A nice assortment of old Chinese beads. Size: See last photo.

DESCRIPTION: A very elegant and complete porcelain Noritake dinnerware set for twelve in the Camillia pattern, having intricate hand painted gilt designs with medallions and floral swags against white porcelain. The set includes twelve dinner plates, luncheon plates, large and small bowls, salad plates, and cups and saucers. Serving pieces include a creamer, sugar, gravy boat, covered tureen, two vegetable dishes and a platter. This mid 20th century set is in remarkable, excellent condition ...

A nice assortment of twelve ancient square gold beads each one having a special meaning. Ancient gold beads are made from natural occurring gold which makes it an original old item. Will make a beautiful necklace. Weight:54.65 grams. Size: See last photo.

A carved wood figure of a wandering priest, robes billowing in the wind, his large straw hat full of holes, signed Yasuchika on the back. Dating from the late Edo to Meiji period, it is by a member of the Tsuchiya Yasuchika lineage. The figure is 31 cm (12 inches) tall and in excellent condition, complete with walking stick.

Rare boxwood netsuke depicting two turtles. This netsuke beautifully captures the moment when the baby climbs onto the mother's shell, conveying a feeling of security and family bond. Signed Shunsui 春水 in an oval reserve under the base. Origin: Japan Period: Edo 19th century Dimensions: 2 x 3.5 x 3cm. State of conservation: Very good

A Japanese sake ewer (kurojoka) shaped as a minogame (mythical tortoise with a tail that symbolizes long life) covered with mottled brown, gray and yellow glaze, probably from Satsuma province in southern Kyushu Island.

Kuro (black) joka is a container that is used to heat "shochu" wine which is made from sweet potatoes. Shochu, started in Kagoshima area has been a cheaper wine for common people. It is different from "sake" wine which is brewed rice wine. Recent trends show the nation...

Pair of high content silver, pre-owned, Turkmen forearm cuffs, with inset carnelians. Very heavy, these are 310 grams each or 620 grams total. Inner circumference sizes are: 17.2cm and 19cm on and 17.9m and 20cm on the other. These can be presumably be adjusted silversmith or someone with just a good grip!

Antique pair of Turkish square side tables with elaborate mashrabiya openwork on the sides. This traditional Islamic lattice work is the same that is used on mashrabiya balconies, an architectural element used to help cool the upper floors of buildings. The tops of the tables are inlaid with mother of pearl with a star form in the center and bands of geometric tessellations on the exterior border.

Age: 19th century

Dimensions: 23 1/2" high x 21 1/2" wide x 21 1/2" deep

Exceptionally rare baby blanket from the Tujia weavers of Longshan County, Hunan Province, China. I have been looking for one of these for years and this is the first complete blanket I have ever found, albeit the lower two border panels come from a different piece. This incorporates the unique white tiger motif (see enlargement #3) which is believed to give the baby protection. For the Tujia the white Tiger is a totemic ancestor deity. The central panel has some holes and has unrav...

TSUTSUS

Unique and scarce aggregate of old conic tubes of Japanese yuzen dyeing tool made of ‘washi’ paper coated in ‘kakishibu’ persimmon tannin called ‘tsutsu’ used for squeezing starch out, and its original wooden molds to make its tsutsu itself. Showa period, early-mid 20th century. Large tsutsu: 19 cm (7.48in), Large mold: 29 cm (11.41in)


selected by Jinta




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A medium sized ido-gata (well shaped) tea bowl with exceptionally fine and beautifully crafted kintsugi gold repairs. One side of the bowl features a thickly applied ferrous glaze that pools generously near the base, while the pale green ashen glaze on the outside is decorated with impressed textured patterns. Very firmly grounded, the kodai (foot) shows the reddish clay that the piece is fashioned from and the potters seals on the base appear to read “sho” (star) “zen” (having the natur...

This is his Tsutsugaki item, which is impressive with its very surreal pine and bamboo designs drawn in Tsutsugaki during the Edo period. The young pine tree in the center of the picture is drawn in an unbelievably large and surreal manner, and the bamboo, which is also impossibly deformed, is drawn in the background. This is quite an unconventional item among the indigo-dyed items of the Edo period. There are three areas that have been repaired, but the discoloration is slight and not noticeabl...

Tsukioka Kogyo (1869-1927)
Quails and Full Moon
Date: 1900 or earlier.
Size: Shikishiban. 9.75 x 9.25 inches.
Publisher: Matsuki Heikichi (Daikokuya).
Sealed.
Edition: First/early.
Provenance: Purchased from family who acquired in Japan on a 1900 world tour.
Woodblock print is adhered to board.
Condition: Edge toning. Minor marks.

Tsukioka Kogyo (1869-1927)
Ships in Harbor
Date: 1900 or earlier.
Size: Shikishiban. 9.75 x 9.25 inches.
Publisher: Matsuki Heikichi (Daikokuya).
Signed.
Edition: First/early.
Provenance: Purchased from family who acquired in Japan on a 1900 world tour.
Woodblock print is adhered to board.
Condition: Edge toning. Minor marks.

A deep black glazed bowl perfect for winter tea by Tsukigata Nahiko enclosed in a wooden box annotated by his student and titled Seto Guro Chawan. The subtleties difficult to discern, there are two distinct colors of black, with shiny, and one matte. It is 4-1/2 inches (11.5 cm) diameter, 3-3/4 inches (9 cm) tall and in excellent condition.
Tsukigata Nahiko (1923-2006) was not only an accomplished ceramic artist, but also a painter, calligrapher, sculptor and musician. Born in Niigata pr...

A double gourd shaped covered water jar by Tsukigata Nahiko enclosed in the original signed wooden box titled Oni-Shino Mizusashi and inside named Robai-ju (Robai is a type of early blossoming plum, Ju is ball). It is just under 7 inches (17.5 cm) diameter, 6 inches (15 cm) tall and in excellent condition.
Tsukigata Nahiko (1923-2006) was not only an accomplished ceramic artist, but also a painter, calligrapher, sculptor and musician. Born in Niigata prefecture, he was at Waseda Universi...

One of the best I have ever seen by him. A metallic Shino Chawan by Tsukigata Nahiko enclosed in the original signed wooden box titled Oni Shino Yohen O-Chawan and named inside Rokugo (also read Rikugo) which is something to do with the ancient concept of the tertiary levels of heaven and earth. Rokugo is outside the Human realm, the universe, the heavens. It is 5-1/2 inches (14 cm) diameter, 4 inches (10 cm) tall and in excellent condition complete with silk pouch and double wood black lacque...

This extraordinary mizusashi is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama kiln, the iron in the clay and in the glaze fuses, drips, and coalesces—while at the same time blending with the...