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Hamada Shoji (1884–1978) Broken Straw Brush Motif Yunomi.
Excellent example of Hamada's broken straw brush pattern with distinctive iron pigments. No box is provided. Size Width 8.6cm Height 8.9cm Impressive press moulded Kaki glaze bottle with Nukie decoration made by Hamada Shinsaku around 1990-1991.
Born in 1929 as second son of Hamada Shoji, Hamada Shinsaku continued the family tradition of the world recognized Mashiko pottery. He worked and traveled closely with his father and took over the famous kiln in Mashiko in 1978. Shinsaku Hamada pottery is exhibited in numerous museums around the world. Henko vase (oblong) is the Japanese term used to describe the...
Modern Japanese Ceramics
$1,750.00 A half hemisphere in moon tones by Hashimoto Tomonari enclosed in the original signed wooden box. The color palette is sedate, with rusted orange clouds tinged with gaseous blue washing across the lunar surface. It is 25.5 cm (10 inches) diameter, 12.5 cm (5 inches) tall and in excellent condition, directly from the artist. After hand forming and sculpting the shapes, they are bisque fired, then glazed and fired again at a relatively low temperature (Between 1000 and 1100 degrees, like Raku war...
The Kura
Sold, Thank you! Feeling frisky that day, perhaps a wry self portrait by this most famous of Nuns, Otagaki Rengetsu with a poem brushed above in her unique script.
Hito hakaru The trickster Sagano no harano In the Fields of Sagano Yufumagure At Twilight Onoka obana ya Tail in the Pampas grass Sode to misuran Will it seem a sleeve There is something very human about this depiction, perhaps the nose…The Hakuzosu (Fox spirit)...
Japanese : Woodblock Prints : Pre 1970
item #1480007
Japanese limited edition cement mortar block print pencil-titled in kanji "Poem 68-2" (indicating production in 1968) by Maki Haku (1924-2000). Pencil-signed and numbered 26/50 in the lower margin. The artist's square red seal is at the lower right corner of the image. This print features the highly embossed ideographs characteristic of Maki's work. The designs were created by inscribing on wet cement. Paper size: 17" x 17 1/4" (image size: just under 16" x 16"). Very good overall condition. Th...
Japanese : Other Prints : Pre 1970
item #1480009
Petrie-Rogers Gallery
$400.00 Japanese limited edition cement mortar block print pencil-titled in kanji "Poem 69-69" (indicating production in 1969) by Maki Haku (1924-2000). Pencil-signed and numbered 59/155 in the lower margin. The artist's square red seal is at the lower left corner of the image. This print features the highly embossed ideographs characteristic of Maki's work. The designs were created by inscribing on wet cement. Paper size: 19 5/8" x 13 1/2" (image size: 18 3/16" x 12 5/16"). Very good overall condition....
Momoyama Gallery
$1,800.00 A beautiful and large Hakuji Seren Haruseki Tsubu-tsubu Chawan (white flashing stones spots tea bowl) decorated with an assortment of colors by shooting star artist Kawabata Kentaro. It comes with its originally signed and sealed wooden box. For us its by far his best work and represents perfectly the artists wonderful eclectic style. Kawabata Kentaro was born in Saitama in 1976 and graduated the Ceramic Department of the Tokyo Designer Institute, which he followed up wit...
The Kura
$1,650.00 An image of the white robed Kannon (Quanyin), Goddess of Mercy, by Mashimizu Zoroku dating from the early 20th century. Exquisitely crafted,
The figure is 14.5 x 12 x 21.5 cm (5-3/4 x 4-3/4 x 8-1/2 inches) and is in excellent condition.
Kannon, also known as Guan-yin in Chinese or Avalokitasvara is a Bodhisattva, (one who has prolonged their own eternal enlightenment to stay behind to alleviate the suffering of others in this ephemeral world. Generally shown as feminine or androgynou...
Forestangel Asian Antiques
$1,250.00 19th century finely hand-carved Japanese boxwood netsuke of a muscular blind masseur or Totsuka Beggar crouching and trying to lift his hugely distended scrotum. He is wearing only a fundoshi. Excellent detail and patination; he grimaces as he attempts to lift the large stone. His left eye and teeth are inlaid with light and dark horn. Very nice uneven himotoshi. Signed Hakudosai on a rectangular reserve on the bottom of the netsuke.
