Chinese late Qing dynasty rectangular form lacquered wood scholar's desk tray or serving tray, each side with two long pierced openings to the upright walls, each corner with a low raised foot. Late 19th to early 20th century. 13 1/8” x nearly 8 3/4” x 1 1/2” high. Very good, solid overall condition with minor separations in the wood. From the estate of Gerhard Lohmeier, a Diplomat at the German Embassy in Beijing from 1985 to 1989.

Chinese late Qing dynasty square form lacquered wood scholar's desk tray or serving tray with narrow raised edge inlayed with a mother-of-pearl design featuring flowers and leafy vines. Late 19th to early 20th century. 12 1/4” square x 5/8” high. Good, solid overall condition. There are some losses to the inlay, a few separations in the wood, and some small traces of what appears to be adhesive residue by some of the inlay...

A Well Modelled Bronze Figure of Liu Hai. The youthful Immortal standing with long flowing sleeves and his right foot resting on a double gourd from which issues a twisting trail of smoke. Dangling a string of cash in front of his three legged toad which is held in his left hand. A hole above his back for incense. Chinese Late Ming. Height; 4 1/4″ (10.7 cm). Condition; excellent, good patina. Liu Hai is a Daoist immortal who kept a three-legged toad as companion. The...

Unique cricket box with glass front, wire mesh cover and copper repoussé image of crickets and “Eight Horses-八駿全圖 ” after the style of China’s most famous 20th century artist Xu Beihong -徐悲鴻. Hand crafted this is a charming and functional vintage piece from the 70s or 80s. L: 11cm/4.6in W: 4cm/1.6in and H: 6.5cm/2.6in

Chinese late Qing to Republic period guanpixiang table-top chest with a mansard-style hinged top that lifts to expose a single shallow tray above a pair of doors opening to five drawers with metal pulls all upon an attached base. A circular lockplate with ruyi-form clasp is on the front. Two side carrying handles. These chests were typically utilized by men to hold seals and related accessories while women were known to use them for cosmetics storage. Early 20th century...

Soapstone pot. Sculpted decoration of a landscape animated by characters. In certain places, openwork crosses the walls. The cylindrical pot rests on three feet carved from the mass, it is covered with an openwork wooden lid, topped by a soapstone grip representing lotuses. It is possible that it is an incense burner, which would explain the presence of the Openworks for the evacuation of smoke and good ventilation, put into operation it has a very nice effect...

The base is made up of several small wooden parts finely cut with flowers, scrolls and Greek motifs. The majority of the wood is dark brown, almost black, small inserted panels are made of boxwood, the barriers are made of bone. These barriers were tinted green, a color today almost completely erased by light and time, however more pronounced shades of green remain in the most sheltered places. This barrier is carved with plum blossoms, bamboo stems and pine needles...

Black lacquer box finely incised with motifs of birds, dormice, vines and flowers, the golden designs stand out pleasantly against the black background with discretion. This Chinese lacquer technique called Ch'iang Chin is very old, it consists of making slight incisions on the dry lacquer then filling them with gold powder mixed with fresh lacquer for good, lasting adhesion...

Antique Chinese jade water coupe in the form of a duck. Carved of pale green jade with detailed feathers and scrolling archaic motifs. On a small wooden base.

Age: 19th century

Dimensions: 2 1/8" high x 3 1/4" long x 1 7/8" wide

Beautiful small Qing Dynasty Ding censer with glaze emulating bronze, ideal for the scholar’s desk Perfect original condition, there are couple of small areas on a side handle where the glaze did not take- just minor firing imperfection. H: 5cm/2in and D: 5.7cm.

A pair of rare 19th C Chinese hand carved hardwood, possibly Hong Mu wood, Scholars desk trays in a large lily pad leaf design with flower heads. Each being slightly different, one has a bird’s head and the other a nice protruding stem between the flower heads, they were made to be displayed together. These were finished with a mix of beeswax and a few other natural concoctions the Chinese used to seal the finish and give it a great mellow sheen...

Chinese Scholar’s two-tier solid rosewood stand with carved boxwood edges. Produced in the 1950s, this is actually a copy of a 17th - early 18th century style that was made of zitan and edged in boxwood. A strong stand that will hold your heaviest object, the pieces were machine made with rough carvings, hand assembled (pegged and glued), and then hand finished and polished. In excellent condition, the stand measures 12” long x 7.25" wide x 4” high.

Chinese hardwood ruyi scepter carved in the shape of a stylized lingzhi. Decorated with writing and designs of fruit, bats, fish, lingzhi mushrooms and other symbols of good fortune. Ruyi scepters were used by the noble class to hold or display as a symbols of power and good fortune and they were used by Buddhist monks in teaching...

Special Offer- free shipping! Lovely Japanese presentation or tea tray, made from a naturally hollowed out section of the bottom of a tree trunk “cat face”. This should be mid 20th century. I think it would make a stunning planter (see enlargement #9). D: 28cm/11in and H: 17cm/6.8in.

Pair of Tiele (Chinese Ironwood) Weiqi boxes, carved from solid wood. Weiqi was the forerunner of the Japanese board game of Go, and one of the Four Arts, that someone from the "gentleman class" were supposed to know. These boxes are used to put the stone pieces in. There is cyclical date which probably doesn’t go further back than 1972 therefore they could be 1984, 1996, 2008, 2000, 2012...

Large Chinese Qing dynasty naturalistic form wood scroll pot carved from a single piece of wood with human figures, a monkey holding the peach of immortality, and other creatures extending around the exterior. It was clearly not designed to hold water as there are openwork areas throughout. The top reveals two separate holders. An inset wood plug is at the base. 19th century. 10 7/8” high x 8 3/4” across at the widest part of the rim (base 7 1/2" across at the widest part); weighs 4 lbs...

Chinese Qing dynasty rectangular form hardwood display stand with inset top, short waist with fine applied carved decorative elements, and apron carved with a horned monster head at the center. The four elephant-head form cabriole legs are attached by the curling trunk to a humpback stretcher raised on short tab feet. Woods are mixed with the apron, legs, and stretcher possibly zitan wood. 19th century or earlier. 11 3/4" wide x 8 7/8" deep x 4 3/4” high; weight: just under 2 lb. Minor crack...

Bamboo pot carved with several characters from Chinese mythology evolving in a raised garden. One can easily recognize Shoulao, god of longevity, accompanied by his deer and holding the peach of immortality in his right hand and his stick in the left. The deer holds in its mouth a Lingzhi mushroom of immortality. The work is important, the sculptures do not have the perfect but cutesy aesthetic of the 18th century and would suggest that this pot is a late popular clumsy creation. However the cha...