A spending antique Chinese Kwan Yin sculpture made in the late Ming Dynasty. Kwan Yin or Guanyin and Avalokiteshvara is the Bodhisattva of compassion. Here she stands samabhanga on a simple base with robes flowing and clinging naturally over and to her long, slender body. Her feet peek from beneath her robes.

Her hands are held with her thumb and middle finger touching in the vitarka mudra of teaching. Her hair is piled high on her head. Her gaze serene and slightly downcast...

Special Offer- reduced from $350 to $250. Good Ming sancai (three colored glaze) horse, in excellent condition- some loss to black pigment on mane and tail but glaze is 100% intact and no fritting and no chips or cracks to the body. H: 26cm/10.2in and W: 30cm/11.8in.

A rare Chinese painted grey pottery figure of a recumbent dog looking up expectantly. Most of the original ochre pigment remains and it has a white stripe to the front. 16cms. long, Northern Qi dynasty, 6th century AD. Provenance: The collection of C...

Statue of Kuan Yin, wearing diadem and formal dress, holding a lotus bud in her right hand, sitting in "regal repose" on a elevated double lotus throne. Bronze, with fine reddish-green patina. China, Yuan/early Ming Dynasty, maybe earlier. Height: 12.9 cm. Very good condition. A rather rare piece in this form.

Tang Dynasty, high fired, white clay, statue of a court advisor. H: 25cm/9.8in. Good condition. FREE SHIPPING!

Pair of cast bronze cranes. The birds are fixed on rectangular bases, they carry a vase on their back and a ball in their beak. Sometimes these birds hold in their beak a flowering stem which ends in a candle holder, but here, examination with a magnifying glass reveals neither fracture nor grinding, it would seem that they are simply balls.Is this related to the funerary practice of placing a ball in the mouth of the deceased? A scholar must surely know what it is...

Statue of Guanyu, the general of Liu Bei, which was transformed into the famous Guangong, the Taoist God of War. Guanyu is shown here in full military garb, with helmet and armor, sitting on an elevated throne. Votive box at the back, still closed. Wood, with remnants of superimposed painting, lacquering and gilding. China, 19th century. Height: 24.7 cm. Painting and lacquering partly flaked, otherwise very good condition.

Statue of a snarling lion holding a smaller lion under its front paws, resting on a rectangular base. Bronze, with fine dark green patina with reddish areas. China, Ming Dynasty. Length: 6.7 cm. Height: 5.7 cm. Very good condition.

A Ming cast-iron figure of Vairocana, the Dharmakaya Buddha, the most important of the Five Dhyani Buddhas, the one from whom the other emanate from; his name means "luminous" or "embodiment of light”. He is sitting on a lotus throne, holding his hands in Abisheka Mudra (consecration gesture). On the back side there is a dedication: donated by the Li family. Ming Dynasty, 1368–1644. H. 27. Condition: Very good but with few casting mistakes on the back

A very rare and finely cast bronze image of the Daoist goddess “The Mysterious Lady of the Ninth Heaven” (chinese: Jiu Tian Xuan Nu). She is depicted standing on a stylised cloud and holds ritual implements in both hands, a sword in her right hand while the left hand holds a gourd. Remains of cold gilt. China, Ming, 16th century. H 22,5 cm. Condition: Very good, but sward blade broken off and of course with some loss to the cold gilt.

Small cast bronze incense burner in the shape of a duck. The bird is lying on its folded legs and gracefully twists its neck to groom its plumage. There has never been a lid because the opening on its back is clean without grooves and without any trace of friction or wear. The carving is of good quality, the eyes and nostrils are particularly well executed. Chinese work from the 18th century or much earlier. Below, between the legs, the bronze cracked and was repaired with tin solder...

A set of 2 Antique QING DYNASTY Chinese hand carved CRYSTAL SCULPTURES, 19th Century. One has 2 dangling rings, 1 on each side, as well as a beautiful FOO DOG on top. It is comprised of 2 perfectly fitting pieces, as shown in the photo. The other one depicts 2 finely carved Salamanders. One is large, climbing up on one side of the vessel, the other smaller one is on the front of one side. Weight: for both 490 gr. Size: Height 12.5 cm. for one, and 10 cm...

An authentic marble stele fragment depicting an Apsara, measuring 4-3/4" in height by 3-1/2" in width. The carving is very well done and the details are crisp. The surface retains its original patina. A very fine example, mounted on a custom stand (the base of the sculpture has been drilled with a hole to accommodate the shaft). Please see the photos, as they are a part of the description.

Carved bamboo statuette representing Shou Lao, Chinese god of longevity. The god is represented standing, holding a peach in one hand and a stick ending in a mushroom Ling-zhi in the other, all the attributes of long life. The carving is precise, as can be judged by the regular parallelism of the hairs of the beard. The sculpture is elegant, the movements of the dress are harmonious and the finishes are of good quality. The bamboo has a nice old patina...

This is a diminutive portrayal of a crowned Buddhist figure, most likely a Bodhisattva, dating to circa the 6th century AD, Northern Qi dynasty. Note that the nose and areas of the forehead are darker than the rest of the stone, indicating that they have been rubbed by the hands of worshippers over the centuries, creating a "sweat stain" darkening of the stone...

Statue of a Taoist deity --- maybe a judge in Hell --- in mandarin attire, sitting on a throne, his hands in praying posture. Lacquered and gilt wood. China, Qing dynasty, 18th century. Height: 20.2 cm. Old woodworm attacks (no more danger) lacquering and gilding partly flaked, otherwise very good condition.

Description:

2023 is the Year of Hare in Chinese Lunar Calendar.
Here is an ancient marble weight which was carved as a hare in crouching posture.
It was believed being used as a stone weight in 6th century to 9th century.
Well carved in vivid look, the piece was left on the suface with ancient residues in the crevices of the limbs.
The stone quality was in greasy and smooth feel.
It was well preserved despite some defects on four corners of the base...

Antique Chinese soapstone carving of a seated arhat...