing Dynasty Kangxi period blue and white large dish, decorated with full of florals spray to the interior. Found at South Sulawesi. Condition is good, only one hairline appear visible on the enlargement 4, and normally with minor fritting to the rim, otherwise is very good blue paste tone. Diameter: 34,5 cm.

Length: 9.7 cm (3.7 in)
Height: 5 cm (2 in)
Depth: 3.8 cm (1.4 in)
Weight: 250 g

Rare and heavy Chinese bronze scroll weight of an elephant; pitting to the surface; removable panel on the back may have had a mechanism; has been used as a censer; inlaid silver pattern to the back; silver and copper inlays to the side; 17th or 18th century or earlier; good condition

Japanese Kura samurai saddle in red lacquer, with black and gilt lacquer. The maewa (front arched plate) and shizuwa (rear arched plate) are adorned with a copper inlay flying crane. The red lacquer area surrounding the crane is hand-carved with scrolling vines of flowers and shippo pattern in gilt lacquer. The maewa and shizuwa are connected by two igi (contoured side bands). The igi rest on either side of the horse's spine and serve as the under frame for the leather seat (basen or kura tsubo...

A high grade Japanese Kura samurai saddle detailed in high relief lacquer. The maewa (front arched plate) and shizuwa (rear arched plate) display a lacquer relief carp climbing a waterfall motif. The maewa and shizuwa are connected by two igi (contoured side bands). The igi rest on either side of the horse's spine and serve as the under frame for the leather seat (basen or kura tsubo) and are slotted for stirrup straps (chikara-gawa or gekiso) to pass through. Mounted on custom stand. Signed ...

Fine Chinese Blue and White Salad Bowl, well decorated with lakeside scenes. Qianlong C1780/90 Diameter; 9 3/8″ (23.9 cm) Max diameter; 11 1/8″ (28.3 cm) Condition; excellent, a few very minor frits