A superb example of Karatsu ware by Nakazato Tarouemon enclosed in the original wooden box titled Tataki Chossen Karatsu Mimitsuki Mizusashi signed Jusandai Tarouemon. The pale clay is covered in white with color fingering its way through in permeated drips from the rim. The vessel is 19 cm (7-1/2 inches) diameter, 16 cm (6 inches) tall and in excellent condition. It comes complete with the original ceramic lid as well as a Kae-buta (alternate lacquered lid) in a separate compartment within t...

This is a great example Meiji Era satsuma. It is probably my favorite piece from Shizan. The colors are rich and the detail is fantastic. It stands 4 3/4 inches tall. This Ewer is in nearly perfect condition.

Fabulous Japanese Cultured Pearl Tassel Earrings (2.5/3.5-4 mm. diameter) set with 18K. Gold, 2 genuine Ceylon Yellow Sapphires @ 2.20 ct. total weight, 32 brilliant cut Diamonds @ 0.46 ct., 20 brilliant Diamonds @ 0.14 ct. total weight, adorned with carved Black Onyx. For pierced ears only.

A stone formed bowl covered entirely in platinum by Inayoshi Osamu enclosed in the original signed wooden box accompanied by the shiori and Shifuku. The bowl is carved and torn from a block of clay, then textured with natural stones specially selected for their surface patterns, splashed with glaze and then covered in platinum, creating dry matte regions punctuated by glistening liquid spatters. It is 10.5 cm (4 inches) diameter, 7.5 cm (3 inches) tall and in excellent condition directly from ...

An iconic ash encrusted Iga Mizusashi by important artist Kanzaki Shiho enclosed in the original signed wooden box. Accented with soft blues and grays hidden among the heavy ash deposit. It comes with the original matching ceramic lid. The urn is 20 cm (8 inches) diameter, 19 cm 7-1/2 inches) tall and in excellent condition.
(Kanzaki Shiho (1942-2018) preferred firing his kiln for ten days, resulting in the rich textures and heavy ash deposits apparent on his work. He was born in Shigar...

Graffito scrawls through the silver lining of this fine Chawan by Morino Taimei enclosed in the original signed wooden box. A single dark spot, like a phpotograhic negative of the full moon reflected in water. Outside a wavering line about the foot. The bowl is 12.5 cm diameter, 7.5 cm tall and in perfect condition.
Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibition at a relatively young age in 1957 (a year before graduating the Kyoto Municipal...

A stunning large Menuki in the form of a writhing dragon of gilt copper dating from the 19th century, It is 7.5 cm (3 inches) long and in perfect condition, retaining both the original studs on back unused. The Year of the Dragon is coming up!

A shard has been grafted into the side of this large misshapen Shino bottle dating from the Momoyama to early Edo period, the repair lined with gold. Gold also circle the neck where the discarded misfire was repaired, and gleams on the lip. It is 22 cm (9 inches) tall and in excellent condition. It comes in an age darkened wooden box titled Ko-Shino Tokkuri, Shoki no Kama (Old Shino Tokkuri, early Kiln era)
This method of using pieces from multiple works with lacquer repair is called Yobi...

The cormorant prepares to take flight, wings extended, captured in bronze in a moment of excitement, the shapr eyes focused ahead. Captivating realism with simple Art-deco overtones signed below the tail. It is 32 x 36.5 x 25 cm (14-1/2 x 13 x 10 inches) and is in excellent condition. The cormorant, known in Japanese simply as U, is a migratory bird native to the east Palearctic with a range from Taiwan to the Russian Far East. It has a black body with a white throat and cheeks and a partial...

A shop sign carved from a block of knotted wood in the shape of a tea leaf jar engraved on both sides with the character Cha (Tea) originally gilded which still reflects light from the correct angle. A large knot making up one shoulder has split apart in the center, while the outside edge remains intact. A perfect example of the Japanese aesthetic of wabisabi. It is 32 x 3 x 32.5 cm (roughly 13 x 1 x 13 inches). The sign has been restored at some time in the past, the green and black pigment...

This little guy is just about the cutest thing I have ever seen. A tiny mouse rests atop a bulging white radish, bristling blue leaves in full detail attached as if pulled fresh from the ground. Dating from the 19th century (later Edo to early Meiji period), it comes enclosed in an age darkened wooden box titled Daikon Nezumi Futamono (Radish/Mouse Lidded Receptacle). I confess in over 25 years dealing in Japanese art and antiques I have never seen one like it. It is in excellent condition. ...

This is a very special example of Japanese Cloisonne. The workmanship and elegant form are what makes this piece so special. This vase was acquired from one of the world's greatest cloisonne collections. It measures 12 inches tall. Great overall condition but it does has a very tiny enamel flake (See last image) on the back shoulder and minor pitting. It is not signed.

This is a wonderful slender pear shaped bronze vase from the Meiji era (1868-1912. It is highly detailed and decorated with three raised relief elephants. One of the images was deliberately overexposed to show off the fine detail. It has the original patina and is in excellent condition. Stands 12 3/4 inches tall and is signed underneath by Genryusai Seiya. Buyers should be careful because there are poor copies or fakes of this elephant vase showing up in auctions.

This is a great Japanese cloisonne vase. It is not signed but it was created by one of the master artists from the Meiji Era. Years ago this vase was acquired from the Avo Krikorian Collection. It stands 6 1/4 inches tall. Condition is excellent.

Remarkable Shino sake cup featuring exquisite glazing made by Mino legend Ando Hidetake.

Size
Height 4.6cm
Width 6.2cm

Condition
Unused
Supplied with signed box

Ando Hidetake, born in 1938, hails from the esteemed Mino pottery family of Gifu prefecture. In 1960, he embarked on a remarkable journey as an apprentice under the guidance of Kato Tokuro. Throughout his career, he garnered widespread recognition for his exceptional skills in Shino po...

A beautiful example of Shigaraki pottery—the result of techniques perfected over centuries by dedicated artisans residing in the provinces east of Kyoto. This piece achieves a kind of asymmetrical balance of both form and color, displaying classic Shigaraki markings of emerald green, red ochre, and pale ash.

The Shigaraki kilns in Shiga prefecture have been an active pottery centre since the Kamakura period (1185–1333) and continue to produce pottery up to the present day. Like...

EYEBALLS

Two pieces of art work pasted the eye part of old Taisho-period's 'koinobori' (carp streamer / ref. https://en.wikipedia.org/wiki/Koinobori) made of 'washi' (Japanese paper) on canvas of today. 18 x 14 x 2 cm (7.08 x 5.51 x 0.78in) each.


made by Jinta




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A Rare/Fine Korean White Glaze Two Ear (Loop) (兩耳盏) Cup-16th C.: Korea, early Joseon dynasty, 15th to 16th century. A blue tinged clear grey white glazed two ear cup, and with wide, circular cup resting on a raised ring foot molded with two curving T-shaped handles each set with a tiny square point below the bottom loop of the handle, slightly recessed, covered overall with a translucent blue tinged white glaze, the base with fine sand encrusted It’s in very good condition...