A yobitsugi Jar made up of various excavated kiln shards of central Japan dating from the Heian period (794–1185). It is roughly 32 cm diameter, the same height. Looking at the volume of debris and encrustations, it is likely that the upper most part of this tsubo, which is one piece, was buried in a kiln collapse, earth and stone fusing to the molten ash. During the Heian period, hole kilns were dug into hillsides, with a chimney bored down into the back. Sometimes during firing, or after r...

A late 16th.century Azushi-Momoyama Period (1573–1600) vase in elegantly-shaped meiping form, with a gradual outward curve on the shoulder, with short-knopped neck, incised beneath the greenish-yellow / olive glaze.

The vase is decorated with kanji letters. It is written, that this vase is a tribute to the art which was made during the great Einin-Era.

A similar vase - but made during the Kamakura Period - was also part of our collection (item number 0083) and is sold al...

A heavy densely carved hardwood Anglo Indian stand. This item was made in South West India, in either Karnataka or Maharashtra,probably during the late 19th or early 20th Century. Condition - good - no damages. 47.5cm (18.75inches) high; 43cm (17inches) wide.

Heartwarming Hagi Tea Bowl by the Last Korean Princess, Yi Bangja (1901 - 1989) with the original signed box. This bowl is a spectacular achievement in ceramic artistry and technique. The glaze is a pale biwa color that was highly prized by 16th-17th century Korean Hagi potters living in Japan. The foot features the shrunken glaze that was used in those days. Diameter: 5.5 inches, 14 cm. Height: 3 inches, 7.5 cm. Part of a special and stunning collection we have acquired of ceramics created by o...

HEAD OF NINGYO JORURI DOLL

Head part of the wooden male doll actually used for 'Ningyo Joruri' (ref. https://en.wikipedia.org/wiki/Bunraku) as the traditional Japanese puppet theatre, late Edo - early Meiji period, 19th century, Japan, attached with an wooden detachable pedestal arranged for its display in recent years. Head without insertion bar: H 23 x W 14cm (9.05 x 5.51in) / Total with pedestal: H 85 x W 28cm (33.46 x 11.02in). Aged deterioration as is, wi...

Head of Buddha with a serene expression. Grey sandstone, with some remnants of the original lacquering and gilding at the back. Ears partly missing, nose restored. Thai Ayuthaya period, 16th/17th century. The head is nicely mounted on a custom stand. Height of the head: 18 cm.

Bust of Buddha out of cast bronze. The head is full and the rest of the bust is very thick, almost 1 cm in some places, so the object is very heavy. The casting and the finish are beautiful. The mouth is inlaid with a reddish yellow metal that has not oxidized over time, probably gold, I could check and test the metal on request. The eyes were probably also inlaid because there are 2 deep incised line that are now filled with traces of white color. The ears are inlaid with a yellow metal that ha...

Head of Buddha, eyelids lowered, with a meditative expression, with a small usnisa above forehead. Wood, with multiple layers of lacquering and gilding. China, Qing Dynasty, 18th century, maybe earlier. Height: 32.5 cm. Some chips, otherwise very good condition.

Head of a deity, probably one of the Hindu deities. However, the shape of the top of the head and the presence of a usnisa above the forehead may suggest that this is an early representation of the head of Buddha. The head is made of wood, with a beautiful dark brown crusty patina. India, 15th/16th century. Height: 21 cm. Very good condition despite a few age cracks.

Old tribal necklace, made of old glass beads of various colours, with a bronze ornament in the shape of a human head, indicating head-taking status in the tribe. North East India, Naga ethnic group. Length: around 36 cm. Very good condition. Provenance: 1) old European collection, 2) auction sale.

A playful sculpture which challenges the viewers perception by Hayashi Yasuo enclosed in the original signed wooden box titled simply Sakuhin (work). It is 12.5 x 9 x 12.5 cm and in perfect condition. According to a description of a similar work in the collection of the Met: Hayashi’s series of black and gray coil-built trompe l’oeil “boxes,” a group that was inspired by his experience flying without lights at night as a kamikaze pilot... this work presents new ways of looking at three-...

This is a beautiful cloisonne vase. It is not signed but it appears to be a vintage Hayashi Kodenji piece. The colors are brilliant and the enamel has a high gloss. Besides the top and bottom scroll work there are 7 butterflies that adorn this vase. This stout vase stands 7 1/4 inches tall and is 6 inches wide. The rims are silver and condition is excellent.

Shino Yunomi shape tea cup made by the Hayashi Shotaro, one of the top names of contemporary Shino ceramics. The cup is covered in irregular and thick bands of Shino glazes in white, blue, pink, russet iron and lavender colours. Measurements: H 9,5 x 8, 5 cm. Signed at the bottom and inscribed and signed tomobako storage box; the documentation paper and stamped cloth are also included. Perfect condition. Hayashi Shotaro (b. 1947) learned first pottery under his older brother Kotaro and in ...

Viscous white glaze crawls and cracks on this round sake bottle by Shino Legend Hayashi Shotaro enclosed in the original signed wooden box. It is 13.5 cm tall and in excellent condition.
Hayashi Shotaro (b. 1947) is one of the biggest names in contemporary Mino ceramics. Although initially entering regular employment upon graduating high school, in 1967 he returned to Toki city to help his brother Kotaro. Very quickly within him was born the urge to create. He won the highest award at the ...

This is a seminal work by the most legendary figure in Shino today, Hayashi Shotaro, in his signature Manyosai glaze with incredible color patterns enclosed in the original singed wooden box complete with wrapping cloth and name card (Shiori and Shifuku). It is huge at 53.5 x 10 x 24.5 cm (21 x 4 x 9-3/4 inches) and in perfect condition. Very Heavy!
Due to size the cost of shipping will be accrued separately.
Hayashi Shotaro (b. 1947) is one of the biggest names in contemporary M...

Big, oval shape bamboo flower basket, Hanakago, with a large mouth for use in important, large flower arrangements. *Material: smoked Madake bamboo, rattan, lacquer. The mat-style weaving is made by employing bamboo split in very thin strips. Signed underneath Made by Shokosai III It comes with the original bamboo insert otoshi and a very fine fitted, signed and sealed wooden box with the cyclical dating  "boshin Autumn 1908" Measurements: Height 34.5 cm x 18 cm at the mouth Fantastic ...

A late winter scene picturing a majestic white hawk alighting on a plum branch in full bloom. Hawks—which were used for hunting during the Momoyama and Edo periods (takagari)—are considered symbols of nobility, strength, and are thought to embody the samurai spirit. This piece is signed Kano Tanshin, though it is unclear exactly which Tanshin as there were several Kano painters who went by this name during this period.

Color on silk, this scroll is 71.5 inches tall (18...

This is an antique men's silk juban, an undergarment worn under a kimono. For today’s standards, it is very odd to see such an extravagant hidden personal item.

During the Edo period, which ended in 1868, common people were not allowed to wear silk. The growing economical power of merchants came along with social disorder and corruption. Tokugawa government issued many sumptuary laws to limit the spending of the general people on luxury items. One way to avoid the punishment was to...