A beautiful and very detailed woodblock print by Japanese artist Ohara Koson (1877-1945) of two herons standing in water with leaves and branches in the background, slightly obscuring the view of a bright crescent moon amongst a beautiful night sky, fading from darker tone blues into icy tones. The herons' feathers are actually embossed into the woodblock and have many other detailed features, such as the scales and claws of their feet and the gleam in their eyes. The style of this print is call...

Wonderfully detailed print of snowy herons huddled together in the water by Japanese artist Ohara Koson (1877-1945). This is a shin-hanga style of print, a revitalization of the traditional ukiyo-e style, which means "pictures of the floating world", popularized during the Edo period in Japan (17th-19th century). The background of the print fades beautifully from the icy grey and white toned sky into the gorgeous blues of the water. The herons are amazingly detailed with their feathers actually ...

Japanese print of a seated Buddha by the artist Shiko Munakata (1903-1975). A member of the sosaku-hanga movement and the mingei folk arts movement in Japan. As a young artist, Munakata was influenced by Vincent Van Gogh and studied oil painting. Later he was inspired by Buddhist religious imagery which became the main subject matter of many of his prints. Munakata's house and most of his woodblocks were destroyed in the American firebombing of Tokyo in 1945. This print is signed and stamp...

Japanese woodblock print of a sunset over houses. The sky is bright orange and yellow casting purple shadows on the tiled roof wall around a compound of rural houses. Signed in pencil by Katsuyuki Nishijima (born 1945) and number 34 in series of 500. Has red oval seal indicating early works. Unframed.

Age: Late 20th century

Dimensions: Paper size: 13 3/4" high x 18 1/8" wide

Japanese woodblock print of an alley between houses in old Japan. A small shinto shrine stands outside a wooden kura door. Executed in shades of grays and blues. A sense of depth is created by the light at the other end of the alley. Signed in pencil by Katsuyuki Nishijima (born 1945) and number 23 in series of 500. Has oval red seal indicating early works. Unframed.

Age: Late 20th century

Dimensions: Paper size: 13 1/2" high x 18 1/8" wide

Untitled woodblock print of a mountain village and two figures by Jun-ichirô Sekino (1914-1988). A monochromatic rural scene depicting a row of buildings against a backdrop of trees. In the foreground is a man with net and a boy carrying two buckets on a pole across his shoulders. A lovely example of Sekino's interest in patterns (especially rooftops) combined with his appreciation for people in their familiar surroundings.

Jun-ichirô Sekino traveled widely, not just throughout ...

Woodblock print of a maiko. She sits in profile, dressed in a flowing kimono decorated with a colorful fan motif. Here ornate obi is embellished with details in gold leaf. In the background is a design of waves in blue and white on a dark gray ground.

Jun-ichirô Sekino traveled widely, not just throughout Japan but also in America, Mexico, Africa and Europe. He started making woodblock prints early in his middle school days and was prolific until his death in 1988 at age 74. He...

Japanese woodblock print of a traditional store front with a red noren and large sign characters over a tile roof. Signed in pencil by Katsuyuki Nishijima (born 1945) and number 453 in series of 500. Has the oval red seal indicating early works. Unframed.

Age: Late 20th century

Dimensions: Paper size: 13 3/8" high x 18 3/8" wide

Title: Mountain Temple and Snow
Artist: Not known.
Print size: Approximately 5.675 x 3.5 inches.
Date: 1950s-60s
Publisher: Watanabe Shozaburo.
Print is tipped along its top edge to original blank card.
Medium: Japanese woodblock print.
Condition: Excellent.

Artist: Unidentified
Title: Miyajima
Print size: Approximately 5.75 x 3.75 inches.
Date: 1950s-60s
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Condition: Top margin edge slightly toned.

Japanese print entitled "Last Supper" by Sadao Watanbe. Sadao Watanabe (1913-1996) was part of the Mingi (folk art) movement in Japan which involved the use of natural materials. Watanabe's early boyhood job as a textile dyer has influence his work greatly. He used organic mineral pigments with a soybean milk binder (katazome) on hand crumpled paper (momigami). Watanabe's upbringing as a Christian is the main influence of his subject matter. This print depicts the scene of the Last Supper from t...

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting the actor Iwai Hanshirô VII in the role of Koman from the series "Actors at the Fifty-three Stations of the Tokaido." This image is Station 48: "Seki" published by Sumiyoshiya Masagoro in 1852/3. Very good color and impression quality, with fine delineation of the hair not apparent in the images. The date and censor's seals, carver's seal, and signature of "Toyokuni ga" (in a red cartouche with yellow snow) ...

Japanese woodblock print depicting a beauty lighting a floor lamp titled “Kakinomoto no Hitomaro” (image no. 3) from the series “One Hundred Poems by One Hundred Poets” (Hyakunin-isshu Emyo) by Utagawa Kunisada (1786-1865) published by Sanoya Kihei in 1844. The image is signed “Kunisada changing his name to Toyokuni II” with the red Toshidama seal below. The two cartouches in the shape of playing cards at the upper left hold a picture of a poet and his poem. The scroll-shaped cart...

Illustration of a scene from the Noh theater titled “Ohara Goko” by Kogyo Tsukioka (1869-1927) from the series "One Hundred Noh Dramas" published by Daikoku-ya in 1923. Very good impression quality with silver and gold metallic highlights and extensive embossing on the blue robe. Standard vertical oban print measuring about 14 7/8"V x 10"H. Very good overall condition. There is a slight wrinkle in the paper at the upper right corner.

1936's Japanese Kawase Hasui Woodblock Print "Mt. Fuji Narusawa Late Autumn" with 7.1 mm Watanabe Seal

It is 15.5 inches (39.37 cm) tall by 10.6 inches (26.92 cm) wide.

One of its top edge is glued to the paper backing. It also has fading and discoloration (as seen in the photos).

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Woodblock print by artist Ted Colyer, born 1947 in Nova Scotia, Canada. He graduated Fine Arts at Mt. Allison University and studied in Japan to perfect his woodblock techniques, where he remained for 17 years before returning to Canada. He became a professional artist in 1975 while residing in Japan. This woodblock, titled "Interior" dates from his first year as a professional artist and depicts a room with a central fire pit and tea kettle hanging above it. The print is embossed to resemble tr...

“Kinokuni Hill and Distant View of Akasaka Tameike” from the series “One Hundred Views of Famous Places of Edo” by Ando Hiroshige (1797-1858) dated 9/1857. The print depicts the forward guards of a daimyo procession with the houses of Akasaka district in the background. The print measures 13 5/8”V x 9 3/8”H (image: 13 ¼”V x 8 5/8”H). Signed within a red cartouche at the left. The title and subtitle cartouches are at the upper right. The seal of the publisher Uoya Eikichi is...

Japanese sosaku hanga woodblock print depicting a pavilion on Peony Point (Botan-dai), Pyongyang, Korea and is No. 28 from the series "One Hundred Views of New Japan" by Hiratsuka Un'ichi (1895-1997). The artist's red ink Hiratsuka Un'ichi seal is at the lower right. The black ink title and artist's red "Un" seal is at the upper left. Known to date to 1940. Paper size: 9 7/8" x 12 5/8" (image: 8 7/8" x 11 7/8"). This print was never framed and is in very good overall condition. The upper right...