An Edo Period Kozuka (utility knife handle.) Kinko (mixed soft metals) decoration on shakudo alloy with nanako (fish roe textured) background. Depicted in a farmer with horse in water plowing in prepartion to plant rice. A willow or other weeping tree, to one side, not yet with blooms. Nicely detailed with featured highlighted with gold and silver overlay. The water nicely textures with an itame (wood grain) effect. Serviceable, fair to good condition. There is light denting on the butt end and...

This lovely Ido-gata shaped chawan has very nice asymmetrical balance highlighted by extensive and skillfully applied kintsugi gold repairs. The inside bottom of the bowl is covered in a green glaze resembling a carpet of fine moss which stands out nicely agains the backdrop of the ashen-colored crackled glazing of the walls of the bowl.

Stemming from the philosophy of wabi-sabi or, beauty in the imperfect, cracks and repairs in a work of pottery are often seen as highlighting the h...

Sold! Impressing black Raku tea bowl of the Raku family, made and signed by the 10th Kichizaemon Tan-Nyu.

The signed box is labeled “10th generation”, which means Tan-nyu (1795-1854). The reverse side of the lid has an appraisal of the grand tea master of Omoto-Senke.

A stunning tea bowl made from one of the most famous potter clans in Japan. Most pieces of Kichizaemon Tan-nyu are hold in museums.

Tan-nyu Raku was born the second son of Ryonyu, he succeed...

Edo Period Portable Wood Buddhist Shrine with Exquisite Carving. 17h x 12w inches, 43h x 30.5w cm. In Buddhism, portable shrines were made so that devout travelers with nowhere to worship could carry their shrines with them. The shrines were made with closing doors, to preserve the artwork. This shrine features exquisitely carved deities and finely lacquered details.

18th Century Japanese Two Panel painted Screen of a Pine Tree and Landscape, set in gold painted clouds floating in the image. An exceptional classic Japanese masterpiece. The presence of this image changes with the light of the room. The painting techniques are sumptuous, giving the image a heightened realistic experience. A similar screen was sold by Liza Hyde to the Rockefeller collection. Height: 74.75 inches, 190 cm; Width: 67.25 inches, 171 cm.

Mask of the traditional Noh theater representing the character of Obeshimi. Wood, with polychrome painting meant to enhance the features of the face. Japan, end of 19th century. Height: 20.2 cm. A few chips onthe painting, obvious signs of great age, otherwise good condition. NOTE: Obeshimi is used for Noh plays featuring "tengu", mythical demons that defy Buddhist law.

Edo Period Japanese Musha Ningyô (Boy's Day Doll) depicting the legendary Toyotomi Hideyoshi seated in a court position wearing dramatic brocades and lacquered armor, a fan in his right hand and wearing a classic Eboshi cap. His face is finely carved with a regal expression. Height: 15 inches (38cm), width: 15 inches (38cm).

Edo Period Musha-ningyo of Minister Takenouchi no Sukune and Attendant. Superb large-scale Edo period example (circa 1800) of Musha-ningyo warrior dolls for the Boy's Day display. Takenouchi is depicted kneeling and holding the baby Ojin in his arms. He has an unusually animated and well-rendered face, with fine gofun lacquer and painted features. Both figures have rich silk brocades in near mint condition. Height: 15 inches, 38 cm.

Iyashiku mo tsune areba
hisashi hisashikereba onozu kara yoi kaori wo harau
If you perservere (with proper living), the years will grant you success. This was a famous last line from a treatise written by revered Han Dynasty scholar Cui Yuan (Cui Ziyu, 78–143). These same words were famously written by Kukai (Kobodaishi 774-835) the founder of Shingon escoteric Buddhism in Japan. The calligraphic style appears to be taken directly from the Saishigyoku Zayumei, written by Kukai, o...

An exquisite wooden plate in cinnabar lacquer over black wrapped in a chord bound cloth bag end enclosed in an age blackened kiri-wood box dating from the Edo period. The surface of brilliant red has been worn through with handling revealing the black beneath about the rim and edges. It is 9 inches (23 cm) diameter and in excellent condition. The bottom is a brown tinged black (the brown is a product of oxidation, inherent only with age) upon which are written two characters in red. The box i...

Today we like to offer you a very old Yuzamashi from the Edo period.

The yuzamashi is used to allow the boiled water to cool to the proper temperature before mixing with the matcha.

It is hand molded in the shape of lotus leaf.

No repairs, only natural inborn kiln cracks.

Size: 2,5'' height - 4,11'' width.

Shipping included

Japanese Edo Period Lead and Silver Tobacco Pipe with Incised Darumas, both the man Daruma Taishi and the god Daruma. Acquired in Tokyo in 1986 by a renowned author on and collector of Asian art. 5 1/8 inches, 13.5 cm long.

Spiraling lines and wispy trees rise up to the heavens in this convoluted landscape by Fujimoto Tesseki dated 1855. If one looks carefully, it is fun to see the artists playful choices of colors, not apparent at first, like the blue trunk on the central tree at the base of the painting. Dramatic and colorful landscape Ink and light color on silk, the scene is enveloped in a patterned white satin border with white piping in the Mincho style popular in the 19th century, and features absolutely m...

Edo Period Kyogen Theater Karura (Garuda) Mask, donated in the 19th Century by the prominent collector, Dr. C.G. Weld to the Museum of Fine Arts in Boston. Karura is a mythical fire-breathing bird-human creature from Buddhist-Hinduist mythology. A fine and rare example. Wood with lacquer. 8 x 6.25 inches, 20.5 x 16 cm.

An absolutely stunning Edo Period black Oribe tea bowl covered in thick, ink black glaze with a floral and abstract design.

The slightly irregular shaped kutsu-gata (shoe shaped) form settles easily into the palm of the hand, with the built up rim resting lightly on the fingers.

The tea bowl comes together with a good box with pouch (shifuku) and corner protections (hashira).

Size: 7,5 cm height x 14 cm diameter.

Shipping included

A beautifully crafted and remarkable example of Edo period Raku pottery. Iridescent reds rise like a deep space cloud from the meteoric surface of this 300 year old Kuro Raku Chawan.

This exceptionally well-crafted tea bowl has a very meditative presence and reveals its highlights of various shades of red through a classic black glaze when held up to the light.

Characterized by a complex glaze texture achieved through kiln firing in contrast to the simplicity of the form.<...

Sold! Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay during the Edo Period with strong black ink glaze and a rarely seen patina.

The expertly thrown body is covered with the typical black iron oxide glaze inside and outside. The chawan has a very rare 'decoration' with hanging persimmons (hoshikaki) scratched into the engobe and a tea room window inside and a plum blossom painted under the clear glaze. This is a typical Momoyama...

Original Japanese woodblock print by Kitao Masanobu (1761 – 1816) from the “Eastern Tune Koyka by Fifty Poets”, date 1786. The color woodblock print depicts an image of a seated warrior with a poem above. Print has toning, spots, and marks throughout, fading to inks, loss of red ink stripes on face, abrasions to lower right corner. Not examined out of frame.
Measures:
Sight size: 8.5” high x 6” wide
Framed size: 10.75" high x 8" wide x 1" deep