Statue of a Taoist deity ("fashi"), in formal attire, sitting on a throne, holding his commandment baton in his right hand and a bowl containing the lustral water in his left. Wood, coated with traces of polychrome painting. Votive box at the back, lid missing. China, early 19th century, maybe earlier. Height: 20.7 cm. Abrasion due to age otherwise very good condition.

17th/18th C Chinese hardwood carving of Quan Yin. Beautifully carved with nice elegant lines, this statue has a wonderful patina than only comes with time. In very good condition there are a few age cracks which do not affect the integrity of the piece. There is some glue residue on the bottom where she was attached to an old lamp base. Measures 11.5" high, 4.75 inches across, 3.75 inches deep

Statue of a Taoist exorcist ("yingong"), in formal attire, sitting on a throne, holding his commandment baton in his right hand and a bowl containing the lustral water in his left. Wood, coated with polychrome painting. Animal hair used to represent the moustache and the beard. Votive box at the back, lid missing. China, early 20th century. Height: 25 cm. Painting partly flaking, otherwise very good condition.

Taoist statue of a Judge in Hell, sitting, in formal attire, his hands joined together. Votive box at the back, now open. Wood, with traces of lacquering and polychrome painting. China Qing Dynasty, 19th century. Height: 18 cm. Abrasion due to age, otherwise very good condition.

The sculpture is of excellent quality. The Kouanyin is represented seated in a position of royal relaxation. Very heavy wood is covered with several coats of paint. The details are finely incised but are almost all covered by the paintings. The hand was made apart. The expression of the face is calm, attentive and benevolent. The movement of the fabrics is elegant.Traces of textiles.Yuan style but I am not able to certify the authenticity because there are so many copies...

Statue of crowned Amithaba Buddha, in formal attire, sitting cross-legged on an elevated throne, his hands in dhyana mudra (meditative posture). Wood, with remnants of lacquering and gilding. China, early Qing Dynasty, 17th/18th century. Height: 34 cm. Chip on top of crown, abrasions, otherwise very good condition.

An unusual and charming votive image of carved wood depicting Guanyin seated in her grotto on Putuo Island with the secondary figures, the Dragon Maiden and Sudhana attending her on either side. Above a small grotto with the seated image of a Buddha and flanking it on both sides are the four popular companions from the Journey to the West (Xiyou ji), the monk Xuanzang, Sandy, Pigsy and Monkey. In the water below a pair of nagas and a large fish...

Bamboo Poutai. Very finely carved. The artist knew how to make all the emotions and characteristics of the character. The delicacy of the movement of the hands slightly retracted in a precious attitude, the joy of the laughing eyes wrinkled with enjoyment, the softness of the mouth. The sympathetic fatness of the neck...

Ming Dynasty Chinese Wood Sculpture of Emperor and Empress. Purchased from Askenasi in Paris in 1978 by Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs. 8.5 x 5 x 2 inches, 21.5 x 12.5 x 5 cm.

A finely carved Chinese boxwood statue of the Tang poet Li Bai. Dressed in official attire with a scroll in his right hand, Li Bai appears to be deep in thought as he strokes his beard. Attached to a wooden base, it measures 9.5 inches high as pictured. Base measures 3.5” square. Condition is excellent. Dates circa 1900.

The Bodhisattva Guanyin, executed in fragrant camphor wood. Made in two parts. H. 32 cm. China, Ming Dynasty (1368-1644). Remains of lacquer and gilding.

Statue of a Taoist deity, in formal attire, seated on a throne. Wood, decorated with polychrome pigments. Small votive box at the back. China, Qing dynasty, end of 19th century. Height: 22.7 cm. Traces of candle soot on the front, old insect attack beneath (no danger), otherwise good condition.

Carving made from the root section of a bamboo stalk, with the tell-tale circular markings on the back of the head and back of the garment. A general, possibly Guanyu, sitting on a elevation or dais with a closed folding fan in the hand. China, Qing dynasty, 19th century.

H 6.75 in., W at bottom 4.75 in.

Few unobtrusive material cracks, as common in bamboo, few tiny dents in fan, material irregularities, all in all excellent condition

Provenance: From the collection of Richard S...

A good Chinese boxwood carving of Budai. Three children clamor over him. A bat appears on his right hand. Bone and horn inlays detail his eyes and teeth. Rich, mellow old patina. Nice grain figure in places. Late Qing to early Republic. Ca 1900. Very good condition with typical minor distress checks in the old hardwood surface. Remnants of old label. Height, about 4 5/8 inches high.

A pair of antique Chinese architectural spandrels hand carved in high relief from Elm wood in a reticulated design using polychrome natural color pigments. The left panel features a monkey, a fu dog and a parrot while the right panel shows a pair of cranes and a mother deer with its fawn...

Gilded wood. Guanyin sitting on a lotus throne, placed on an altar. the back plate decorated with mythical creatures. H. 39 cm. Condition: expected age wear.

Charming and unusual set of antique Chinese hardwood nesting stands, carved with bamboo features on legs. They can all fit inside each other to make a trim profile, with darkened finish. circa early 20th century.

Chinese Carving candle holder attendant, mounted on a gilt bronze French ormolu base. The heavenly attendant has original polychrome pigments of red, green, brown and beige and holds a long staff connected to the brass candleholder.

Circa 18th/19th century

Dimensions: 7" W x 5" D x 20" H