Statue of Buddha Sakyamuni, in monk's robes, sitting cross legged, his right hand in "abhaya mudra". Votive box at the back, its lid and contents missing. Wood, with remnants of polychrome colors painted on a paper lining glued on the wood. China, Qing Dynasty period, 18th century. Height: 41 cm. A few losses, including on the finger tips of the right hand, otherwise very good condition. .

Statue of Buddha, in meditation posture ("dhyana mudra") sitting cross-legged on an elevated throne. Bronze, with green patina. Thailand, Dvaravati period, 7th-9th century. Height: 12.9 cm. Good condition.

Bronze statue of Buddha, in monk's robes, wearing a kind of diadem, sitting on a throne, his hands in bhumisparsa mudra. Old glass inserts on the diadem, some missing. Burma, Mandalay period, 19th century. Height: 10 cm. Some abrasion, otherwise very good condition.

Finely cast statue of Buddha, in monk's robes, sitting cross-legged on a double lotus throne, his hands in bhumisparsa mudra. The lotus throne is nicely sculpted partly in openwork, on its lower part. Bronze, with fine age patina. Burma, Ava Style, 18th century. Height: 13 cm. Very good condition. Provenance: old Dutch collection.

Small statue of Buddha Sakyamuni, sitting cross-legged on an elevated throne, his hands in "bhumisparsa mudra", backed by a seven-headed stylized Naga sacred snake. Bronze with traces of the original gilding. Partially encrusted patina of green and reddish color. Burma, 18th century or earlier. Height: 10,5 cm. Good condition.

STATUE OF BUDDHA

Buddhist wood carving image, Edo-Meiji period, late 19th century, Japan. H 23 x W 8.5 x D 5cm (9.05 x 3.34 x 1.96in). Been more aesthetic and attractive with such defective but refined withered condition. Wabi-Sabi.


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Statue of Bodhisattva Manjusri, the Budhist deity who fights ignorance, in formal attire, wearing diadem, sitting on a double lotus throne, his hands in teaching posture ("dharmachakra mudra"). Bronze, with remnants of the original lacquering and gilding. Tibet, 19th century. Height: 17.5 cm. Very good condition. IMPORTANT: owing to the heavy weight of the statue, please consult us on the shipping cost.

Statue of a Taoist exorcist ("yingong"), in formal attire, sitting on a throne, holding his commandment baton in his right hand and a bowl containing the lustral water in his left. Wood, coated with polychrome painting. Animal hair used to represent the moustache and the beard. Votive box at the back, lid missing. China, early 20th century. Height: 25 cm. Painting partly flaking, otherwise very good condition.

Wood statue of a bearded Taoist deity, in formal attire, sitting on a throne. China, Late Yuan, early Ming Dynasty. Height: 24.3 cm. Obvious signs of great age, otherwise good condition.

Statue of a Taoist deity, in formal attire, seated on a throne. Wood, decorated with polychrome pigments. Small votive box at the back. China, Qing dynasty, end of 19th century. Height: 22.7 cm. Traces of candle soot on the front, old insect attack beneath (no danger), otherwise good condition.

Statue of a Taoist deity ("fashi"), in formal attire, sitting on a throne, holding his commandment baton in his right hand and a bowl containing the lustral water in his left. Wood, coated with traces of polychrome painting. Votive box at the back, lid missing. China, early 19th century, maybe earlier. Height: 20.7 cm. Abrasion due to age otherwise very good condition.

Statue of an ancestor or deity designed for the protection of a household, standing in a praying posture, with a very expressive face. Wood, age patina. Nepal, early 20th century. Height: 4é cm. The piece is mounted on a custom metal stand. Age cracks, some erosion, otherwise very good condition.

Statue of a household protecting ancestor, sitting on a rounded base, his head with an unusual pointed top, his hands in "namaste" posture. Wood, with fine age patina. Nepal, 19th century. Height: 35 cm. Strong abrasion due to great age, otherwise good condition. Provenance: collected in Kathmandu in 1974.

Statue of a traditional god, probably representing Kuan Ti or Kuan Yu, God of War, in formal garb, with a martial posture, sitting on a throne. Wood, with traces of the original gilding. Remnants of animal hair under nose and chin, to represent mustache and beard. At the back of the statue, the votive box is till closed. China, Qing Dynasty, 19th century. Height: 22.7 cm. Abrasion due to age, right arm partly missing, otherwise good condition.

Statue of a horseman (probably a Hindu deity), holding a spear in his right hand. Bronze, with fine age patina. India, 19th century. Height: 8.7 cm. Length: 8.8 cm. Good condition.

The Tachi bina is an older form of Japanese Hina dolls from the early Edo period(1603-1827). The earlier Tachi bina were not made to stand up, instead they were made to lay down or lean on the display. The faces of this set appear to be old with a beautiful sparkle on white gofun crashed/ground oyster shell, Kyoho-bina from mid Edo period. The silk brocade has washi paper backing (with washi hand made Japanese paper). The hair of empress doll is original but very brittle and almost all det...

Standing Dharma by Korea's Renowned Buddhist Monk Painter Seok Jeong Sunim (1928-2012). This is an excellent example of why Seok Jeong is widely regarded as Korea's master of Zen Buddhist art. Dharma's body and robe is rendered in just four powerful and inspired brushstrokes. The calligraphy here is also masterful. Ink on paper. Mounted on a beautiful silk scroll. Silk Mount: 77.5 x 18 inches, 197 x 45.5 cm; Painting: 50 x 13 inches, 127 x 33 cm. The recent exhibition of Seok Jeong Sunim's work ...

The cup on foot was turned in 2 parts, the bowl and the foot, then were assembled with slip clay, you can see the trace of the assembly covered by translucent glaze on the photo. The decoration is underglaze in a pretty luminous cobalt blue. It represents a dragon with 4 claws among clouds on the inside and a geometric decoration on the outside.It is interesting atypical decor which is a fine example of the freedom of expression and originality of the potters of this period freed from imperial c...