A long horizontal handscroll with ten individual hand-painted shunga scenes, of couples in the act of lovemaking. The focus is on the couples and their actions; there is no background. One couple uses a dildo. For as far as anyone wears a garment, those are decorated in fine details.

Signature at the end of the scroll, on the far-left side: Yamato-e Miyagawa Choshun zu. Gourd-shaped red seal: Choshun.

Very fine and detailed paintings in black ink, mineral colors and gofun (pulveriz...

A rare Japanese Buddhist Bell from the middle of the 18th century in perfect antique condition with no flaws. It is made of alloyed copper.

Bells play a crucial role in a variety of Buddhist services and rituals; their sound is considered auspicious, and is believed to bring peace and comfort to all sentient beings, even those who are suffering in hell.

Size: 15,5 cm high, 7,7 cm width

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A symbol of longevity and hope for happiness Minogame temple party headpiece. Gilt gold embossed details over leather hide. The detailed head resembles on of a dragon. Horsehair depicts the long flowing seaweed from the back of the turtle. Condition consistent with age. Complete
Comes with original Hitsu box.

“A crane lives a thousand years, a turtle, ten thousand.” The turtle, along with the crane and the pine tree, is one of three frequently used images to convey th...

Chinese Porcelain brush pot with oxblood glaze over white porcelain. Underside is marked with cobalt blue double rings. Shows use,some minor ware. Dates from the 20th century.

Dimensions: 4 3/4" high x 3 1/2" diameter

Burmese alabaster seated crowned Buddha, or sometimes known as 'King Buddha', wearing diadem-crowns and ornaments of kings instead of ordinary monk's robes.

Crowned Buddha represents the Buddha's role as a universal sovereign.

Age: Burma, Shan Period, 18th Century
Size: Height 24.8 C.M. / Width 15.5 C.M. / Depth 7 C.M.
Condition: Nice condition overall (some expected degradation due to its age including old wears). Please refer to the enlargement photos for more detail...

One of such rare antique Hagi Chawan with wonderful glaze and aesthetically pleasing patina from the early 18th century (Edo Period), perfectly thrown and highlighted with an old gold restoration, a fantastic gintsugi (kintsugi) which makes our Hagi tea bowl even more valuable and outstanding.

It comes together with its wooden box and the authentication and appraisal of Soshu Mori, a former chief priest of the Daitoku-Ji Temple 大徳寺 Kyoto.

Like many of the great Jap...

An unusual Edo period Oribe serving bowl, the color filled crackled glaze decorated with scrolling lines in iron and splashes of copper green. Both inside and out hash mars denote a bamboo fence with blossoms in the fore. A handle and raised architectural elements around the rim and rising to the mouth echo some western influence, possibly indicating original Christian use. It comes resting on a silk pillow in a age-blackened wooden box titled Oribe Katakuchi. The piece measure 24.5 x 13.5 x ...

Burmese alabaster Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Shan Period, 17th - 18th Century
Size: Height 42.4 C.M. / Width 26.5 C.M. / Depth 16 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese alabaster Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Shan Period, 18th Century
Size: Height 54.8 C.M. / Width 31.4 C.M. / Depth 16.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Buddha in bronze cast with lost wax and gilded with mercury. The walls are very thick, the statuette is heavy. The gilding is original, certainly baked several times to obtain a nice thickness. The reverse of the dress is chiseled with stylized flowers. The base is closed by an incised copper plate of Vajra. The base does not appear to have been opened. The two arm bracelets were originally to have stone beads, today replaced by a colored coating. In the palm of the hand, we can see a hole left ...

18th Century Japanese Three-Pronged Bronze Sankosho Vajra Buddhist Implement

It is 5.51 inches (14 cm) in length by 1.4 inches (3.55 cm) wide. It is 109.2 gram.

It is tarnished and has pitting, casting imperfections, firing cracks, oxidation, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 10...

Libatory cup in Chinese soft porcelain. The cup is made with a mold in 2 parts, on the side you can see the junction mark. It is decorated in relief with 2 dragons, a crane in flight and a deer. The clay is white covered by a transparent glaze.Usually, these white Chinese cups are made of hard porcelain, those made of soft paste like this are rarer. The cup is in good condition there is only a small chip on the upper edge which is clearly visible in photos. China 18th century. No repair. Heigh...

A rare Kuro Raku Chawan by the 7th-generation successor of Raku ware, Kichizaemon Chonyu (1714-1770).

It comes in fine antique condition with a very old red Urushi lacquer Kintsugi and its antique wooden box with an attestation and appraisal of the Urasenke Tea House "Shikien" Kyoto, signed and sealed in 1950.

Born as the eldest son of the 6th generation Sanyu, he took over as the head of the family and didn’t retire until age 49, later passing away at age 57. Since ta...

The vase is in yellow bronze. It appears to have been taken down with a hammer because it has thin walls, however it may have been cast. It is a very simple design object but of excellent quality, the proportions are perfect, the finishes are very careful. Artisans capable of producing a bronze of this fine quality would have been entirely capable of producing such a fine casting. This elegant simplicity makes us think of this very old vase, probably dating from the 17th century, or before, a ma...

White jade pendant stained with rust representing a goose busy washing itself. The bird is represented resting on a large lotus leaf, its head preening its dorsal feathers, gracefully curving its neck which stands out from the body and serves as a natural handle for passing the silk cord. The compact shape, the whiteness of the rust-stained stone, the subject, the natural attachment and the quality of the sculpture as well as the details make it a jewel of excellent quality. Chinese lapidary wo...

Chinese Qing dynasty low circular form porcelain brush washer covered overall in a monochrome oxblood red glaze holding a partly submerged moulded recumbent water buffalo at the center. A brown wash was applied to the low flat foot and slightly recessed base. 7 3/4" diameter x 2” high. 18th/19th century. A few thin glaze losses in the bottom reveal the white porcelain body. A small production flaw to one horn looks like a chip but appears to be glazed over. From the estate of Gerhard Loh...

Cast bronze "soliflore"vase.The neck is engraved in the archaic Chinese style of stylized cicadas and Greeks, it ends by flaring and closing to create a bulb in the shape of a head of garlic, hence the English term "Garlic" to name this style, the body is modeled in a slice of melon.Small vase, simple but very elegant.. Chinese work early Qing Dynasty.The beautiful old patina of this bronze confirms it as being centuries old.18th century or earlier. H:17cm.

A powerful image of Padmasambhava also known as Guru Rimpoche, the reputed founder of Tibetan Buddhism. Carved mostly of a single piece of precious dark purple sandalwood (zitan). Remains of colours and gold. Tibet, 17–18th cent. H 15 cm. Condition: Very good but of course with wear due to age. The trident (khatvanga) is missing.