A mid 20th century Tokoname vase with dragon decoration. This example is a red ware production from the historic tile kilns. A dragon is depicted in low relief among stippled clouds. Extensive gilding remains on the dragon's scales and other places. Bamboo form handles. Key borders outside the foot and mouth rims and floral border under the mouth rim. Good condition. Anonymous. Height about 8 1/2 inches (21.59 cm)

This depiction of the eternal “ensō” on a backdrop of pearly white feldspar over red clay signifies enlightenment, the eternal, the nothingness, and the freedom of the mind to envision and to create. Wood-fired in a small-batch ana-gama, the techniques used to produce such works stretch back over 500 years and were only recently revived in the first half of the previous century by a dedicated group of artists.

The potter who created this piece (Kato Kozo) was born in 1935 in Gi...

A superb pair of Tokkuri sake flasks by LNT Tokuda Yasokichi III (Masahiko, b. 1933) enclosed in the original signed and stamped wooden box. The slightly belted form seems to imitate a gourd, with glaze fading up from rich purple to green to deeply crackled white. Each piece is 6-3/4 inches (17 cm) tall, signed on the base in a traditional Kutani cartouche Masahiko. Masahiko was trained under both his grandfather and father, succeeding the family name in 1988. He has been awarded at the Nitt...

A quintessential work showing the decorative aesthetic of Ichino Masahiko enclosed in the original signed wooden box titled Senmon Tokkuri. It is 13.3 cm (just over 5 inches) tall and in excellent condition.
The youngest winner ever at the 13th National Ceramic Exhibition (Nihon Togeiten), Ichino Hiroyuki is a powerhouse in Tamba, bringing that long forgotten corner of Japan’s ceramic realm back into the limelight. He was born in Sasayama, heart of Tamba, in 1961, and studied in Kyoto ...

Tokkuri (alccol bottle) made of hard porcelain. Mikawachi kilns. Japan early 19th century. The bottle has an unusually elegant, typically Japanese shape, it was created for the Japanese market and not for export. The porcelain, immaculately white, has a very fine grain similar to that of marble, which is typical of Hirado clay. A lake landscape decor subtly drowned in mist is painted in a luminous cobalt blue. The quality is superb, the technique is flawless and the drawing is artistically trace...

Blue glaze fills in the embedded patterns in this Tokkuri by Living National Treasure Shimaoka Tatsuzo enclosed in the original signed wooden box titled Gosu Zogan Jomon Tokkuri. The vibrant blue is a bit of a departure for this artist whose work is often sedate, relying on the texture and patterns of the Jomon rope design over dependence on colorful glazes. It is 15 cm (6 inches) tall and in excellent condition.
Shimaoka Tatsuzo (1919-2007) was born in Tokyo and enrolled in the Tokyo K...

A thick glazed tokkuri and chokko cup by Koyama Kiyoko enclosed in the original signed wooden box. The Tokkuri has a playful stance, slightly cocky and leaning, as if it wants to pour. Both are covered in thick, dripping ash glaze, a product of her legendary long firings, sometimes lasting ten days. It is 5 inches (13 cm) tall and in fine condition.
Kiyoko was the subject of the film Hi-Bi (2005) and is the pioneering female wood firing artist in Japan. Born in Sasebo, Nagasaki in 1938,...

The name “Tobe-ware” first appeared in historical documents in the mid-18th century, though the tradition itself dates back well over 1,000 years. Within this style can be found an abundance of fine porcelain and celadon works as well as works painted with dark ferrous glazes—such as the piece featured here.

The creator of this fine work Sakai Yoshito (b. 1931) has been the main figure in maintaining the Tobe-ware tradition in modern times. Winner of numerous awards for his ex...

