SEATED BUDDHA FROM KYUSHU

First half of Edo period (1603-1868), Oita, Kyushu region, Japan, approx. H 53 x W 29 x D 20 cm (20.86 x 11.41 x 7.87in). Carved from a single wood (though with the insertion hands), with slight remains of original paint (so possibly it will comes off little more) and aged cracks (but it's stable and won't splits more). No major wormholes.


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SEASHORE

Anonymous vintage Japanese oil painting on particle board, with the sign of 'Y. Ohta. 53_'. 1953 or Showa 53 (1978). At the backside, written his loving passion to a certain Japanese woman, as "Sayoko Tominaga. Miss Universe. Sayoko Tominaga. Sayoko Tominaga. Sayoko Tominaga. How beautiful, noble, wise, lady you are.". Aged deterioration as is as seen.


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Unmarked bronze seal or scholar's weight? It represents a fantastic animal firmly camped on its legs. The artist has given it an interesting mischievous expression. It is in cast bronze, the finish is of the highest quality as well as the chasing. The perfection of the line of the hairs is the work of an excellent chiseller. The movement of the head which turns to the right makes the body tilt to the left while the tail compensates to the right only an excellent sculptor can make such a realism....

SEA BREAMS AND WAVES

Wood carving decoration with the remains of original bule paint as the actual fragment of a certain Japanese temple/shrine construction, Edo-Meiji period, 19th century, approx. 58 x 30 x 6.5cm (22.83 x 11.81 x 2.55in). Unusual type as a rare find.


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A prominent Japanese dealer is currently offering a Kawabata Gyokusho painting of similar size for $21,500. You can find this painting online. Kawabata Gyokusho is considered the last great representative of the Shijo school of Japanese painting. His work is quite delicate, making use of Japanese technique in a realistic manner. He had many pupils who later became well known. His paintings are in the permanent collections of many major museums, including Oxford's Ashmolean Museum, New York's Met...

Study of an elephant holding a piece of wood with its trunk, his skin hanging loosely about him. Dark brown patinated, light weight wood, the eyes inlaid in buffalo horn, the tusks bone. Japan, 19th century.
Length: 15.5 inches (39.1 cm)
Pupil to one eye missing, otherwise fine condition.

A “wood-grain carving” figure of a minogame, a turtle with a long tail of algae growing from its carapace. Carved out of Jindai-sugi (Japanese cedar wood) in such a way that the wood grain accentuates the skin on the legs and head, the protrusions of the carapace and the algae.

Unsigned. Meiji era, early 20th century, Japan

L 18 x W 8.25 x H 3.75 in.

Few scuffs and dents that do not disturb the beauty of the piece.

Jindai sugi wood is old wood from the Japanese ced...

A polished mixed-media sculpture by Sugano Chii enclosed in a wooden box titled Kaetekita Akerakan (Akerakan Returned) featured in the book Sugano Chii (published 1997). It is 21 x 17 x 21 cm (8-1/4 x 7 x 8-1/4 inches) and is in excellent condition.
Sugano Chii was born in Saga Prefecture in 1909, on the Southern Island of Kyushu, and graduated the prefectural Saga Prefectural Ogi Girls School in 1927 before being accepted in the Tokyo Women’s Art School (Mod. Womens Art University) We...

This magnificent chawan is a perfect embodiment of the Oribe tradition of Japanese pottery by legendary master and modern avangarde artist Suzuki Goro, enclosed in its original signed wood box.

He surely needs no introduction. Suzuki is one of those once in 500 years' type of artists. Suzuki Goro is a potter who goes beyond that usual appellation. He has developed his own way of expressing himself through ceramics, basing his work on traditional styles from the Mino tradition: Shin...

This is definitely the best work by modern avangarde artist Hiramatsu Ryoma and it demonstrates his creative imagination and challenges the traditional boundaries of what defines a tea bowl.

He surely needs no introduction. Ryoma is one of those once in 500 years' type of artists. He is a potter who goes beyond that usual appellation. He has developed his own way of expressing himself through ceramics.

For Hiramatsu a chawan should be a kokoro-utuswa, a 'place' in which t...

Heavily distorted shoe shaped (kutsu) Chawan from the early 17th century with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

Two 'windows' on two sides have been left unglazed. One has a very rare decoration with hanging persimmons (hoshikaki) scratched into the engobe and the other has a often seen fence painted u...

What a grand statement in clay: Sculptural masterpiece Kurinuki Hagi Chawan by greatest Kaneta Masanao. It comes with its originally signed and sealed wooden box and a profile of the artist.

This mountainous tea bowl in creamy-white glaze is in mint condition.

Born 1953, Hagi City, Yamaguchi Prefecture, Japan, The eighth-generation Hagi potter, KANETA MASANAO has expanded beyond the tradition of his ancestry to create a more sculptural oeuvre. Perhaps due to his trainin...

Artistic and expressive Chawan, sculptural and with a multiple color glaze, made of Mino clay by Norio Ishii. It is in mint condition and comes with its originally signed and sealed wooden box and a profile of the artist.

Norio Ishii was born 1963 in Okayama city, Japan and he graduated from OKAYAMA ASAHI High school in 1982 and from Art department of KOCHI University in 1986. When he was a University student, he started pottery work, being absolutely charmed by SHINO ware and ORIBE...

Hanging scroll. Black ink, light colors and gofun on paper.
Painting of the demon of Rashomon stealing back his severed arm from Watanabe no Tsuna. Excellent use of dry-brush technique.
Signed: Yoshimitsu saku, seal Hoko. Japan, Taisho/Showa era.
Newly mounted with original embroidered brocade.
Image: 24 x 12.5 inches.
Total length: 58 inches.

Few old water stains on brocade, few tiny stabilized damages in paper, some damage to embroidery, all in all very good cond...

The deity Shomen Kongo standing on a demon in front of a flaming halo. In front of him a rooster and a chicken and a monkey with a gohei. Ink and colors on paper. Painted area 25 x 11 inches. Several horizontal creases due to rolling, several small missing areas, all backed and partly retouched. New mounting in Chinese style. Overall stable condition.

Feel free to ask for additional photos.

Hanging scroll. Shoki holds Futen’s wind bag which balloons around him and protects him from a very light rain. While Shoki has his hands full trying to control the wind bag, his bulging eyes are rolled in defeat and annoyance towards the right, where a little demon who has a Chinese mortar on his head and holds the pestle in its hand jumps in front of him.
Ink and color on silk.
Signed and red artist’s seal.
Japan, Taisho or early Showa era, 1920s-1930s.

Image: H 43.25 x...

Hanging scroll. Portrait of Minamoto no Tsunemoto, sitting on a tiger skin before his sword, dressed in a white garment over his armor. Ink, colors, gofun and gold sprinkle on silk. Dated mizunoe ne (1852), early summer. Signed Gyokurei Omoto and two seals.
Image H 45 ½ x W 20 in.; total height: 80 ¼ in.

Comes with fitted kiri-wood storage box inscribed, dated 1852 and signed Ono Gyokurei.

Minamoto no Tsunemoto (894-961) was an imperial prince who received the family name Min...

Hanging scroll. Portrait of probably Sugawara no Michizane, sitting in court dress - a black garment with a long white sash - holding a wooden mace. The black garment, with red liner, is delicately decorated with flowers between waving lines. The sash also decorated with stylized flower shapes.

Tosa style. Signature at bottom: Yuho Issho ga. Red seal: Issho no in.

Colors on silk.

Japan, early 19th century.

Painted area: 23 5/16 x 10 13/16 in. (39.7 x 27.9 cm).
...