It measures 1.38 inches (3.5cm) wide, and 1.40 inches...
Momoyama Gallery
sold Let's continue with another treasure: rounded wan-shaped tea bowl with high foot of the bamboo node style. The body pinched in at the middle to a shape called tojinbue (Chinese flute). The light, little coarse clay with enclosures is expertly thrown and full glazed - incl. the foot - with a transparent glaze of wood ash with some feldspar over a white engobe in hakeme style. The glaze shows a fine little crazing over the engobe, which is just amazing. It shows discoloration and patina from gr...
Momoyama Gallery
sold Surely an extraordinary confluence of circumstances must have come into alignment in order to bring this remarkable composition into existence. Done in the Korai style - referring to the heavy influence from Korean forms and glazing - this exquisite late Momoyama/early Edo period (1590-1620) Karatsu-ware tea bowl is really rare. Regular formed wan shaped, showing fine finger marks from throwing. The iron bearing clay remained unglazed at the footring and its surrounding area, which ...
Momoyama Gallery
already sold Our collection of Tea Bowls offer always spectacular chawans - this is one of our best: Hakeme Glazed Ko-Hagi Chawan Dating to 17th Century made by the first Saka Koraizaemon. Toujin-bue (Chinese flute) flat shaped tea bowl made of coarse, unfined clay with a high content of iron oxide. The body shows the tracks of the fingers when it was thrown on the Korean kick-wheel. The rim is a little uneven (intentionally). The unglazed foot ring was executed in the Korean bamboo node style....
Asian Art By Kyoko
Inquire for Price This is a Rikyu doll, one of the Hakata clay doll made in the Fukuoka, Japan. Rikyu (Sen Rikyu) is a 16th century influential tea master who perfected the Cha-no-yu, way of tea. He served two historically powerful figures, Nobunaga (Oda) and Hideyoshi (Toyotomi), and eventually being forced to commit Seppuku by Hideyoshi. Sen Rikyu is a given name by the Emperor. 10 inches tall.
t a t a m i
Sold HAJIKI Japanese ancient Hajiki (Haji pottery) jar with such beautiful soften form and texture, Tumulus period - Nara period, 250-800 CE, H 11 x D 12 cm (4.33 x 4.72in) selected by Jinta * Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances. T...
Kyoto Ceramics and Fine Art
Sold, Thank You! An ancient technique known as “haito” in Japanese was used to give this piece its distinctive look. Thought to have originated in neolithic times and commonly used during the T’ang and Song dynasties in China, an excess of fuel is added at the very end of firing which causes a thick layer of grey ash to adhere to the outside of the vessel. Below the ash glaze of this piece is a yellow amber reflective coating that shows through in areas giving it an almost imperceptible glittering effect ...
t a t a m i
$400.00 HAIL LOTUS SUTRA Edo period, Japan. H 13.5 cm (5.31in). Aged wooden 'Butsugu' as a gold-foiled Buddhist altar equipment, similar to a presence like 'ikon' (Western religious painting on panel) of traditional Japanese Buddhist art piece. The seven kanji characters written in Indian ink pronounced as "Na-m-myo-ho-ren-ge-kyo" as a whole mean "I devote myself (embrace) to the teachings of the Lotus Sutra.". Aged deterioration as is as seen.
Japanese : Tea Articles : Pre 1920
item #1344413
(stock #TRC19255)
Kyoto Ceramics and Fine Art
Sold, Thank You! The natural ash glaze gradates from a light-glossy grey on one side to a blueish grey on the other. The foot of the bowl is unglazed at the base and shows traces of ferrous-rich clay in the form of an orangish hue. The mouth of the piece is somewhat oblong giving it an attractive shape and the rough texture and ash deposits in places give this bowl a weighty presence.
The front of the box reads 萩焼 (Hagi-yaki), 灰冠 (hai-kaburi), 高台 (kou-dai),...
Kyoto Ceramics and Fine Art
Sold, Thank You! This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a white translucent overcoat that beads in areas.
Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi-ware is prized for its subdued colors and classical features, especially the glazing, which is often clea... |
