One of a collection of three fantastic and rare, large Edo Period Iki masks, de-accessioned from the Musée Archéologique in Strasbourg, France during the mid-20th Century. These three are rare for their large size. They have never before been offered on the art market. The other two masks are posted on this site. Carved Poloma wood with gofun (oyster shell lacquer), glass eyes and human hair. 7.5 inches (19 cm) high x 7 inches (18 cm) wide.

One of a collection of three fantastic and rare, large Edo Period Iki masks, de-accessioned from the Musée Archéologique in Strasbourg, France during the mid-20th Century. These three are rare for their large size. They have never before been offered on the art market. The other two masks are posted on this site. Carved Poloma wood with gofun (oyster shell lacquer), glass eyes and human hair. 7.5 inches (19 cm) high x 7 inches (18 cm) wide.

One of a collection of three fantastic and rare, large Edo Period Iki masks, de-accessioned from the Musée Archéologique in Strasbourg, France during the mid-20th Century. These three are rare for their large size. They have never before been offered on the art market. The other two masks are posted on this site. Carved Poloma wood with gofun (oyster shell lacquer), glass eyes and human hair. 9 inches (23 cm) high x 8 inches (20 cm) wide.

A wonderful mid Edo Period (1603-1868) Hiragata Ao-Oribe Chawan with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife and covered with the typical green copper oxide glaze inside and outside.

The tea bowl is in fine antique condition with no cracks or repairs and comes with a very good Japanese wooden box.

Size: 6 cm height x 15 cm in diameter.

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Very sophisticated and fine mid Edo Period Hirado Mizusashi for the Japanese Tea Ceremony with its original lid.

Hirado wares—alternately known as Mikawachi wares in some contexts—are known throughout Japan and also abroad for their high quality and fine craftsmanship and date back at least as far as the mid-18th century when they were produced exclusively for powerful lords and their families. During this time Hirado ware was popular for the water jars used to hold the cold wa...

Mid Edo period Hagi Chawan in the stylish shape of modest slight distortion. It is roughly coated in slightly glossy white slip and bears beside a wari-kodai (splitted foot) a fantastic 'landscape' on the inside.

But the highlight is the old gold restoration, a fantastic gintsugi (kintsugi) which makes our Hagi tea bowl so valuable and outstanding.

The chawan comes together with a good wood box and a blue shifuku for a perfect protection.

Size: 8,4 cm height, ...

This appears to be an incarnation of Shindara Daisho of the 12 guardian deities (Juni Shinsho). He has glass eyes and stands on the original Daiza.. The Deity is 21 inches (53.5 cm) tall, total height with stand is 33 inches (83 cm). Later Edo period (18th-19th century). The left hand has been replaced.

This beautiful chawan (tea bowl) was made in the oribe style, a more than four hundred year old tradition from the central part of Japan in the ancient Mino province.

That tradition was in part influenced by tea master and warrior Furuta Oribe (1545-1615) who developed his own style of tea ceremony. The bowl is very well made and in perfect condition. It dates from the mid Edo Period and has no repairs or damages except inborn kiln cracks. The green glaze is very vivid and strong.

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Next to the Kabuto (Helmet), one of the most expressive parts of the Samurai's Armor is the Face Mask. This Middle Edo Period metal "armor for the face" is known by many names: mengu, menpo, mempo, men yoroi, katchu men. Menpo means "face and cheek" and is generally used for masks with nose pieces. This menpo is covered with a high quality gold lacquer. The inside is a negoro-like finish of red lacquer. Sporting a fantastic horse hair mustache. Obviously constructed by a highly skilled craft...

Late 18th, Early 19th Century Edo Period Japanese Wood Horse Sculpture in a galloping pose. The horse still has a good amount of its original colors and gold gilt. It would have been offered as a gift to a Shinto shrine from someone with the means to afford more than the usual horse plaque, but not quite the means to afford to give a real horse to the shrine, a gift only the most wealthy could afford to give. A wonderfully rendered sculpture and a special image for equestrian art collectors. 20...

A lovely mizusashi for tea-ceremony. This piece dates from the Edo period and is of the e-Seto variety, “e” meaning drawing. Featuring rich earthy tones and intricate hand-drawn stencil designs of what appear to be a ring of passion flowers resting on a vine, this splendid composition leaves a lasting impression. Several kintsugi (gold) repairs attest to its great age and care that went into maintaining this piece through generations. The label on the lid of the box reads “e-Seto Hira Mizu...

A lotus forming the basin for an incense burner sprouts from the back of this carved wooden elephant dating from the later 18th to 19th centuries (mid to late Edo period) 36 x 16 x 17.5 cm (14 x 6 x 7 inches). It appears to be carved from a single block of wood, covered in gofun with some polychrome color. The lotus was gilded in gold, now largely worn away. The nose of the elephant has a strip of cloth running across it. We have not removed it as it is glued on, but assume that the nose was ...

An eye-catching combination of brown-black colors and old expertly applied gold repairs on a classic Japanese E-Karatsu tea bowl dating from the middle of the Edo-Period (1603-1868).

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for.

It comes...

As being passionate connaisseurs of Japanese Tea Bowls we always do our best to impress our visitors with tea bowls, which are for sure singular artworks.

Here we show and exhibit a treasure of Japanese tea ceremony culture. A very old Edo Period E-Karatsu chawan with tasteful gold repair 'gintsugi' (kintsugi) and mysterious signs - this tea bowl emanates the essence of true wabi sabi.

It has been part of our valuable chawan collection for almost 100 years.

Only ...

This is Noren used by a cotton merchant in Kyoto during the Edo period. Cotton is thick and spun by hand. It is boldly written in Tsutsugaki. It is dyed with natural indigo. It has a faint fade that is sparse in part but does not stand out.It has a small hole but is not outstanding. Size Length 143 cm / 56.2inch Width 128 cm / 50.3 inch ケースF

A late Edo iron tsuba with chisled decoration of a pine trunk and boughs on one side and flowering prunus blossom with bamboo on the other side. The three representations comprising the "Three Friends of Winter". The simplicity of the chiseled smooth surface successfully imitating sumi-e painting. Good condition - presenting more nicely than in the lighting used for our photography. Emits a clear tone when tapped. A pleasing piece that would add character to a prospective blade. The seppa-ana ha...

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged. In this case, the gold repairs undoubtedly enhance the bea...

Here we offer another Japanese tea kettle from our collection. It is a cast iron relief tetsubin from the late Edo Period. It is signed by the unknown artist. It has a tasteful design.

Inside is some rust but no water leak. Great atmosphere. A real antique tetsubin.

Size: 8,9'' height x 7'' width, 1,74kg.

Shipping included