Japanese pencil-signed first edition shin hanga woodblock print titled "Kagurazaka Dori" (Kagurakaza Street after a Night Rain) from the series "Twelve Scenes of Tokyo" by Hiroshi Yoshida (1876-1950) dated Showa 4 (1929). The jizure (self-printed) seal is in the upper left margin. The artist's black ink brush signature and red seal is at the lower right corner of the image. The print is titled in English and pencil-signed in the bottom margin. The left margin contains the date and title in Jap...

First edition Japanese Meiji Period woodblock print titled "Otsu Inari" from the series "The Calendar of Events in Edo Theater" by Adachi Ginko (1874-1897). Three editions of this series are known. This print is from the first edition and contains the publisher's information and date of Meiji 30 (1897) 7th month 10th day in the left margin and the artist's red seal at the lower right. This series is unusual in that it depicts various events backstage with the actors, views including the specta...

#1 A great plate with flower sprays and a bird in the sky. The scenery showing three red flowers on a branch. Condition: Excellent condition. Minor wearings. Measurement: 24.1 cm = 9.5 in

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Ca. 1800-1850, 19th century
Mid-Qing dynasty
Yixing stoneware with famille rose enamels
W: 20.5 cm, L: 17.5 cm, H: 5.8 cm (without stand); 8.7 cm (with stand)
From a Seattle, Washington estate

An elegant early 19th c. Yixing zisha jardinière, formed in a classical circular “narcissus bowl” shape, and decorated with famille rose enamels. Against a blue enamel ground are matching sets of calligraphic verses. The honeycomb panels seen on the front sides are ver...

Late 19th century, circa 1860-1900
Tongzhi - Guangxu Period, Qing Dynasty
Porcelain with overglaze famille rose enamels, hardwood
Just plaque- h: 17.6 cm, w: 10.5 cm; with stand - h: 22.9 cm, w: 12 cm
Nearly perfect condition, age wear to enamels From a Palm Beach, Florida collection

Although the late Qing period saw a marked decline in the quality of porcelains produced, many surviving pieces nonetheless feature charming and humorous portrayals of Chinese life. T...

Late 19th - early 20th century
Late Qing Dynasty to Republic period
Porcelain with overglaze wucai enamels
H: 23.2 cm / 9.13 in
Chip to the lotus flower bud of one figure, otherwise very good.
From a southern California estate


A charming set of Hehe Erxian figures, in a mirrored true-matching pair. Figures like these originally appeared during the mid-Kangxi period, likely as export pieces to Europe, though statues of Hehe Erxian have been crafted in China...

Ca. 1890-1940s
Guangxu - Republic period
Porcelain with langyao / ox blood copper red glaze
H: 42 cm (with stand), 38 cm (without stand)
From a Greenwich, Connecticut estate

Of Qing monochrome glazes, the langyao red is one of the best known. It was during the early 18th century that Jingdezhen potters managed to rework the Ming copper red formula into a more translucent and fluid version. The resulting product--from the crackled body to the white-red progre...

Late 19th - early 20th century
Late Qing Dynasty - Republic period
Natural undyed salmon red coral
H: 9.5 cm / 3.7 in (with stand), 7.3 cm / 3 in (without stand)
Fairly good condition, though with some losses to the top tip of the beauty's sash and the tree branches.
From a German private collection


A charmingly and intricately carved coral figure, weighing 66 grams.

19th century
Guangxu Period, Qing Dynasty
Porcelain with underglaze cobalt blue & overglaze enamels
D: 11 cm, 8.7 cm
From a Lewisville, Texas estate

A thinly potted and carefully decorated doucai covered tea bowl, with four-character Wanli kaishu marks to covered and bottom, and featuring various antiques and treasures. For a late Qing piece, this teabowl is of high quality.

Condition report: Perfect antique condition without major observable flaws. [...

Late 19th century
Victorian Period
Natural untreated coral, 14k gold (marked & tested)
Length (end to end): 17 cm / 6.7 in
Width: 27 mm
Inner diameter: 50 mm
Weight: 40.4 grams
From a Springfield, OR private collection

A gorgeous and well-carved 19th c Victorian period 14k gold and natural coral bracelet, comprised of interlocking pieces of coral carved as sprigs of grapes and leaves. This piece is rare due to the size and deep salmon red coloring ...

ca. 1800-1850, first half of the 19th century
Mid - Qing Dynasty
Porcelain with underglaze copper red
H: 14.6 cm, w: 11.5 cm
From a Seattle, WA private collection, acquired in the 1980s (original sales tag still available)

An interesting and rare vase of "apple" zun shape, decorated in underglaze copper red with a scene of the "Trials of Lu Dongbin". Six - character Yongzheng mark to reverse, but dates to ca. 1800-1850 19th century.

Condition report: Pe...

19th Century Tibetan Thangka of Vajrapani and Mahakala from a renowned and published collection. 44 x 33 inches, 112 x 84 cm.

Late 19th century
Tongzhi Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
D: 8.4, h: 6.5
Both cups with single hairline.
From a Myrtal Beach, South Carolina estate

ca. 1860-90s, latter half of the 19th century
Tongzhi-Guangxu Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
H: 36 cm
Lamp hole professionally filled in to bottom, some fritting to rim. Visible outer body perfect.
From a Greenwich, CT estate

This vase is lavishly painted with a young wife and nine sons in a garden, and flanked with landscape scenes, dragons in relief, and faux cloths. The number of boys painted--nine in total--symbolizes "e...

ca. 1860-90s, latter half of the 19th century
Tongzhi-Guangxu Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
H: 36 cm
From a Greenwich, CT estate

This vase is lavishly painted with a young wife and nine sons in a garden, and flanked with landscape scenes, dragons in relief, and faux cloths.

The number of boys painted–nine in total–symbolizes “eternity” or “everlasting-ness”. Indeed, such image of domestic bliss and abu...

VASE WITH WIFE & NINE SONS (TFM081301)
ca. 1860-90s, latter half of the 19th century
Tongzhi-Guangxu Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
Height: 36 cm / 14.2 in
From a Greenwich, CT estate

This vase is lavishly painted with a young wife and nine sons in a garden, flanked with landscape scenes, dragons in relief, and a faux wrapped cloth. The number of boys painted – nine in total – symbolizes “eternity” or “everl...

Late 19th century
Tongzhi Period, Qing Dynasty
Porcelain with overglaze famille verte enamels
H: 60 cm / 23.6 in
Glaze partially worn at mouth rim, 3 glaze lines to bottom (does not affect body)
From a Baton Rouge, LA estate


A monumental 60 cm tall floor vase, featuring comical and charming foo dogs at play and enameled in the famille verte palette. The reverse side features calligraphic verses, along with the artist's name and the year of creation. [Pleas...

An unusual Tibeto-Chinese cloisonne gau box having a domed and hinged cover with a multi-colored scroll pattern surrounding a central cartouche. The cartouche features the Tibetan character “hum” which translates as “the spirit of enlightenment” or “the enlightened mind”. This gau would have been worn by a high ranking lama. An almost identical gau, which most likely came from the same workshop, comprised lot 428 of Christie’s New York, ‘The Scholar’s Vision: The Pal Famil...