Beautiful peonies on a soft pure silk (sho-kinu, 100 percent silk) kimono roll. Hand dyed design (Yuzen zome) went through to the reverse side. The fabric (marked as Tango chirimen) is treated with some new chemical for easier maintenance, wrinkle free, washable (?), etc. Some designs are dyed to be matched for the wider width. Gentle, pale (smoky) purple color, 14 1/2 wide, full roll (enough to make a kimono).

Lifetime edition Japanese shin hanga chuban sized woodblock print titled in kanji and English "Benkei Bridge" by Toshi Yoshida (1911-1995) dated Showa 16 (1941). Pencil-signed at the lower right margin and with the artist's black ink signature and red seal at the lower left corner of the image. Paper: 10 5/8" x 7 3/4" (image: 9 1/2” x 6 3/4”). Very good overall condition with full margins.

Lifetime edition Japanese shin hanga chuban sized woodblock print titled in kanji and English "Supper Wagon" by Toshi Yoshida (1911-1995) dated Showa 13 (1938). Pencil-signed at the lower right margin and with the artist's black ink signature and red seal in the image above. Paper: 7 3/4" x 10 1/2" (image: 6 5/8” x 9 3/8”). Very good overall condition with full margins.

Japanese shin hanga woodblock print by Toshi Yoshida (1911-1995) titled "White Plum in the Farmyard" dated in the left margin 1951. The artists's red seal is at the lower left and the print is pencil-signed in the lower right margin. Early edition likely dating from the 1950s/60s. Paper size: 15 1/2" x 10 7/8" (image: 14 3/8" x 9 5/8"). Very good overall condition. The back margin edge is very lightly distressed. The original 14,000 yen price is in pencil on the back lower right edge.

Japanese shin hanga woodblock print by Toshi Yoshida (1911-1995) titled "Heirinji Temple Bell" dated in the left margin 1951. The print is pencil-signed in the lower right margin with the artist's red seal above. Early edition likely dating from the 1950s/60s. Paper size: 15 5/8" x 10 5/8" (image: 14 1/2" x 9 1/2"). Very good overall condition. There are some tiny printing smudges in the lower left margin. The back margin edges are slightly tacky in a few small spots from the removal of ta...

2 Pice copper coin, Straits Settlements- British East India Company. D: 29mm, weight 19 grams. Free shipping.

100.00 Rare 1787 British East India Penang half cent coin, Balemark series. D: 17mm, weight 4 grams. Free shipping.

A sublime Peking glass water coupe with a carved motif of lotuses and a carp surrounding the object. The water coupe is often part of the group of objects found on a scholar's desk. Age: Republic (c1920). Size: diameter 3.25" height 2.3"

Beautifully hand-carved snuff bottle made from peking glass, a process in which a single colored glass is dipped layer by layer into differently colored glass and then carved into delicate designs. This particular bottle has a slightly yellowish transparent main color, dipped into red glass, with carvings of beautiful flowers and leaves on vines, carried by two robed men, with intricate detailing on their clothing and faces. Topper is made from brass and has 6 imbedded pieces of coral. 19th cent...

A beautiful set of dangling earrings made with antique Qing Peking Glass Green Leopard Guru beads, trade beads and Vermeil beads (silver dipped in genuine gold). These are for pierced ears only. Very exotic, unique and glamorous!

A beautiful pair of dangling earrings made with antique Qing Peking Glass Green Leopard Guru beads (19th Century) and exotic hand made Vermeil beads (silver dipped in genuine gold). For pierced ears only. Unique, striking and glamorous!

A beautiful pair of dangling earrings made with antique Qing Peking Glass Green Leopard Guru beads and hand made exotic Vermeil beads (silver dipped in genuine gold). For pierced ears only. Unique, striking and glamorous!

A beautiful pair of dangling earrings made with antique Qing Peking Glass Green Leopard Guru beads and hand made exotic Vermeil beads (silver dipped in genuine gold). For pierced ears only. Very striking, unique and glamorous!

Red and white Peking Glass Calligraphy Brush with horsehair from the mid 20th century. Irises and bats decorate the handle. It measures 10" long.

Peerless Mount Fuji
Unsigned. Artist not identified.
Date: 1934.
Size: Oban. Approximately 13.75 x 10 inches.
Origin: Issued as a folded insert to an N.Y.K. Line publication called, "Glimpses of the East". The folds are vertical.
Medium: Japanese woodblock print.
Condition: A faint foxing spot at the upper left.
The composition of this print is reminiscent of the Fuji views of Tsuchiya Koitsu.

Peacock in cast bronze and partially gilded shakudo in 2 shades of gold. Japanese work in the style of Miyao around 1900. No signature. Hardwood and boxwood plinth.Good condition, no welding and original patina. Very slight wear, insignificant for a century-old object. The body of the peacock is raven wing black which suggests that it is in shakudo which represented a significant additional cost, the shakudo alloy being obtained by adding gold to copper. Total height about 16cm.

Pink, purple and red glazes mingle on the surface of this Mizusashi water jar by Matsuyama Gae enclosed in the original signed wooden box titled Kujaku-yu Mizusashi and signed inside the lid by the Urasenke Konnichi-an Grand Tea Master, Sen Genshitsu. It is 20.5 cm (8 inches) diameter, 12 cm (5 inches) tall and in excellent condition.
Gae I Returned from China in 1945, where he had been posted for eight years and had studied in depth ancient Chinese ceramics. In 1947 he opened his own k...

Chinese Export coffee cup with underglaze blue decoration of a diaper border and peony, chrysanthemum and aster(?). Qianlong period, c 1760. Height "2 ½ / 6.5 cm. Condition: a 1 cm hairline to the rim (cf. pics).