Using local materials and traditional methods, the creator of this work Masahiko Imanishi, has brought a distinctively modern interpretation to the classical form of the tsutsu chawan. At the same time, he somehow manages to maintain the simple rusticity that Tanba-ware is renowned for. Stretching back over 800 years, Tanba is counted as one of Japan’s 6 ancient kiln sites and is known for making large pots with red ferrous clay and natural ash glazes with a distinctive greenish tinge. More re...

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink from; but tha...

Descended directly from the Raku household of potters in Kyoto, Ohi is known as some of the highest quality tea-ware in Japan. The 10th generation Chozaemon is especially appreciated for his masterful technique and high-quality pieces. This one has the added distinction of being endorsed by Hōunsai, the 15th head tea master of Urasenke and of having a expertly applied gold repair along the front of the vessel. Perfect for collectors and practitioners of tea alike.

Born the son of t...

This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.

An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...

An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the foot of the bowl seen here in pictures was created by the artist's fingers as he plunged the vessel into the glaze while holding firmly to the porcelain...

A good white glazed ewer, decorated with a pair of ring handles to the shoulder. Condition is very good, no any crack, no any chip and free from any restoration, excepted minor kiln materials adhere to a side. Possibly Yuan/Early Ming period. Height: 14,7 cm.

A nice ivory white glazed small washer in very good condition, no any crack, no any chip and free from any restoration. Song/Yuan Dynasty. Diameter: 10 cm and Height: 3,1 cm.

A white glazed jar decorated with crackle glazed to the body and two horizontal underglazed copper red Lizard handle. Condition is good excepted reglued to the one of the lizard and tiny chips, no any crack and the other restoration. Rare specimen of Yuan Dynasty on the market. Height: 14 cm

We present another awesome Shino-Oribe Chawan from our collection: Greyish-whithe glaze amalgamates with a wild and roughly thrown body and a still vivid and strong glaze. It is very heavy for a tea bowl, almost 500g. Please note that there is also an interesting kiln mark.

The chawan dates from the Meiji Period (1868-1912) and comes with a very good wood box.

Size: 3,7'' height x 5,3'' in diameter. No chips, cracks, repairs.

Shipping included

A well potted Kuro Raku Chawan Black Raku Tea Bowl. The bowl is hand shaped, covered in black glaze with a few small areas in which the cream colour clay shows through. It rest very well in the hands! Raku mark impressed to the bottom. H 8 x 12 cm. Perfect condition.

The coin was well casted and was preserved in very good condition.
By the well-known manuscripts 瘦金體of Emperor Song Hui-Zong宋徽宗,the coin exemplifies the cultural achievement of Song Dynasty(A.D.960-1279).

Dimeter: 4.2cm

Desription：A water scoop or water basin was made from a natural burl wood.
Full of artistic form from mother nature, it can be used in a pracyical way or a display item on your modern cabinet.
The item was preserved in original condition in good patina eventhough being well cleaned. The original black and red pigment were still kept well inside the basin.
Width：21cm, Height：11.5cm.
Condition：Perfect.

Takeda dolls are modeled after the characters from 17th to 19th century Japanese theater. They are known for exaggerated postures and often with a vivid facial expression of the Kabuki actors or Jyoruri puppets on stage from the period.

This doll is holding up a "takafuda" bulletin board in one hand and a brush in the other. "takafuda" was an official bulletin board for Tokugawa government (1603-1868) to announce any regulations, or changes etc.

Little was known about Takeda do...

One of my personal favorite shapes for a chawan, the wa-nari (sometimes pronounced rin-nari) appears firmly grounded and balanced at all times. With round curving surfaces so natural in the hand—they conjure images of ripe fruit waiting to be devoured.

This piece was produced by Koizumi kiln in Aichi Prefecture, most likely by the head potter Kato Shineda—though it only bears the seal of the kiln and not the potter. The outside of the bowl displays a gray field with swaths of l...

An set of Chinese vintage chairs and end table made of Huanghuali (hardwood) with burl inserts.

Date: mid 19th century

Dimensions: Table 22" square X 20" tall Chairs 22" wide X 38.5" tall X 17.5" deep

With a slender balanced foot firmly grounded, the skillful lacquer repairs on this bowl highlight the age and importance of this work which likely dates from the Edo period. Stemming from the philosophy of wabi-sabi or, beauty in the imperfect, cracks and repairs in a work of pottery are often seen as highlighting the history of the object and are thus celebrated as such. Practitioners of tea in particular are fond of reminding us that works repaired in this way become more resilient and more be...

Description:
A black-glazed tea bowl was in a unique form.
Apparently caused by firing effects, the surface of the glaze was transformed to a mysterious image that was charming and different.
It was not sure if it was intentionally finished by an ingenious potter or just an accidental surprise.
But it was indeed a unique and sought-after piece for real connoisseur.

Date: Tang Dynasty, 10th Century.

Width:11.3cm.

Fitted cotton box is included.

From our Southeast Asia Collection, a very striking contemporary Burmese writing box done in the "shwei-zawa" technique, with gold leaf floral designs known as "chupan" set against a shiny black lacquer ground, all done to very striking and dramatic effect. For those unfamiliar with this ancient Southeast Asian craft that began with the Thai in the seventeenth century, and is still practiced today mainly by the Burmese, Sylvia Fraser -Lu gives a simplified but useful explanation in Burmese Craft...