Representation of a print by Kiyonaga in silk embroidery. Some parts are silk velvet, some are woven, some are embroidered. Some details are finely traced in ink. Beautiful finely executed embroidery work. Good condition fresh colors, no restoration. This kind of work is rare, especially of this high quality. Japan probably Meiji, around 1900. Mounted in a wooden frame which appears to be from the same period. 85 x 37cm

Japanese Musha Ningyo of Jimmu, the First Emperor of Japan, made by Beishu. Beishu has Mukei Bunkazai status (Important Intangible Cultural Property). His Shoki shows great craftsmanship, with silk hair, glass eyes, gofun face and hands, with sumptuous silk brocade. This magnificent sculpture reaches the level of the master work of Beishu, whose work is found in museums and important collections of the Showa Period in Japan. Signed and dated 1960. 20 inches (51cm) high.

Japanese woodblock print of a nude kneeling woman combing her hair, titled " Combing in the Bath" by Torii Kotondo (1900-1976). From his "12 Aspects of Women" series. Signed with red chop, and publisher's seals in left margin. With original storage folder.

Dimensions: 12" W x 19" H (entire print) 10 1/4" W x 16 1/4" H (artwork only)

Japanese woodblock print of a robed geisha emerging from behind a red cloth noren, titled "After the Bath" by Torii Kotondo (1900-1976). From his "12 Aspects of Women" series. Signed with red chop, and publisher's seals in left margin. With original storage folder.

Dimensions: 13" W x 19" H (entire print) 10 1/4" W x 16" H (artwork only)

Japanese woodblock print of a geisha holding a fan against a blue ground, titled "Summer Geisha" by Torii Kotondo (1900-1976). From his "12 Aspects of Women" series. Signed with red chop, and publisher's seals in left margin. With original storage folder.

Dimensions: 13" W x 19" H (entire print) 10" W x 16" H (artwork only)

Japanese woodblock print of a geisha applying red pigment to her lips in front of a mirror. The print is titled "Rouge" by Torii Kotondo (1900-1976). From his "12 Aspects of Women" series. Signed with red chop, and publisher's seals in left margin. With original storage folder.

Dimensions: 12" W x 19" H (entire print) 10" W x 16" H (artwork only)

A mid century Japanese single section Kimono chest called Isho Tansu made entirely of Kiri (Paulownia) wood. All original hand made bronze hardware. With 2 sliding doors that cover a large storage area, 3 small side by side drawers and 2 large drawers below. Side handles allow for moving this tansu from place to place. Constructed using hardened wooden nails and Japanese joinery.Age: Showa Era (1960's)

Dimensions: 33 7/8" Wide by 37" High by 16 7/8" Deep

Japanese open shelved cha tea chest wih with sliding, hinged, and drawer compartments. 4 staggered for display and ease of tea ware. Fine silver scrolling vine detail quietly frames the pieced. Original condition and finish. Age First quarter of the 20th Century

Dimensions: 42" w x 48"h x 13 1/2" deep

Japanese mingei water wheel of hinoki wood. Constructed with iron nails, joinery, complete with 17 spokes and paddles with kanji characters. The central hub has an iron piston protruding for rotational function. The wheel comes with a contemporary custom steel mount which allows it to spin smoothly and silently.

Meiji Period (1868-1912)

Dimensions: 64 1/2" wide diameter x 9 1/8" deep (paddle)

Beautiful Okinawan uchikui which is a furoshiki (wrapping cloth) with cherry blossom design. The dye technique is tsutsugaki and bingata-zome which is traditional Okinawan dyeing technique adding colorful vegetable color or pigment. Uchikui is dyed with either tsutsugaki or katazome (stencil-resist-dye). Uchikui is used for not only wrapping but also covering gifts. This uchikui is two panels sewn together. Wefts are choma (ramie) and warps are cotton. Uchikui has same family crest in the last p...

Antique Japanese 2-section choba tansu (merchant's chest) from the Gifu area. Made of hinoki wood with extensive horizontal slats on the sides. The top section has sliding panels with horizontal slat over two small interior drawers. The bottom section has a long drawer over another sliding panel compartment also with horizontal slats. Below this is a series of 4 drawers of various sizes and, on the right, a small safe door covering two small interior drawers. Hardware includes round lock ...

Takamaki-e and kirigane lacquer kobako box depicting two samurai entering an enclosure. Four guards block their access. The side is decorated with cherry blossoms in maki-e lacquer on a fundame background. Interior in nashi-ji lacquer.

Japan - Edo period (1612-1868)
Height: 0.4 in / 1.5 cm - Width: 1.97 in / 5.3 cm - Depth: 1.97 in / 5.3 cm

Hanging bronze (銅掛斜生, dô kakenanaike) depicting a hawk, placed on a branch. The inside is hollow so a bouquet a flowers can be put inside and thus, serve as a vase.

The eagle is considered the king of birds. Its tail feathers are said to be the best feathers for an arrow. It is said that they were given to the imperial court and to the shrine of Ise (Mie prefecture), one of the most sacred places of Shinto.

Japan – Meiji era (1868-1912)
He...

Rectangular kobako box in takamaki-e and kirigane gold lacquer circled with pewter depicting a lake landscape. Inside and back of the box in nashi-ji lacquer.

Japan – Edo period (1612-1868)
Height: 0.8 in (2.6 cm) – width: 2.4 in (6.7 cm )– depth: 3.1 in (8 cm)

Ivory netsuke of a group of three compactly intertwined monkeys, the smallest holding a longevity peach against him. Their eyes are inlaid horn. Their coats are carefully incised and their fingers are finely sculpted. Natural himotoshi through one of the legs.
Signature on the right flank of the largest monkey, in an unidentified rectangular reserve.

Japan - Meiji Era (1868-1912)
Width: 0.8 in (2.5 cm) - Depth: 1.6 (4 cm) - Height: 1.6 in (4.5 cm)

Round ivory kôgô box with shibayama technique, inlaid with gold and pewter or silver lacquer. Lake decoration in two cartouches on the side and the top of the kôgô, surrounded by rinceaux.

It could be the representation of views of Ômi, around Lake Biwa (present Shiga prefecture). The temple on the rocky mountain is probably the Ishiyama-dera, built around 762 A.D. in Ôtsu. It is part of the Kansai Kannon pilgrimage circuit. It is said that Murasaki Shikibu started to write Th...

Quadrangular kobako box decorated with flowers in gold and blue lacquer with aogai inlay. Lid and sides in fundame lacquer, underside and interior in nashi-ji lacquer. Inside, a removable tray with gold fundame borders. Fitted with two gripping rings.

Provenance : Docteur Mène collection.

Doctor Édouard Mène (1833-18..?) was a doctor and vice-president of the Franco-Japanese Society. As great connoisseur of Japanese art, he began collecting Japanese objects such as a...

Japanese Genroku Period Imari Tokkuri sake bottle in 4-sided rectangular form. From the early 1700's. Blue on white porcelain base with red and gold overglaze enamels in a floral design. 10 1/2" tall by 4 1/4" by 4 1/4".