This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time bl...

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time bl...

This striking chawan is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time blending with the molten ash of t...

The creator of this lovely Hagi chawan, Hirose Tanga (b. 1939) is the master-potter of Tenpozan kiln in the city of Hagi. When I acquired my first tea bowl by this artist it reminded me of bowls produced by Yoshida Shuen (apprenticed under NLT Miwa Kyusetsu). As it turns out, Yoshida worked alongside Hirose in establishing Tenpozan and in training young potters in the art of “Oni” Hagi which utilizes a rough textured clay and a milky translucent glaze. Bowls made using this technique display...

Description:
An old wood scholar rock was well preserved.
it was in good shape with strong literati taste.

Date: Qing Dynasty, 19th Century.

height: 53.5cm including stand.

A Custom-Made Cotton Box is included.

Description: A big wood plank was originated from an old traditional Chinese architecture. Decorated with high-relief carvings of scenes as scholars, goats, monkeys and trouts, this wood tablet was looped for hanging. Date: Qing Dynasty(18th Century) Material: Camphor wood. Length: 100cm Height: 45cm Depth: 8cm Condition: Basically in good condition but with some old restorations on the faces of the figures.

A wood brush pot was in nice form.
It was well preserved despite the bottom cover was lost and was replaced by an old plank of wood.
The surface was in kind of dry-feel and in pale tint. But I believe it can be transformed easily by rubbing with wood wax and changed to a beautifulcolor.

Date: late Qing to early republic periods, 19th/20th C.

Height: 15.5cm

One Crack line is found inside.
And there are some old restorations on the outside.
Width: 11.5cm

AN OLD JAPANESE PAINTING OF MONJU BOSATSU.

Monju Bosatsu - Manjushri Bodhisattva of Wisdom. The painting appears to have great age and even though not in the best of condition it still has a compelling presence. It is painted on a composite sheet of thin paper, the joins can be seen as angled lines across the sheet and mounted as a kakemono. The painting is signed with a single seal impression in gold.

The painted area is approximately 106cm by 40.5cm. The painting has ho...

Surely an extraordinary confluence of circumstances must have come into alignment in order to bring this remarkable composition into existence. Done in the Korai style—referring to the heavy influence from Korean forms and glazing—this exquisite Edo period Karatsu-ware tea bowl features a white stripe running horizontally along the outer surface of the bowl known as Hakeme. This type of white slip brushing serves as a high-contrast background for the iron spotting and pigmentation brought ou...

It is an old display box with plastic glass.
Height : 19.5cm
Good condition.

It was from early 20th century with traditional Chinese dragon patterns.

Dimensions : 52cm x 51cm.

Description:

A wood Bian with carving inscriptions was in very good scholar taste.
" Zun Yo Xuon Tan" means eloquent talking will be amid the seats.
With simple words, it showed the enthusiastic inviting of a family host.
This kind of Bian was most likely having been put in a scholar chamber.
It is really hard to find a real scholar Bian like this. Most of them we found were for business using.

Date: Qing Dynasty, 19th Century.

Length: 117cm, Width: 29cm, ...

A beautiful Annan tea bowl with silver repair (gintsugi) and fine sense of "aji" bestowed by age. Ornately decorated with flowering chrysanthemum, the skillfully applied silver repair to the bowl implies that it was treasured by its previous owner.

Annan-Yaki, is a tradition of pottery brought to Japan from the Annan province of ancient Imperial China (now part of Vietnam) from the late Muromachi period (1392 - 1573). At the time this type of pottery was hugely popular among tea dev...

A nice underglazed blue near blackish floral spray in the center and surrounded to rim with classic scroll. Vietnam's or such called as Annamese 15th century in prefect condition. Only a bit warped, no any chip, no crack and free from any restoration. Diameter: 27,5 cm.

A very good quality Annamese dark brown rosewood and mother of pearl inlaid stationary tray for the Scholar’s Table. Rectangular form with raised feet. Decorated with mother of pearl inlays to all four sides with figures in garden setting: rocks, branches, pagodas and bridges, butterflies etc. Nguyen Dynasty Vietnam, 19th Century. Condition: fair. Size: L. 31 x W. 18,5 x H. 10 cm square

A Blue and White Bowl, decorated with Lotus to the interior. Vietnam's 15th-16th century. Found at West Sulawesi. Condition is very good, no any chip, no any crack and free from any restoration, excepted minor glaze crackles to the body. Diameter: 16,9 cm.

Small porcelain Vietnamese shipwreck recovery water dropper in the shape of an elephant. The glaze has dissolved after so long under the water but the body is intact. This is most likely from the Cau Ma shipwreck, circa 1775, discovered off the coast of Vietnam. No chips or damage. L: 6.2cm/3.2in and H: 5cm/2in.