Signature Shunju colorful glaze decorates this expressive vessel by Murakoshi Takuma enclosed in the original signed wooden box titled Tobe! (Fly!). The wide piece is like a bird, wings spread wide as it sets to leap for the sky. He says that he made this shape specifically in memory of his wife, who loved flowers. It is 53 cm (21 inches) wide and in perfect condition, directly from the artist.
Murakoshi Takuma is one of those enigmas who simply lives to work with clay. He does not seek...

Inro with 4 squares decorated with Toba riding his mule, on the reverse a rooster under a bamboo. Toba, the rooster and the bamboo are inlaid with mother-of-pearl and lacquered with gold powder on a background of red lacquer in slight relief. The mule is inlaid with pewter. This style of inlay is from Ogawa Haritsu (Ritsuo) who was active in Japan at the end of the 17th century and the beginning of the 18th. Interesting detail, the kirikane inlays are in pewter which is unusual, usually they a...

Enigmatic designs in free flowing black and rigid lines impinge on the yellow square of this raised plate by Kim Hono. It is 24 x 25 x 4 cm (9-1/2 x 10-1/2 x 1-1/2 inches), signed underneath. This piece is from a private collection of modern art and was purchased from the artist. There is no box but one could be had for an additional fee.
Kim Hono was born in Seto City Aichi Prefecture in 1958, and graduated the Prefectural Ceramics School in 1977, then taking up apprenticeship at a lo...

Circular hand shrine, or zushi, in two halves. Inside, one half shows the bodhisattva Kokuzo carved in relief with a sword in the right (to cut through ignorance) and a wish-granting jewel in his left hand. He sits on a lotus base, placed on a rock. Details of the carving and the background painted in gold, black, red and malachite green. The other half shows a lotus pond, a rock and a cloudy sky painted in delicate lines of gold and silver, heightened with black. The outside of the zushi is le...

Miniature shrine, or zushi, with figure of Bishamonten, carved in wood.
Bishamon stands on a demon that is lying on a rock. In his left hand he holds a pagoda and in the right a short staff or stick. Behind his head a gilt metal flaming mandorla. The garment of Bishamonten is decorated in gold paint, the crown and mandorla made of gilt copper.
The inside of the doors decorated with waribishi (diamond) pattern. The back of case inscribed in red lacquer: Fu-kan-jo, which together could...

Very small and finely cast statue, with great details, of Adubuddha Vajrasattva, his eyes closed in meditation, wearing diadem, jewelry and dhoti, sitting cross-legged on a lotus throne, his right hand holding the vajra and his left the ghanta. Bronze, with fine dark green patina. Tibet, 19th century. Height: 4.6 cm. Very good condition.

Tiny porcelain covered jar decorated with plants in polychrome enamels. You can recognize a maple tree. Probably Chinese work of 18th century, but perhaps Japanese Arita late 17°. A very pretty frame in cast and gilded bronze signed by the prestigious Parisian goldsmith "Boin-Taburet". The mark stamped on the side of the bronze base.European frames generally weigh down the porcelain, but here this attractive discreet frame sublimates this pretty small pot. Good condition. No restaure.. A chip ...

Very small hand scroll showing five erotic scenes. High quality painting in the style of Katsushika Hokusai (1760-1849).

Black ink, colors, gofun, black lacquer on silk. Gold flakes (now oxidized) on the backing paper. Glass or crystal scroll ends.

Japan, Meiji era, 19th century.

L 82.5 x H 2.5 inches

Gold flakes oxidized, otherwise excellent condition.

Pair of old hand carved spoons from the Island of Timor. 1#Classic intricately carved heirloom buffalo horn spoon. Length: 23.5cm/9.2in. 2# Anthropomorphic spoon carved from a coconut shell. L: 15.4cm/6in and W: 6.2cm2.5in. Both are circa mid-20th century and in very good condition.

Semi antique Timor sarong made from all natural dyes and handspun cotton circa 1950/1960. Both top and bottom have “buna” weft embroidered panels. There is 7cm x 4cm piece missing on one edge, noted in enlargements. L: 110cm/43.2in and H: 103cm/40.5in.