Chinese antique sewing table, black lacquer with beautiful and ornate gold lacquer designs depicting scenes of palace life, interior has many little places for organizing sewing materials all lacquered in black and gold with bone details, a pull out lacquer and silk area underneath for storing embroidery supplies, claw feet, with key, 18th/19th century. Size: 28" high x 24 1/2" wide x 17" deep.

From our Southeast Asia Collection, a very fine Burmese silver alms-style bowl, late 19th century, extremely well-executed in deep repousse technique with a continuous scene of thirteen figures depicting an episode from the Burmese Jataka Tales (previous lives of the Buddha), bordered on top by a row of maw-pan floral scrolls incorporating seven chin-thei (Burmese buddhist lions), and bordered on the bottom by a row of stylized acanthus leaves.

Despite the continued political and economic...

Additional photos for 19th Century Burmese Silver Alms-Style Bowl, Item # 941901.

A rare huanghuali clapper with three beautiful pieces of huanghuali. The two outer clappers are rounded at the tops while the center piece is flat on both sides.The sound of the wooden clappers sets the rhythm of the music as well as some of the actions of the performers. Age: early 19th century. Size:L.26.5cm. W.at the widest point-6cm. H.all three together 2.5cm. Condition: No repairs. Normal wear.

From our Japanese Collection, a very fine assembled pair of Fukagawa imari porcelain chargers, Meiji Period (1868-1912). The blue Koransha mark on the reverse dates these more specifically to circa 1875-1880. One charger depicts figures set against a field of tall bamboo grass executed in mostly gilt and blue, along with very subtle use of green, orange and pink, while the second charger depicts just the bamboo grass. Both have scrolling floral sprays / karakusa in blue and orange on the revers...

From our Japanese Collection, an exquisite Meiji Period (1868-1912) satsuma vase of tapered ovoid form, depicting several scenes of figures including an Empress with her attendants, all very finely executed with lavish use of raised gilding, moriage enameling, and intricately detailed shoulder work. Like all of our satsuma offerings, this piece is of the highest quality. Signed Kinkozan, circa 1880-1890.

SIze and Condition: 6 inches tall, 4 1/2 inches wide at the shoulder, perfect conditi...

Japanese kiri (paulownia) wood trunk, original deep red lacquer finish, iron hardware, trunk has curved lid and 2 drawers along the bottom (one large and one small), Edo Period (early 1800's). Size: 26 3/4" high x 34 1/2" wide x 16 3/4" deep.

Japanese sword chest (katana tansu), made all of kiri (paulownia wood), 2 long drawers, iron hardware with square lock plates and warabite shaped drawer pulls, iron corner bracing, Meiji Period (1868-1912). Size: 12 1/2" high x 47 1/2" wide x 14 1/2" deep.

Small Japanese antique tansu for personal use, made all of kiri (paulownia) wood, 1 larger drawer along the top, 3 medium sized drawers down the left side, 3 smaller drawers of varying sizes down the right side, lots iron hardware including warabite shaped drawer pulls, lock plates on every drawer except the one smallest drawer, Meiji Period (1868-1912) Size: 17 1/2" high x 23 3/4" wide x 12 3/4" deep.

Japanese Meiji Period Blue and White Arita Porcelain Sculpture of Jo and Uba, an old and wrinkled couple who care for the pine trees and gather needles in Takasago, (based on a Noh play). Jo is depicted with a rake and Uba with a broom of twigs. This famous couple symbolizes Marital Love and Fidelity, and were created by Arita porcelain masters to bring marital bliss to a home. Male: 14.5 inches (37cm) high, Female: 13 inches (33cm) high.

Musha Ningyo of Shoki the Demon Queller, mid-19th Century late Edo early Meiji Period. An unusually large and early version holding a captured Oni (demon). This is a rare find for this subject. He is powerful and majestic. His face carved of wood with crystal eyes and massive beard and hair made of silk is a masterwork. He wears a Chinese cap and a robe with gorgeous, sumptuous brocades. According to Japanese folklore, the spirit of Shōki is able to scare away demons. Families with ma...

Unusually large Tibetan copper and silver or silverplate mihrab form reliquary, or portable shrine box, decorated in repousse on the cover with a pattern of abstract scrolls. The back, sides, and side handles are copper. Also called a “gau,” these prayer boxes were used to hold protective amulets, personal deities, and written prayers. A strap or belt could be attached to the side handles when traveling. Otherwise, they were usually placed on the home altar. 9” high x 8” across at t...

Oban diptych by Taiso Yoshitoshi (1839-1892) titled “The Story of the Strong Woman Takashima Oiko of Omi Province” from the series "A New Selection of Eastern Brocade Pictures." The print depicts Takashima Oiko leading Saeki Urinaga home in an effort to strengthen him for a wrestling match. The artist's signature and Taiso seal are at the lower left. The lower left margin contains the date of "Meiji 22" (1889). The title cartouche is at the upper right. Published by Tsunashima Kamekichi. T...

Japanese tabako-ire (tobacco pouch) decorated with an embroidered dragon chasing a flaming pearl. The dragon's body extends around the front and back of the pouch. The fierce head with open jaw is located on the front above the silver alloy dragon-form kanemono (clasp). An ivory accent adorns one of the two interior compartments. A circular ivory and repousse metal dragon kagamibuta netsuke is attached by 10 strands of metal chains secured by a dragon decorated squared silver guard. These h...

From our Chinese Polychrome Collection, a beautiful pair of pith paintings, circa 1840-1860, each representing a lady of high stature, possibly royalty, being attended to by her servant. One is reclining upon an opium bed with a large screen while her servant lights her pipe; the second sits upon a throne in a dragon embossed robe, also backed by a large and well-painted screen, and is being presented a ruyi scepter by her servant. Both pieces are extremely well-painted and represent very fine e...

Nepalese Middle Hills Shaman Mask. 12 x 8.75 inches, 30.5 x 22 cm.

Noh Mask (noh-men), Hanakobu Akujyo (Akujou), bumpy nosed fierce old man. Besides the distinctive nose, he has a deep V-shaped crease between his eyebrows and the veins on his temples to his forehead, piercing bulging eyes, teeth painted in gold, with a tan colored horsehair beard and mustache. Not an ordinary face of an old man, he appears to possess something supernatural. This men(mask) is very lightweight. Written on the reverse side is "Hana kobu Aku jyo" in gold. His mask is large for ...

This Chinese antique wood carving was possibly part of an architectural structure or possibly from a piece of furniture. The wood is approximately 1.3 inches thick and retains much of the original finish though it is obviously worn in some areas. The tradition carvings of 2 dragons chasing the pearl is very well done. The piece is about 5 inches high and 17 inches long.