Japanese antique woodblock print by Utagawa Kunisada I (Toyokuni III) (1786–1864) titled: Night Rain at Hirefuri Peak (Hirefuri-mine yoru no ame): Actors Iwai Kumesaburô III (?) as Ôtomo's Daughter (Sokujo) Wakana-hime (R) and Nakamura Shikan IV as Toriyama Shûsaku Terutada (L), from the series Eight Views of Shiranui (Shiranui hakkei no uchi).

Kunisada was born to a family that owned a ferry boat service allowing him the time and money to devote to art. At an early age, he impre...

Antique Japanese woodblock print in triptych by the artist Utagawa Kunisada (1786-1864) depicting a scene from the Kabuki play "Koharu no Mitsugumi Sakazuki". Here, the outlaw murdurer, Shirai Gonpachi (left) is challenged by the famous otokodate (dashing hero), Banzui Chobei (center and with his traditional brown and white plaid fabric).

Kunisada was born to a family that owned a ferry boat service allowing him the time and money to devote to art. At an early age, he impressed the gr...

Antique Japanese woodblock print by the artist, Utagawa Kunisada (1786-1864) depicting a scene from a Kabuki play titled "Izayoi Seishin". This is the extortion scene where the character, Seikichi (aka Seishin), seen here in traveler's hat, sends his wife, Osayo to ask the lady Ofuji (Shobei nyobo O-fuji) for money. Osayo was once a high ranking courtesan. She is depicted here with her hat pushed back over her shoulders and a comb loose in her hair.
Kunisada was born to a family that ...

Powerful overglaze enamel Iro-E porcelain vase in a form of Katakuchi made by Kunio Watanabe (b. 1967) The mark of the artist is painted on base.

Watanabe's unique approach involves multiple firings, layering gold and silver colors onto the ceramic canvas, resulting in prismatic and vibrant creations. His dedication to this technique led to remarkable achievements and recognition.

Size
Height 12cm
Width 24cm

Condition
No damage
No box
<...

Japanese Edo period woodblock print by Toyohara Kunichika (1835-1900) depicting a street scene in the Yoshiwara at dawn with two cats playing at the lower right. The print is the right panel of a triptych titled "That Romantic Figure (referring to Prince Genji) in the Licensed Quarter at Dawn" (aka "A Related Dawn at the Pleasure Quarter") published by Hiranoya Shinzo in 1863. The print is signed at the lower right "Itto Kunichika ga" and bears the Hori Ota Tashichi carver's seal. Included is...

A charred Ash Glazed Mizusashi water container by Kumano Kurouemon enclosed in the original signed wooden box. Glaze is crisp but grows quite liquid as it drips down the molten form. On the side in bold strokes is written "Sonomamani", or "Just as it is".
A ceramic madman, oil painter and recluse, Kuroemon is as eccentric as his pottery predicts. Born in Fukui prefecture in 1955 Kuroemon was a painter from youth, he began his studies under Fujita Jurouemon in 1976, and moved to study al...

Kukpa Mask from Sherdukpen, Arunachal Pradesh, collected by Eric Chazot, 7.5 inches, 19 cm.

KUGUTSU

Mask part of primitive wooden puppet as the original form transitioning to Ningyo Joruri (Japanese puppet drama) called Kugutsu. Edo period (1603-1868). approx. 14.3 x 19.5 x 6 cm (5.62 x 7.67 x 2.36in). In such damaged condition in the fire in the later years (so that stained with soot when touch).


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An elegant porcelain incense burner of draped form by porcelain master Kubota Yasuyoshi enclosed in the original signed wooden box titled Seihakuji Ryusen -mon Koro. It is 15.5 cm (6 inches) to the top of the finial and is in excellent condition.
Kubota Yasuyoshi was born in Hitoyoshi, Kumamoto on the Southern Island of Kyushu in 1952. He was awarded top prize at the Yamaguchi Ceramics Exhibition in 1982, and since has been awarded at the National Ceramics Exhibition as well as the Nati...

Kuba Caucasian Wool Handknotted Carpet, good design and coloration, running dog border, 44"W 74"L, old restoration, age wear, pre 1920s.

porcelain kuan-yin enameled in iron red and copper green. Green enamel has an unusual iridescent metallic appearance that seems to be peculiar to an era or a production site. The statuette is made in a mold in 2 parts, the joint is visible below. The unglazed parts, at least the base, were covered with lacquer and gold which have disappeared leaving only traces (look photo). I attach the picture of a Guan-Yin with similar green. Usual wear. Good condition. Hight about 7 cm H: 86mm

Kozuka shibuichi inlay with gold and silver. I think ,with this large hat and sword that's Chokki the Oni hunter.The reverse striped simulating rain what would explain the large hat? Signed on side. Excellent quality. Excellent quality.Probably Meiji period. It would be necessary to find the name of the artist to date with certainty, I did not do it but I can do it on request. Fine condition. About 100x15mm.

Kozuka representing pumpkins and its leafs.Bronze inlaid with shakudo , silver, copper and gold. Some part gilded. No signature. About 100 x 15 mm Edo period. 19° or earlier?

Kozuka in sentoku inlaid with silver, gold plated strip (not gilded) details inlaid in solid gold. This is one of the 24 Chinese legends on filial piety, that of Mo-So who brings a tasty bamboo shoot to his old mother in the middle of winter. Kozuka of good quality but faded from having been worn. Part of the silver beard missing. Edo period 19th century or earlier. It would be necessary to find the name of the artist to date with certainty, I did not do it but I can do it on request. Size 1...

Iron kozuka inlaid with a bronze or brass paddle wheel and waves.Details in silver. Simple but powerful good work. It reminds me of the Onin style tsuba. This kozuka seems to me very old 18 ° or before. Its simple appearance while being of good quality, its solidity makes me think that it was not made during the peaceful and sumptuous Edo period but before during the agitated war period of Muromachi. Dimensions about 100x15 mm

Kozuka in sentoku inlaid with silver and gold butterflies. Length 95mm. Edo period.

Kozuka of good quality.Shibuichi inlaid with silver, gold shakudo and sentoku. Cockfighting and a Chinese person. curiously no signature. About 100x15mm Good condition. 19th century or earlier.

Certainly Choki the devil hunter emptying his sack, it is funny to see the three devils captured and emptied from the sack depicted on the inner side of the kozuka, so the artist has cleverly increased his reading page using the reverse side as well.Many goldsmith techniques used. Partly golden. Sentoku silver and solid gold inlays. Probably Meiji period late 19th century. It would be necessary to find the name of the artist to date with certainty, I did not do it but I can do it on request. ...