A Chinese cloisonne enamel dish, Qianlong/Jiaqing, c. 1780-1820, 21cms diam. Good condition. From the collection of David and Sarah Battie. Mr Battie is a former director of Sotheby's London.

A beautiful GENUINE FAMILLE VERTE QING Octogonal Polychrome porcelain Piecrust Dish painted with 2 female figures and a child observing the goldfish in a small pond in the garden. It also depicts various panels of nice flora, rabbits, scrolling and plants. 3 red Character Markings on base. Very good condition. Size: 38 cm. diameter

The poem etched on the side of this exceptional piece reads: In the future — happiness — and long life — two sprouting leaves —to grow a thousand years. Indeed a positive message, perhaps to accompany a warm cup of sake on a quiet winters evening.

Ōtagaki Rengetsu (1791-1875) was born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen she was a lady in waiting at Kameoka castle where she was trained in the arts ...

A most attractive Genuine Antique Enamelled BENCHARONG-BENJARONG BOWL, made in China by special order from the Court and Nobility of Siam, 19th Century. BENCHARONG signifies 5 colors. This superb bowl has a bronze rim band. Good condition considering the age, one small inconsequential hairline. Size: 4 1/2" (11 cm.)

A Rare and Genuine Antique Enamelled BENCHARONG-BENJARONG DOMED COVERED BOWL with a jewel knob/finial; decorated with 5 colors of enamel depicting alternating Budhhist Deities against a black background with flame pattern (Famille Noire). Bencharong signifies 5 colors. Size: height 3 5/8" (9.75 cm.). Provenance: Old Private Collection in Maryland, USA.

This Umakake was used in the Shinshu region during the Edo period, and Umaya-zaru was drawn with Tsutsugaki. Umaya-zaru was believed to be the guardian deity of horses. These days, it is a very rare item that is rarely seen. Cotton cloth is hand-spun and thick. The cleverly designed Umaya-zaru is interesting. There is no stain damage at all. Size:Width 33cm x Length 178cm Box G.

Superb sutra book (Kammavaca) made of two book covers made of teak wood and 16 pages made of palm wood. The pages are written recto/verso, in Pali script lacquered with black tamarind seed on a gilt background and illuminations. The two covers are with red drawings representing celestial beings on a gilt background. Burma, early 19th century. Dimensions: length: 62 cm, height: 12 cm. Some signs of wear and use, tiny chip on one page (see photo), otherwise very good condition. Acquired from an an...

Nicely carved statue of Hindu god Vitthal, standing, wearing formal attire and jewelry, arms akimbo. Wood, with fine glossy dark brown patina. India, early 19th century. Height: 25.7 cm. the statue is nicely mounted on a custom stand. Left and front lower side partly missing, slight abrasion, otherwise good condition. NOTE: Vithoba, also known as Vitthala, is a Hindu god predominantly worshipped in the Indian state of Maharashtra and Karnataka. He is a form of the god Vishnu. Vithoba is often...

A Japanese Porcelain Figure of Guan Yin/ Kannon. Signed Aoki, Mokubei (木米), Circa, 19th Century. Aoki Mokubei 青木木米 (1767-1833). Aoki Mokubei was born in the Gion district of Kyoto as Aoki Sahei. From childhood, he was a disciple of the well known artist and Confucianist Kou Fuyou, who had a strong influence on his upbringing. When he visited Kimura Kenkadou of Osaka, he found among his book collection a book written by the Chinese Shuryuutei called “Guide to Ceramics”, whi...

Enamelled copper dish. Decor, in the center, of a palace scene painted in enamels of the "Famille Rose", surrounded by a deep Sèvres blue on which Chinese emblems stand out in gold and in silver armfuls of flowers which have lost their shine, silver having oxidized over the centuries. On the margin are represented in gold on a blue background dormouses feasting on grapes, this theme was very popular around 1800.  The white reverse clearly shows the stains of the old restorations which have yel...

On a fundame lacquer base, the decoration, on one side, black and red, of a rooster, hen and chicks under bamboo with the sea in the background and on the other side a fisherman's hut by the sea in front of the imposing presence of Mount Fuji. The lacquer work is particularly subtle in hira and taka maki-e. The interior of the compartments is nashiji lacquer. The ojime is made of malachite. Signed: Nikkosai. Height: 8.4 cm.

Brush case, nicely embossed with an openwork decoration representing three stylised Buddhist vajras on either side, surrounded with a foliage and geometric design. Silver alloy, with a fine age patina. The center of each vajra must have contained a coral or turquoise to enhance the beauty of the case. The case was made in Tibet in the 19th century, maybe earlier. Length: 33.5 cm. Very good condition .

This is han-jyuban in Edo period(1800-1867). Silk tsumugi itajime of the safflower dye is an arabesque motif in the lion. The shoulder surrounding is scenery of the travel (Tokaido) in Edo period. The katazome is very exact and beautiful. The material of katazome is wool. There are a little color variation and a small hole. The state is very good. It is very rare han-jyuban. size:90cm x 85cm (35.4" x 33.5") Size:Length:86cm( 33.8") / Cuff to cuff, across the back: 91cm (35.8")

Eight-sided, flared shaped lacquer kobako box, following the decoration on the lid depicting a basket of flowers, composed of peonies and chrysanthemums in gold takamaki-e and hiramaki-e lacquer on a nashi-ji background. The edge is decorated with cherry blossoms in gold and silver takamaki-e. Interior and base in nashi-ji.

Japan – Edo period, 18th century
Height: 1.9 in / 4.8 cm – width: 6.1 in / 15.5 cm – depth: 3.5 in / 9 cm

A real antique Tibetan image! Powerful and quite rare wood image depicting Hayagriva, the wrathful emanation of Avalokiteshvara, with a horse head appearing from his skull, a dorje in his right hand; he is wearing a long necklace of skulls (the center, lower part is lost), he wears a human and elephant skin on his shoulders ( the lower, left corner of the “skin” is broken, old brake). H. 17 cm. (6,7 inches). Tibet, late 18th cent.

Chinese porcelain tea service. Decorated in “Famille Rose” enamels. Gilded details. In the cartouches are represented, in alternation, palace scenes, flowers, butterflies and birds, representative of the so-called "Canton" style. This style appeared in China around the middle of the 19th century and is still produced today, however production has continued to deteriorate over the decades. The quality of execution, the beautiful enamels and the careful designs of our tea service indicate prod...

Budai is the Chinese "Père Noël" ,the Japanese calls him Hoteï. He carries toys in a big bag and distributes them to children who adore him and are sometimes represented at his side. The god is seated, his half-open robe reveals his large belly, a symbol of his generosity. He holds his rosary in his hand. Oddly enough his big bag is missing. It is sculpted from a beige steatite ( soap stone) stained with pink, on the skull appear red veins of the stone. The artist knew how to breathe life int...

Naval officer's sword in gilded bronze and steel. Leather scabbard. This sword is stored in its felt sheath, which appears to be original. The blade is signed "Manufacture de Klingenthal". The mercury gilding is of good quality and in good condition. On one side of one of the elements of the scabbard the royal crown has been erased, on the other side it has been preserved. I think that the officer respected, during a change of regime, the regulation removing the crowns, but being a royalist he o...