An wonderful and elaborate pottery figure of a female house attendant, Ming Dynasty (1368-1644 AD.), dating to c. 1550-1600 AD.

A beautiful, elderly lady, clad in a blue dress with tourquoise sleaves. She is carrying a dish with food in front of her chest. She is placed on a square plint with tourqoise glaze on the top.

Nicely painted facial details. A very fine and elegant figure from Ming dynasty, with it's careful thick glazing and fine expression.

Size: c. 3...

An wonderful and elaborate pottery figure of a female house attendant, Ming Dynasty (1368-1644 AD.), dating to c. 1550-1600 AD.

A beautiful, elderly lady, clad in a blue dress with tourquoise sleaves. She is carrying a plate in front of her chest. She is placed on a square plint with tourqoise glaze on the top.

Nicely painted facial details. A very fine and elegant figure from Ming dynasty, with it's careful thick glazing and fine expression.

Size: c. 32,5 cm. ta...

Pierce-work combined with over and under glaze decoration create the perfect picture of spring on this bowl by Takahashi Dohachi enclosed in the original wooden box signed Kachutei Dohachi and titled Kenzan Yo Tsubaki Bori Hachi (Kenzan style Camelia patterned Carved Bowl). It is 20 cm (8 inches) diameter and in excellent condition.
The Dohachi Kiln was established in Awataguchi by the retainer of Kameyama fief, Dohachi I around 1760, and the name Dohachi was brought to the forefront of ...

We like to present you a 150 year old tea bowl made of Shino ware. It was made around the late Edo/early Meiji period.

White pottery is coated with white and light grey glaze. Very tasteful. It comes with a Japanese wood box (kiribako).

As you can check on the pictures, it is in good antique condition with no chips, cracks or repairs.

Size: 7,7cm height x 11,4cm in diameter.

Shipping included

Antique Japanese pilgrim's coat hand woven of asa (Japanese hemp) fiber. Hand painted with sumi ink calligraphy.

Size: 41" high x 47" wide

Mid Edo Period (1603 - 1868)

Wonderful hand-shaped Shino Chawan by great To-en Miyamura, made around 1935, enclosed in its origninally signed and sealed wooden box. Smooth and very aesthetic Shino glaze and a true wabi-sabi aura.

No chips or cracks. Impressive feeling holding this big tea bowl in your hands.

Size: 8,5 cm height x 11,5 cm in diameter.

Shipping included.

An unusual woven basket of bamboo strips and roots in the shape of a cocoon or bird nest dating from the 20th century. It can be used flat on a table or even better suspended on the wall or pillar. It is 43 cm (17 inches) long and in excellent original condition.

Antique Japanese pair of lively koma inu (temple fudog guardians), carved of keyaki (elm) wood, left hand creature has mouth open showing teeth and has a curly mane, right hand creature with toothy grin and wavey mane, wonderful detail carving, fain remnants of pigment (mouth, eyes, and whiskers), Meiji Period. Size of each: 17 1/2" high x 18" deep.

19th Century Edo Period Japanese Clay Mask of Tengu, the mischievous God of the Forest. A wonderful example of Mingei used as decorative art, with an underglaze of red and white fired to give a wonderful presence. 8.25 inches (21cm) tall) x 6.25 inches (16cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Another wonderful and large Chinese Buddha Bronze statue, approx. 18th century (Qing Dynasty), sitting on a square base, with a height of 38 cm and a width of 24 cm, weight 4,95 KG.

On the back marked 'Da Ming Yongle nian shi' (‘bestowed in the Yongle era of the great Ming’).

Shipping included

Wonderful rare antique Chinese Daoist Lotus Dish with molded petals. The lotus flower is a favorite of Taoist artists, who paint it to remind us of the miracle of beauty, light and life, and to communicate an understanding of the Tao and of our place in the world.Typical WanLi color palate with red, green, yellow, blue and black. Signed mark of Wanli. Wear of glaze typical of aged condition.

Date: 18th century or earlier

Size: 7.5"D x 2"H

Andrew Kay Womrath (1869-1939)
In collaboration with Yoshijiro Urushibara (1888-1953)
Venice at Night
Size: Chuban. Approximately 11.625 x 8 inches.
Edition: 3/50 OR 33/50. Numbered in pencil at lower left.
Date: ca 1920s.
Signed "A Kay Womrath" in pencil.
Medium: Japanese woodblock print.
Condition: Foxing nearly entirely in margin. Margin blank at lower left.
Note: An example of this night scene is paired with its daytime version in the Smithsonian ...

Based on a classical tale adapted into a popular Kabuki performance in late Edo, the story of the Fuji Musume or “Wisteria Maiden” is an often employed motif in Japanese art. In the story, the Wisteria Maiden is depicted in a painting holding a wisteria branch, until one day she becomes smitten with a young man passing by and steps out of the painting in an effort to capture his attention. Unfortunately, her attempts are futile. Her love goes unrequited, and she sorrowfully steps back into ...

A Nihonga Scene mounted on a two panel screen of a thatched house in the winter forest, blossoms just opening on the garden trees by Takahashi Shiko (1897-1970). The scene has been created over a complete wash of white, making the crisp early spring morning real and sharp. The screen measures 74-1/2 x 67-1/2 inches (189 x 172 cm) and is in excellent condition bordered in a red lacquer frame typical of the 1920s and 30s and retains the original backing paper. A superb example of the early Show...

Ducks are the only life in this landscape of frozen rice paddies by Shirakura Niho enclosed in the original double wood box (Nijubako) signed Kanyu (the name he used later in his career). Teh composition is very minimalist, relying on the diagonal lines of paddy walls to define the foreground, only a haze of color to intimate the hills beyond. Judging by the style this likely dates from the 1940s and is an exceptional work by this innovative artist. Ink and pigment on silk in a superb border ...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

WILD HOT SPRINGS

Vintage anonymous oil painting on handmade easy canvas, Showa period, 20th century, Japan, 53 x 41 x 1.5 cm (20.86 x 16.14 x 0.59in)


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A large Amber glass Mizusashi enclosed in the original signed wooden box titled Mizu Utsuwa by Japans top-rated female glass artists, Iwata Itoko. It has a black lacquered wooden lid typical of mizusashi, but a tremendous convoluted form in rich amber which defies simple description. Itoko is one of the top rated glass artists in Japan, and heir to the legacy of Iwata Hisatoshi. The piece is roughly 1 foot (39 cm) in diameter. Work by this artist is in the New York Metropolitan Museum of Ar...