A traditionally crafted Bizen sake cup shaped in the tradition of Oribe. The rich mineral glaze gives this guinomi an almost a metallic look. The craftsman who made this piece, Takahiro Ishii, was born in Tokyo in 1977, and, after studying ceramics for a number of years, he moved to Bizen to become a ceramics teacher and later opened his own kiln. He takes a philosophic approach to his work as evidenced by the following quote, “As a ceramicist, I feel that the point is not just to produce pie...

A traditionally crafted Bizen sake cup with a rich mineral glaze giving this guinomi a metallic look. The craftsman who made this piece, Takahiro Ishii, was born in Tokyo in 1977, and, after studying ceramics for a number of years, he moved to Bizen to become a ceramics teacher and later opened his own kiln. He takes a philosophic approach to his work as evidenced by the following quote, “As a ceramicist, I feel that the point is not just to produce pieces. With every new work I project a bit ...

This burnished finish is one of the signature effects of Living National Treasure Yamamoto Toshu seen on this fluted gourd enclosed in the original signed wooden box titled Bizen-yaki Hyotan Hanaike. Here the blue-gray clay is covered in charred red mottles, like the natural patterns on a dried gourd, the smooth sangiri surface intentionally marred with occasional rough patches. A masterpiece and true evidence of the mastery of Toshu, one of the greatest artists to revive the tradition after t...

The mark of the potter is carved on base.

Size
Height 9cm
Width 13cm


Excellent condition with no damage and no repair. Supplied with signed wooden box.

In 1921, following the completion of his primary education, Toshu Yamamoto embarked on a transformative journey into the world of pottery. With the fervor of an eager apprentice, he immersed himself in the intricate craftsmanship of Bizen-ware. A mere twelve years later, in 1933, he stood before his...

From our family collection of Japanese art from Living National Treasures:

Perfectly shaped Bizen Chawan from legendary Toyo Kaneshige (1896 - 1967). It was made 55 years ago and is in absolutely great condition.

Born into the Kaneshige family, one of the six kilns of Bizen, as the son of wakigama-style potter Kaneshige Baiyo, Toyo was trained by his father from early childhood and became adept at pottery techniques, with handicrafts and engraved ornaments being his partic...

From our family collection of Japanese art from Living National Treasures: perfectly shaped Bizen Chawan from legendary Kaneshige Toyo (1896 - 1967). It was made 55 years ago and is in absolutely great condition.

Born into the Kaneshige family, one of the six kilns of Bizen, as the son of wakigama-style potter Kaneshige Baiyo, Toyo was trained by his father from early childhood and became adept at pottery techniques, with handicrafts and engraved ornaments being his particular speci...

An organic form by Ikegami Kazuo enclosed in the original signed wooden box titled Bitchu Obuje. It is 8-1/2 x 7-1/2 x 9 inches (21.5 x 19 x 23 cm) and is in fine condition.

BIRD TREE BY SHIGEO FUKUDA

Vintage wooden puzzle sculpture toy by Shigeo Fukuda (1932-2009 / https://en.wikipedia.org/wiki/Shigeo_Fukuda), as the same type made for his daughter originally. 1965-1969, Japan. H 27 x 21 x 9 cm (10.62 x 8.26 x 3.54in). Attached with the art book titled 'Toy' publishing this same type of his work as the reference.


selected by Pottari




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This tranquil winter scene showing a group of birds taking shelter in the snowy boughs of a tree was done by well-known Edo painter, poet, and tea ceremony devotee—Baiitsu Yamamoto.

A native of Nagoya, a bustling Japanese center for shipping and trade in Late Edo, Baiitsu was heavily influenced by works of Chinese art, especially the naturalistic landscapes that made their way into Japan through this port city. Over time he came to paint almost exclusively birds in various landsc...

A very nice and rare KANGXI Blue and White Porcelain Bird Feeder or Drinking Well. Finely hand painted with a charming landscape depicting houses, trees and mountains. Very good condition, no cracks, chips, hairlines or restorations. Size: H. 6 cm. x W. 7 cm. x D. 6 cm.

A large and rare KANGXI Period blue and white porcelain Bird Feeder or Drinking Well. Qing Dynasty, depicting Chinese landscape with house, lake, boats and mountains. Very good condition, no hairlines, cracks or repairs. Size 7 cm. x 6 cm. x 5 cm. Collector's item.

カエルと鳥の餅型 / BIRD DESIGN RICE CAKE MOLD WITH FROG HANDLE

Traditional Korean wood carving mold for making rice cake, late 20th century, approx. 23 x 6.5 x H 10.5 (9.05 x 2.55 x 4.13in). Some expected stains and scratches due to aging as is.


selected by kikue




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Magnificent master work by Hirata Gōyō II (1903 - 1981) of a Bijin (young beauty). It features a wonderfully carved head and body cover with many layers of gofun oyster shell lacquer, with sumptuous brocade with gold thread wave pattern and applied chirimen silk with painted image of waves and cherry blossoms. circa 1945. 14.5 inches (37cm) tall. After graduating from elementary school, Hirata Gōyō II studied the creation of dolls under his father, Gōyō (the fir...

Biho Takahashi (Yoshikuni) (1873-)
Bee and Pink Hollyhock
Date: 1900-1910.
Size: Shikishiban. Approximately 9.75 x 9.5 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Chipped corner and light creasing.

Width approximately 13.8 cm (tipspout to handle). There is a hairline around the spout, possibly reconnected, all original parts. In good condition.

Big shards sample of early Ming dynasty Hongwu period under glaze copper red large plate, shards from a large plate please see picture for detail, very good for studying and comparison, for collectors or private museum.

Decorated with four stylized panels revealing the Buddha on the lotus throne, the background is painted with flower and leafy scrolls, with a mark reads “Yung Cheng” on the bottom.

Age: Chinese, Qing dynasty, 19th century
Measurement: Diameter 20 C.M. / Height 25 C.M.
Condition: With a cracked line starting from the mouth rim to the upper part of the jar. Please refer to the enlargement photos for more details.
Shipping: Worldwide shipping from Bangkok, Thailand at actu...

BIG PHALLUS

'Goshintai’ (lit. ‘Body of Kami (God)’) as a dedicatory symbol based on Japanese phallus worship hollowed and carved from a single log. Early 20th century. 12 x 13 x 74.5cm (4.72 x 5.11 x 29.33in).


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