Currently in its 5th generation, the Miura Chikusen line of potters has continued to produce high-quality Kiyomizu-yaki and Kyo-yaki porcelains used in sencha for well over 150 years. The piece seen here is by the third generation potter and has the rare distinction of being endorsed by Sokuchusai, a former Head Tea Master of Omotesenke in Kyoto. Simple and elegant, a section of bamboo stands out in contrast to the white crackled porcelain glaze. If you are looking for a representative work by o...

This eye-catching porcelain composition covered in red-glaze and highlighted with sensational gold-leaf inlay is an iconic design often employed by Ono Hakuko.

Ono Hakuko (1915 -1996) is an important figure in the world of Japanese ceramics and one of the only women in the field to gain wide acclaim and recognition for her work. Taught mainly by her father from a young age, Hakuko later found inspiration in the works of Living National Treasure Kato Hajime (1900 - 1968) whose style...

Here we see a Chinese style celadon floral bowl by one of the 5 Imperial Court Artists of Meiji. The potter, Sozan, spent his life perfecting techniques for celadon production first used in the Southern Song Dynasty as evidenced here with his powdery blue “kinuta” glaze. The low-relief floral design really brings an elegance to this work and the celadon glaze seems to have an inner radiance all its own.

Sozan (the first) was born in an area of what is known today as ...

Carrying a baby in her right arm while holding a rosary in her left hand, wearing gold gilded lines on white hooded robe and a rosary, sitting on the colorful lotus base in the lotus pond.

Guanyin or the Chinese Goddess of Mercy is popularly represented as a beautiful woman, holding a child in her arms and wearing a rosary around her neck. Sometimes she is represented in white clothe with a child in her arms and worshipped by those who desire offspring.

Age: Chinese, Qing (Ching) Dynasty...

An overglaze enamel red and green wine cup, decorated with lotus scrolls. Ming dynasty 16th century. Overall good condition except enamel glaze is slight fade, but free from restoration. Height: 4.4cm and Diameter: 5.3cm.

The poem etched on the side of this exceptional piece reads: "As a pastime ― bringing clumsy, fragile things to sell ― at Uruma Market ― how lonely!"  A very significant poem as it conveys a bit of irony; for the Edo period nun who inscribed this poem would go on to create a legacy of art, beauty, and philosophy that endures even today. The poem also suggests that this is one of her earlier works that would have been produced before she became renowned throughout Japan for her...

The poem etched on the side of this exceptional piece reads: In the future — happiness — and long life — two sprouting leaves —to grow a thousand years. Indeed a positive message, perhaps to accompany a warm cup of sake on a quiet winters evening.

Ōtagaki Rengetsu (1791-1875) was born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen she was a lady in waiting at Kameoka castle where she was trained in the arts ...

Well balance potted plain white glazed bowl. Yuan Dynasty 13th-14th century. Very good condition with no any crack, no any chip and absolutely free from any restoration. Diameter: 16,8 cm.

This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the handles are of Chinese origin and represent the mythical "Fenghuang" (Hōu in Japanese). This deity, typically depicted with the body of a bird with characteristics of a dragon, is believed to have originated in the sun and is thought to symbolize virtue, wisdom, and grace. Made ...

Ewer of pear-shaped form and the moulded decoration of 2 Phoenix. The porcelain body covered with a nice and glossy Qingbai glaze. Jingdezhen or Fujian, Yuan Dynasty, fourteenth century. H : 9,3 cm. Condition : Absolutely perfect ( the lid missing ) IMPORTANT AND HIGHLY UP-TO-DATE INFORMATION REGARDING ALL OUR ANNOUNCED PRICES FOR CHINESE CERAMIC ITEMS : SINCE I`M NOW ENJOYING MY RETIREMENT PENSION NOW IT IS A MATTER OF SELLING OFF MY STOCK OF CHINESE CERAMICS. FROM NOW ON A DISCOUNT OF 50%...

Being based in Kyoto we occasionally come across fine Chinese and Korean tea-ware to mix in with our Japanese offerings. Here we have an example of a ceremonial tea bowl from the Shinragi kiln in Korea. Pieces like the one seen here are baked in a traditional wood-fired “climbing kiln” at a temperature of over 1,300 degrees for 5 days. Fashioned after classical works held in museum collections, the motifs are timeless and captivating.

In excellent condition, this piece is 5.5 in...

A Parcel Gilt Bronze Vase. With two flanges and a straight neck. The body incised with a Lingzhi 16/17thC. Height: 7 1/2" (19.0 cm). Condition: casting flaw to the front

A Panorama of Ceramics in the Collection of the National Palace Museum : Chun Wares Best book ever written on Jun stoneware, great close ups. In excellent condition, one scuff on upper right hand dust cover, with original box. These sell for $700- $900 on Amazon and the other usual suspects. My price only $300- such a deal! ISBN-13: 9789575623630 ISBN-10: 9575623630 Author: YU, Pei-Chin Edition: First Edition Binding: Hardcover Publisher: National Palace Museum Published: 1999 ...

Sakiori obi (sash) for a casual kimono which is hand-woven of strips recycled from silk and cotton kimono for weft, and cotton yarn for warp. In excellent condition. 20th century. 18cm x 2m96cm

This is a Japanese antique Boro textile old indigo dye soft hemp patched. It has been washed in water. Size::Length::170cm / Width::146cm

A pair undone antique Chinese sleeve bands, bordered with a black band and green cotton lining. The wine-red silk ground finely embroidered in Pekinese stitch, some detalis in satin stitch and couched metal threads, showing figures, maybe immortals in a landscape. Dimension: c. 111 cm x 37.5 cm. Condition: fine, only few stains.

A pair old jewelry ornaments attached in the coiffure, near the ears by Tibetan women. Made of metal alloy and set with turquoise stones. The reverse with a later added silver stick pin. Condition: few traces of usage. Dimension: c. 9.9 cm long x 3.9 cm wide, weight: 66 g.

A pair funny Chinese lions, the male leaning his paw upon a embroidered ball and the female with a small cub, both sitting on a pierced stand. Each carved from a single piece of boxwood. Dimension: c. 10. 3 cm high. Condition: few tiny losses and cracks.